microsoft--graphrag/tests/verbs/data/covariates.csv

1	id	human_readable_id	covariate_type	type	description	subject_id	object_id	status	start_date	end_date	source_text	text_unit_id
2	b1ab4c97-a6f1-4ce9-be39-101007b485a4	0	claim	AUTHORSHIP	Charles Dickens is confirmed as the author of "A Christmas Carol," as stated in the document's title and author section, and signed in the preface as "C. D." in December 1843.	CHARLES DICKENS	NONE	TRUE	1843-12-01T00:00:00	1843-12-31T00:00:00	Author: Charles Dickens; Their faithful Friend and Servant, C. D. _December, 1843._	f5b3fc5174b1a578f353e3c6341d6059b8c1b0fb837762000649f144be2692dc899f64ffb7b793f34d9f46b933c51720e5b1e91b5ab87bcf2e6fa8a0dce50fc0
3	f1b7d035-775c-40d1-8678-5985e460938c	1	claim	ILLUSTRATION	Arthur Rackham is confirmed as the illustrator of "A Christmas Carol," as stated in the document's title and illustration section.	ARTHUR RACKHAM	NONE	TRUE	1915-01-01T00:00:00	1915-12-31T00:00:00	Illustrator: Arthur Rackham; ILLUSTRATED BY ARTHUR RACKHAM	f5b3fc5174b1a578f353e3c6341d6059b8c1b0fb837762000649f144be2692dc899f64ffb7b793f34d9f46b933c51720e5b1e91b5ab87bcf2e6fa8a0dce50fc0
4	810d96e4-efb3-4d71-b186-0227f54e956f	2	claim	PUBLICATION	J. B. Lippincott Company is confirmed as the original publisher of "A Christmas Carol" in Philadelphia and New York in 1915.	J. B. LIPPINCOTT COMPANY	NONE	TRUE	1915-01-01T00:00:00	1915-12-31T00:00:00	Original publication: Philadelphia and New York: J. B. Lippincott Company,, 1915	f5b3fc5174b1a578f353e3c6341d6059b8c1b0fb837762000649f144be2692dc899f64ffb7b793f34d9f46b933c51720e5b1e91b5ab87bcf2e6fa8a0dce50fc0
5	e93ee0f9-7cfd-448c-bc27-cd2efaf51d69	3	claim	DIGITAL DISTRIBUTION	Project Gutenberg is confirmed as the distributor of the eBook version of "A Christmas Carol," released on December 24, 2007.	PROJECT GUTENBERG	NONE	TRUE	2007-12-24T00:00:00	2007-12-24T00:00:00	The Project Gutenberg eBook of A Christmas Carol; Release date: December 24, 2007 [eBook #24022]	f5b3fc5174b1a578f353e3c6341d6059b8c1b0fb837762000649f144be2692dc899f64ffb7b793f34d9f46b933c51720e5b1e91b5ab87bcf2e6fa8a0dce50fc0
6	302ce252-1cde-4b73-976a-f3638be59287	4	claim	GEOGRAPHIC DISTRIBUTION	The eBook is available for use in the United States and most other parts of the world, as stated in the distribution notice.	UNITED STATES	NONE	TRUE	2007-12-24T00:00:00	2007-12-24T00:00:00	This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever.	f5b3fc5174b1a578f353e3c6341d6059b8c1b0fb837762000649f144be2692dc899f64ffb7b793f34d9f46b933c51720e5b1e91b5ab87bcf2e6fa8a0dce50fc0
7	54b66c91-ab36-4281-81a5-6f1f5860050a	5	claim	PUBLICATION LOCATION	Philadelphia is confirmed as one of the original publication locations for "A Christmas Carol" by J. B. Lippincott Company.	PHILADELPHIA	NONE	TRUE	1915-01-01T00:00:00	1915-12-31T00:00:00	Original publication: Philadelphia and New York: J. B. Lippincott Company,, 1915	f5b3fc5174b1a578f353e3c6341d6059b8c1b0fb837762000649f144be2692dc899f64ffb7b793f34d9f46b933c51720e5b1e91b5ab87bcf2e6fa8a0dce50fc0
8	fe139252-f4dd-40dc-af9f-f31414bee982	6	claim	PUBLICATION LOCATION	New York is confirmed as one of the original publication locations for "A Christmas Carol" by J. B. Lippincott Company.	NEW YORK	NONE	TRUE	1915-01-01T00:00:00	1915-12-31T00:00:00	Original publication: Philadelphia and New York: J. B. Lippincott Company,, 1915	f5b3fc5174b1a578f353e3c6341d6059b8c1b0fb837762000649f144be2692dc899f64ffb7b793f34d9f46b933c51720e5b1e91b5ab87bcf2e6fa8a0dce50fc0
9	e16bdc4c-7d3d-4e93-ae36-345e5d8c4802	7	claim	LITERARY WORK	"A Christmas Carol" is confirmed as the title and subject of the document, originally published in December 1843.	A CHRISTMAS CAROL	NONE	TRUE	1843-12-01T00:00:00	1843-12-31T00:00:00	Title: A Christmas Carol; _December, 1843._	f5b3fc5174b1a578f353e3c6341d6059b8c1b0fb837762000649f144be2692dc899f64ffb7b793f34d9f46b933c51720e5b1e91b5ab87bcf2e6fa8a0dce50fc0
10	45e43fe0-12b3-4d60-9302-d6956e523691	8	claim	DIGITAL PRODUCTION	Suzanne Shell is credited as one of the producers of the digital version of "A Christmas Carol" for Project Gutenberg.	SUZANNE SHELL	NONE	TRUE	2007-12-24T00:00:00	2007-12-24T00:00:00	Credits: Produced by Suzanne Shell, Janet Blenkinship and the Online Distributed Proofreading Team at http://www.pgdp.net	f5b3fc5174b1a578f353e3c6341d6059b8c1b0fb837762000649f144be2692dc899f64ffb7b793f34d9f46b933c51720e5b1e91b5ab87bcf2e6fa8a0dce50fc0
11	a4d9751e-dc4d-4196-b6b7-3ae68e0d8ff9	9	claim	DIGITAL PRODUCTION	Janet Blenkinship is credited as one of the producers of the digital version of "A Christmas Carol" for Project Gutenberg.	JANET BLENKINSHIP	NONE	TRUE	2007-12-24T00:00:00	2007-12-24T00:00:00	Credits: Produced by Suzanne Shell, Janet Blenkinship and the Online Distributed Proofreading Team at http://www.pgdp.net	f5b3fc5174b1a578f353e3c6341d6059b8c1b0fb837762000649f144be2692dc899f64ffb7b793f34d9f46b933c51720e5b1e91b5ab87bcf2e6fa8a0dce50fc0
12	b8b6df3e-33e1-4b37-b81e-cc303802876d	10	claim	DIGITAL PRODUCTION	The Online Distributed Proofreading Team is credited as one of the producers of the digital version of "A Christmas Carol" for Project Gutenberg.	ONLINE DISTRIBUTED PROOFREADING TEAM	NONE	TRUE	2007-12-24T00:00:00	2007-12-24T00:00:00	Credits: Produced by Suzanne Shell, Janet Blenkinship and the Online Distributed Proofreading Team at http://www.pgdp.net	f5b3fc5174b1a578f353e3c6341d6059b8c1b0fb837762000649f144be2692dc899f64ffb7b793f34d9f46b933c51720e5b1e91b5ab87bcf2e6fa8a0dce50fc0
13	c9f52e7b-1e7f-45cd-a2f5-f12fea09c996	11	claim	FICTIONAL EVENT	Marley's Ghost is listed as a key event (Stave One) in the contents of "A Christmas Carol," representing the appearance of Jacob Marley's ghost to Scrooge.	MARLEY'S GHOST	NONE	TRUE	NONE	NONE	STAVE ONE--MARLEY'S GHOST	f5b3fc5174b1a578f353e3c6341d6059b8c1b0fb837762000649f144be2692dc899f64ffb7b793f34d9f46b933c51720e5b1e91b5ab87bcf2e6fa8a0dce50fc0
14	89be00d7-a40b-4f30-8b07-be4037301af1	12	claim	FICTIONAL EVENT	The First of the Three Spirits is listed as a key event (Stave Two) in the contents of "A Christmas Carol," representing the visitation of the Ghost of Christmas Past.	THE FIRST OF THE THREE SPIRITS	NONE	TRUE	NONE	NONE	STAVE TWO--THE FIRST OF THE THREE SPIRITS	f5b3fc5174b1a578f353e3c6341d6059b8c1b0fb837762000649f144be2692dc899f64ffb7b793f34d9f46b933c51720e5b1e91b5ab87bcf2e6fa8a0dce50fc0
15	b28ef066-6917-42af-af4b-2f80170bfaec	13	claim	FICTIONAL EVENT	The Second of the Three Spirits is listed as a key event (Stave Three) in the contents of "A Christmas Carol," representing the visitation of the Ghost of Christmas Present.	THE SECOND OF THE THREE SPIRITS	NONE	TRUE	NONE	NONE	STAVE THREE--THE SECOND OF THE THREE SPIRITS	f5b3fc5174b1a578f353e3c6341d6059b8c1b0fb837762000649f144be2692dc899f64ffb7b793f34d9f46b933c51720e5b1e91b5ab87bcf2e6fa8a0dce50fc0
16	3c6590cb-9d41-4e0d-8108-480ad11fcf79	14	claim	FICTIONAL EVENT	The Last of the Spirits is listed as a key event (Stave Four) in the contents of "A Christmas Carol," representing the visitation of the Ghost of Christmas Yet to Come.	THE LAST OF THE SPIRITS	NONE	TRUE	NONE	NONE	STAVE FOUR--THE LAST OF THE SPIRITS	f5b3fc5174b1a578f353e3c6341d6059b8c1b0fb837762000649f144be2692dc899f64ffb7b793f34d9f46b933c51720e5b1e91b5ab87bcf2e6fa8a0dce50fc0
17	1b85713c-a4fd-4cad-a28d-c81757b33400	15	claim	FICTIONAL EVENT	The End of It is listed as a key event (Stave Five) in the contents of "A Christmas Carol," representing the conclusion of the story.	THE END OF IT	NONE	TRUE	NONE	NONE	STAVE FIVE--THE END OF IT	f5b3fc5174b1a578f353e3c6341d6059b8c1b0fb837762000649f144be2692dc899f64ffb7b793f34d9f46b933c51720e5b1e91b5ab87bcf2e6fa8a0dce50fc0
18	f59cb3c6-db57-4be1-b9f7-48a4ec519985	16	claim	FICTIONAL CHARACTER	Bob Cratchit is listed as a character, described as clerk to Ebenezer Scrooge.	BOB CRATCHIT	NONE	TRUE	NONE	NONE	Bob Cratchit, clerk to Ebenezer Scrooge.	f5b3fc5174b1a578f353e3c6341d6059b8c1b0fb837762000649f144be2692dc899f64ffb7b793f34d9f46b933c51720e5b1e91b5ab87bcf2e6fa8a0dce50fc0
19	7fe10083-a58e-430b-ae06-29c17dc016d7	17	claim	FICTIONAL CHARACTER	Peter Cratchit is listed as a character, son of Bob Cratchit.	PETER CRATCHIT	NONE	TRUE	NONE	NONE	Peter Cratchit, a son of the preceding.	f5b3fc5174b1a578f353e3c6341d6059b8c1b0fb837762000649f144be2692dc899f64ffb7b793f34d9f46b933c51720e5b1e91b5ab87bcf2e6fa8a0dce50fc0
20	4b93c720-8f88-4770-ac5b-a8629dcf2e3d	18	claim	FICTIONAL CHARACTER	Tim Cratchit ("Tiny Tim") is listed as a character, a cripple and youngest son of Bob Cratchit.	TIM CRATCHIT	NONE	TRUE	NONE	NONE	Tim Cratchit ("Tiny Tim"), a cripple, youngest son of Bob Cratchit.	f5b3fc5174b1a578f353e3c6341d6059b8c1b0fb837762000649f144be2692dc899f64ffb7b793f34d9f46b933c51720e5b1e91b5ab87bcf2e6fa8a0dce50fc0
21	3f97f89c-cd0d-4e1d-a991-bff4ce72cf69	19	claim	FICTIONAL CHARACTER	Mr. Fezziwig is listed as a character, described as a kind-hearted, jovial old merchant.	MR. FEZZIWIG	NONE	TRUE	NONE	NONE	Mr. Fezziwig, a kind-hearted, jovial old merchant.	f5b3fc5174b1a578f353e3c6341d6059b8c1b0fb837762000649f144be2692dc899f64ffb7b793f34d9f46b933c51720e5b1e91b5ab87bcf2e6fa8a0dce50fc0
22	64a7bbcb-f25c-42d5-b622-81ec2779ccf2	20	claim	FICTIONAL CHARACTER	Fred is listed as a character, Scrooge's nephew.	FRED	NONE	TRUE	NONE	NONE	Fred, Scrooge's nephew.	f5b3fc5174b1a578f353e3c6341d6059b8c1b0fb837762000649f144be2692dc899f64ffb7b793f34d9f46b933c51720e5b1e91b5ab87bcf2e6fa8a0dce50fc0
23	547d8482-5e8c-4bf2-88df-d87c0da4a411	21	claim	FICTIONAL CHARACTER	Ghost of Christmas Past is listed as a character, a phantom showing things past.	GHOST OF CHRISTMAS PAST	NONE	TRUE	NONE	NONE	Ghost of Christmas Past, a phantom showing things past.	f5b3fc5174b1a578f353e3c6341d6059b8c1b0fb837762000649f144be2692dc899f64ffb7b793f34d9f46b933c51720e5b1e91b5ab87bcf2e6fa8a0dce50fc0
24	c76d4e14-d1b1-417b-8ee4-c2daa02e7683	22	claim	FICTIONAL CHARACTER	Ghost of Christmas Present is listed as a character, a spirit of a kind, generous, and hearty nature.	GHOST OF CHRISTMAS PRESENT	NONE	TRUE	NONE	NONE	Ghost of Christmas Present, a spirit of a kind, generous, and hearty nature.	f5b3fc5174b1a578f353e3c6341d6059b8c1b0fb837762000649f144be2692dc899f64ffb7b793f34d9f46b933c51720e5b1e91b5ab87bcf2e6fa8a0dce50fc0
25	690f1cba-6dde-437f-8dda-35ab3975f5b5	23	claim	FICTIONAL CHARACTER	Ghost of Christmas Yet to Come is listed as a character, an apparition showing the shadows of things which yet may happen.	GHOST OF CHRISTMAS YET TO COME	NONE	TRUE	NONE	NONE	Ghost of Christmas Yet to Come, an apparition showing the shadows of things which yet may happen.	f5b3fc5174b1a578f353e3c6341d6059b8c1b0fb837762000649f144be2692dc899f64ffb7b793f34d9f46b933c51720e5b1e91b5ab87bcf2e6fa8a0dce50fc0
26	1f0192e3-6fbb-41f7-b4c0-731e0edfa5c0	24	claim	FICTIONAL CHARACTER	Ghost of Jacob Marley is listed as a character, a spectre of Scrooge's former partner in business.	GHOST OF JACOB MARLEY	NONE	TRUE	NONE	NONE	Ghost of Jacob Marley, a spectre of Scrooge's former partner in business.	f5b3fc5174b1a578f353e3c6341d6059b8c1b0fb837762000649f144be2692dc899f64ffb7b793f34d9f46b933c51720e5b1e91b5ab87bcf2e6fa8a0dce50fc0
27	657365e5-6aa0-4fc0-8b2f-e7dd259541d9	25	claim	FICTIONAL CHARACTER	Joe is listed as a character, a marine-store dealer and receiver of stolen goods.	JOE	NONE	TRUE	NONE	NONE	Joe, a marine-store dealer and receiver of stolen goods.	f5b3fc5174b1a578f353e3c6341d6059b8c1b0fb837762000649f144be2692dc899f64ffb7b793f34d9f46b933c51720e5b1e91b5ab87bcf2e6fa8a0dce50fc0
28	8ff93fa8-7e77-4868-a114-4d39fe9d3c07	26	claim	FICTIONAL CHARACTER	Ebenezer Scrooge is listed as a character, a grasping, covetous old man, the surviving partner of the firm of Scrooge and Marley.	EBENEZER SCROOGE	NONE	TRUE	NONE	NONE	Ebenezer Scrooge, a grasping, covetous old man, the surviving partner of the firm of Scrooge and Marley.	f5b3fc5174b1a578f353e3c6341d6059b8c1b0fb837762000649f144be2692dc899f64ffb7b793f34d9f46b933c51720e5b1e91b5ab87bcf2e6fa8a0dce50fc0
29	30817d7c-f4fe-4a90-8739-16621b81fdda	27	claim	FICTIONAL CHARACTER	Mr. Topper is listed as a character, a bachelor.	MR. TOPPER	NONE	TRUE	NONE	NONE	Mr. Topper, a bachelor.	f5b3fc5174b1a578f353e3c6341d6059b8c1b0fb837762000649f144be2692dc899f64ffb7b793f34d9f46b933c51720e5b1e91b5ab87bcf2e6fa8a0dce50fc0
30	8feffee2-b4cc-463c-8048-9cc500e6114b	28	claim	FICTIONAL CHARACTER	Dick Wilkins is listed as a character, a fellow apprentice of Scrooge's.	DICK WILKINS	NONE	TRUE	NONE	NONE	Dick Wilkins, a fellow apprentice of Scrooge's.	f5b3fc5174b1a578f353e3c6341d6059b8c1b0fb837762000649f144be2692dc899f64ffb7b793f34d9f46b933c51720e5b1e91b5ab87bcf2e6fa8a0dce50fc0
31	1d714284-a283-46b8-b256-00814ba0006d	29	claim	FICTIONAL CHARACTER	Belle is listed as a character, a comely matron and old sweetheart of Scrooge's.	BELLE	NONE	TRUE	NONE	NONE	Belle, a comely matron, an old sweetheart of Scrooge's.	f5b3fc5174b1a578f353e3c6341d6059b8c1b0fb837762000649f144be2692dc899f64ffb7b793f34d9f46b933c51720e5b1e91b5ab87bcf2e6fa8a0dce50fc0
32	389db2ad-30ae-494a-a858-06d9dded85a9	30	claim	FICTIONAL CHARACTER	Caroline is listed as a character, wife of one of Scrooge's debtors.	CAROLINE	NONE	TRUE	NONE	NONE	Caroline, wife of one of Scrooge's debtors.	f5b3fc5174b1a578f353e3c6341d6059b8c1b0fb837762000649f144be2692dc899f64ffb7b793f34d9f46b933c51720e5b1e91b5ab87bcf2e6fa8a0dce50fc0
33	db75ae64-f196-4d67-9b2d-cd660f74893a	31	claim	FICTIONAL CHARACTER	Mrs. Cratchit is listed as a character, wife of Bob Cratchit.	MRS. CRATCHIT	NONE	TRUE	NONE	NONE	Mrs. Cratchit, wife of Bob Cratchit.	f5b3fc5174b1a578f353e3c6341d6059b8c1b0fb837762000649f144be2692dc899f64ffb7b793f34d9f46b933c51720e5b1e91b5ab87bcf2e6fa8a0dce50fc0
34	62d5b5d4-bb28-4629-9982-b2418d132cae	32	claim	FICTIONAL CHARACTER	Belinda Cratchit is listed as a character, daughter of Mrs. Cratchit.	BELINDA CRATCHIT	NONE	TRUE	NONE	NONE	Belinda and Martha Cratchit, daughters of the preceding.	f5b3fc5174b1a578f353e3c6341d6059b8c1b0fb837762000649f144be2692dc899f64ffb7b793f34d9f46b933c51720e5b1e91b5ab87bcf2e6fa8a0dce50fc0
35	199fe625-753d-4cb1-9a7d-b47fc67af15b	33	claim	FICTIONAL CHARACTER	Martha Cratchit is listed as a character, daughter of Mrs. Cratchit.	MARTHA CRATCHIT	NONE	TRUE	NONE	NONE	Belinda and Martha Cratchit, daughters of the preceding.	f5b3fc5174b1a578f353e3c6341d6059b8c1b0fb837762000649f144be2692dc899f64ffb7b793f34d9f46b933c51720e5b1e91b5ab87bcf2e6fa8a0dce50fc0
36	45d7a84c-93b9-4253-8970-e0fb3bb927e1	34	claim	FICTIONAL CHARACTER	Mrs. Dilber is listed as a character, a laundress.	MRS. DILBER	NONE	TRUE	NONE	NONE	Mrs. Dilber, a laundress.	f5b3fc5174b1a578f353e3c6341d6059b8c1b0fb837762000649f144be2692dc899f64ffb7b793f34d9f46b933c51720e5b1e91b5ab87bcf2e6fa8a0dce50fc0
37	efc771df-ee09-40b3-a6d1-322bbeeb3993	35	claim	FICTIONAL CHARACTER	Fan is listed as a character, the sister of Scrooge.	FAN	NONE	TRUE	NONE	NONE	Fan, the sister of Scrooge.	f5b3fc5174b1a578f353e3c6341d6059b8c1b0fb837762000649f144be2692dc899f64ffb7b793f34d9f46b933c51720e5b1e91b5ab87bcf2e6fa8a0dce50fc0
38	9c5a6138-f8fe-4d4f-b155-b7676d804047	36	claim	FICTIONAL CHARACTER	Mrs. Fezziwig is listed as a character, the worthy partner of Mr. Fezziwig.	MRS. FEZZIWIG	NONE	TRUE	NONE	NONE	Mrs. Fezziwig, the worthy partner of Mr. Fezziwig.	f5b3fc5174b1a578f353e3c6341d6059b8c1b0fb837762000649f144be2692dc899f64ffb7b793f34d9f46b933c51720e5b1e91b5ab87bcf2e6fa8a0dce50fc0
39	8a2baadf-202b-4508-b88e-3c2084d39e1c	37	claim	BUSINESS PARTNERSHIP	Scrooge and Marley were business partners for many years, with Scrooge being Marley's sole executor, administrator, assign, residuary legatee, friend, and mourner. The firm was known as "Scrooge and Marley," and Scrooge answered to both names.	SCROOGE	MARLEY	TRUE	NONE	NONE	Scrooge and he were partners for I don't know how many years. Scrooge was his sole executor, his sole administrator, his sole assign, his sole residuary legatee, his sole friend, and sole mourner. ... Scrooge never painted out Old Marley's name. There it stood, years afterwards, above the warehouse door: Scrooge and Marley. The firm was known as Scrooge and Marley. Sometimes people new to the business called Scrooge Scrooge, and sometimes Marley, but he answered to both names. It was all the same to him.	cc122b1fa15186c850196c9ccc03a7727a3a0786f5418099672590936b7ce64e08a38ad70183a982dd617a67e1e0836b52a4b959a3d53b4d88437360c08a663a
40	70c67175-336d-4583-9db1-f31a7bd6f1ec	38	claim	DEATH	Marley was confirmed to be dead at the beginning of the story, with the register of his burial signed by several officials and Scrooge himself.	MARLEY	NONE	TRUE	NONE	NONE	Marley was dead, to begin with. There is no doubt whatever about that. The register of his burial was signed by the clergyman, the clerk, the undertaker, and the chief mourner. Scrooge signed it. And Scrooge's name was good upon 'Change for anything he chose to put his hand to. Old Marley was as dead as a door-nail. ... There is no doubt that Marley was dead. This must be distinctly understood, or nothing wonderful can come of the story I am going to relate.	cc122b1fa15186c850196c9ccc03a7727a3a0786f5418099672590936b7ce64e08a38ad70183a982dd617a67e1e0836b52a4b959a3d53b4d88437360c08a663a
41	80f1eee9-a658-41d8-b94e-7a54fb05434b	39	claim	CHARACTER DESCRIPTION	Scrooge is described as a tight-fisted, squeezing, wrenching, grasping, scraping, clutching, covetous old sinner, hard and sharp as flint, secret, self-contained, and solitary as an oyster. He is portrayed as cold and unfeeling.	SCROOGE	NONE	TRUE	NONE	NONE	Oh! but he was a tight-fisted hand at the grindstone, Scrooge! a squeezing, wrenching, grasping, scraping, clutching, covetous old sinner! Hard and sharp as flint, from which no steel had ever struck out generous fire; secret, and self-contained, and solitary as an oyster. The cold within him froze his old features, nipped his pointed nose, shrivelled his cheek, stiffened his gait; made his eyes red, his thin lips blue; and spoke out shrewdly in his grating voice.	cc122b1fa15186c850196c9ccc03a7727a3a0786f5418099672590936b7ce64e08a38ad70183a982dd617a67e1e0836b52a4b959a3d53b4d88437360c08a663a
42	e46bd9c0-6f65-44f4-bc58-89a2d382afda	40	claim	FAMILY RELATIONSHIP	Scrooge is Fred's uncle, as indicated by Scrooge's statement when he comes to dinner.	SCROOGE	FRED	TRUE	NONE	NONE	"It's I, your uncle Scrooge. I have come to dinner. Will you let me in, Fred?"	cc122b1fa15186c850196c9ccc03a7727a3a0786f5418099672590936b7ce64e08a38ad70183a982dd617a67e1e0836b52a4b959a3d53b4d88437360c08a663a
43	3cf6a104-c1ed-4cdd-849f-2bcb1c31e03b	41	claim	DECISION MAKING	Scrooge expresses a decision to no longer tolerate a certain situation, indicating a change in his attitude or behavior.	SCROOGE	NONE	TRUE	NONE	NONE	"Now, I'll tell you what, my friend," said Scrooge. "I am not going to stand this sort of thing any longer."	cc122b1fa15186c850196c9ccc03a7727a3a0786f5418099672590936b7ce64e08a38ad70183a982dd617a67e1e0836b52a4b959a3d53b4d88437360c08a663a
44	4edb3479-703f-4e8d-b8ee-68948bced9c4	42	claim	QUESTIONING ACTIONS	Joe questions the woman about taking down bed-curtains with the rings while someone was lying there, indicating suspicion or surprise at her actions.	JOE	NONE	TRUE	NONE	NONE	"You don't mean to say you took 'em down, rings and all, with him lying there?" said Joe.	cc122b1fa15186c850196c9ccc03a7727a3a0786f5418099672590936b7ce64e08a38ad70183a982dd617a67e1e0836b52a4b959a3d53b4d88437360c08a663a
45	f2674bd7-1100-4705-af7d-b37708bf4fc2	43	claim	TAKING PROPERTY	The woman admits to taking down bed-curtains, rings and all, with someone lying there, suggesting she took property from a deceased or incapacitated person.	WOMAN	NONE	TRUE	NONE	NONE	"Yes, I do," replied the woman. "Why not?"	cc122b1fa15186c850196c9ccc03a7727a3a0786f5418099672590936b7ce64e08a38ad70183a982dd617a67e1e0836b52a4b959a3d53b4d88437360c08a663a
46	72919555-0241-411a-b853-21a8152d137a	44	claim	DANCE PARTNER	Mrs. Fezziwig danced with old Fezziwig, indicating a social relationship or partnership.	MRS. FEZZIWIG	FEZZIWIG	TRUE	NONE	NONE	Then old Fezziwig stood out to dance with Mrs. Fezziwig	cc122b1fa15186c850196c9ccc03a7727a3a0786f5418099672590936b7ce64e08a38ad70183a982dd617a67e1e0836b52a4b959a3d53b4d88437360c08a663a
47	80220103-b12f-4d11-8fbc-58cd145b691c	45	claim	SOLEMN BUSINESS CONDUCT	Scrooge was not deeply affected by Marley's death and was an excellent man of business on the day of the funeral, solemnizing it with a bargain.	SCROOGE	NONE	TRUE	NONE	NONE	And even Scrooge was not so dreadfully cut up by the sad event but that he was an excellent man of business on the very day of the funeral, and solemnised it with an undoubted bargain.	cc122b1fa15186c850196c9ccc03a7727a3a0786f5418099672590936b7ce64e08a38ad70183a982dd617a67e1e0836b52a4b959a3d53b4d88437360c08a663a
48	8a4e1c09-302c-4664-878c-5b0f44814c8f	46	claim	CHARACTER DESCRIPTION	The portly gentlemen are described as pleasant to behold.	PORTLY GENTLEMEN	NONE	TRUE	NONE	NONE	They were portly gentlemen, pleasant to behold	cc122b1fa15186c850196c9ccc03a7727a3a0786f5418099672590936b7ce64e08a38ad70183a982dd617a67e1e0836b52a4b959a3d53b4d88437360c08a663a
49	73b5087e-763f-4dad-8cca-5d53b015ba5a	47	claim	CHEERFULNESS	The climate is described as not very cheerful.	CLIMATE	NONE	TRUE	NONE	NONE	There was nothing very cheerful in the climate	cc122b1fa15186c850196c9ccc03a7727a3a0786f5418099672590936b7ce64e08a38ad70183a982dd617a67e1e0836b52a4b959a3d53b4d88437360c08a663a
50	4643c44f-7965-45f3-9acc-e96e2eadda8b	48	claim	BLOOD-HORSE	Someone had been Tim's blood-horse all the way from church, indicating a close relationship or assistance.	TIM	NONE	TRUE	NONE	NONE	He had been Tim's blood-horse all the way from church	cc122b1fa15186c850196c9ccc03a7727a3a0786f5418099672590936b7ce64e08a38ad70183a982dd617a67e1e0836b52a4b959a3d53b4d88437360c08a663a
51	69473467-efc1-4f19-835b-523c0ba9abc7	49	claim	DEATH	It is suggested that Old Scratch has "got his own at last," which may imply death or some other fate, but the exact meaning is ambiguous.	OLD SCRATCH	NONE	SUSPECTED	NONE	NONE	"Old Scratch has got his own at last, hey?"	cc122b1fa15186c850196c9ccc03a7727a3a0786f5418099672590936b7ce64e08a38ad70183a982dd617a67e1e0836b52a4b959a3d53b4d88437360c08a663a
52	86fb8951-14dd-4e61-9d25-c0934c205d32	50	claim	NEGATIVE CHARACTER TRAITS	Scrooge is described as a "clutching, covetous old sinner," "hard and sharp as flint," "secret, and self-contained, and solitary as an oyster." He is portrayed as cold, unfeeling, and unsympathetic, with no warmth or kindness towards others. These traits are repeatedly emphasized throughout the text, indicating a confirmed negative characterization.	SCROOGE	NONE	TRUE	NONE	NONE	clutching, covetous old sinner! Hard and sharp as flint, from which no steel had ever struck out generous fire; secret, and self-contained, and solitary as an oyster. The cold within him froze his old features, nipped his pointed nose, shrivelled his cheek, stiffened his gait; made his eyes red, his thin lips blue; and spoke out shrewdly in his grating voice. A frosty rime was on his head, and on his eyebrows, and his wiry chin. He carried his own low temperature always about with him; he iced his office in the dog-days, and didn't thaw it one degree at Christmas.	f62d621e359ea21d4b0538826ebc26f164987e93a2d9740728f2be74f000c804d3f6926ce7176ef4a8e20f802226c4f8218e9dffcbb826da4edd4270c14ceffa
53	b7aa0105-8d4d-4341-8439-7c6d888d175e	51	claim	LACK OF GENEROSITY	Scrooge is depicted as extremely ungenerous, refusing to give to beggars, ignoring children, and never giving anything away. He is contrasted with the weather, which "came down handsomely," while "Scrooge never did." This is a confirmed fact based on the text.	SCROOGE	NONE	TRUE	NONE	NONE	No beggars implored him to bestow a trifle, no children asked him what it was o'clock, no man or woman ever once in all his life inquired the way to such and such a place, of Scrooge. ... They often 'came down' handsomely, and Scrooge never did.	f62d621e359ea21d4b0538826ebc26f164987e93a2d9740728f2be74f000c804d3f6926ce7176ef4a8e20f802226c4f8218e9dffcbb826da4edd4270c14ceffa
54	8de78aa6-77cd-42cb-b7e9-4b154b9a6b8e	52	claim	SOCIAL ISOLATION	Scrooge is described as socially isolated, with nobody ever stopping him in the street, no one asking him for help or directions, and even dogs avoiding him. This is a confirmed fact based on the text.	SCROOGE	NONE	TRUE	NONE	NONE	Nobody ever stopped him in the street to say, with gladsome looks, 'My dear Scrooge, how are you? When will you come to see me?' No beggars implored him to bestow a trifle, no children asked him what it was o'clock, no man or woman ever once in all his life inquired the way to such and such a place, of Scrooge. Even the blind men's dogs appeared to know him; and, when they saw him coming on, would tug their owners into doorways and up courts; and then would wag their tails as though they said, 'No eye at all is better than an evil eye, dark master!'	f62d621e359ea21d4b0538826ebc26f164987e93a2d9740728f2be74f000c804d3f6926ce7176ef4a8e20f802226c4f8218e9dffcbb826da4edd4270c14ceffa
55	17ea148a-6e1e-451c-b1f6-b4c47bfd819e	53	claim	DISLIKE OF HUMAN SYMPATHY	Scrooge is said to enjoy keeping human sympathy at a distance, finding pleasure in avoiding social interaction and emotional connection.	SCROOGE	NONE	TRUE	NONE	NONE	To edge his way along the crowded paths of life, warning all human sympathy to keep its distance, was what the knowing ones call 'nuts' to Scrooge.	f62d621e359ea21d4b0538826ebc26f164987e93a2d9740728f2be74f000c804d3f6926ce7176ef4a8e20f802226c4f8218e9dffcbb826da4edd4270c14ceffa
56	a98524ca-e854-4ff1-b57e-a2736481afeb	54	claim	UNFAIR TREATMENT OF EMPLOYEES	Scrooge is shown to treat his clerk unfairly, providing him with a very small fire and keeping the coal-box in his own room, threatening to part with the clerk if he tries to replenish the fire. This demonstrates a lack of concern for the clerk's comfort and well-being.	SCROOGE	CLERK	TRUE	NONE	NONE	Scrooge had a very small fire, but the clerk's fire was so very much smaller that it looked like one coal. But he couldn't replenish it, for Scrooge kept the coal-box in his own room; and so surely as the clerk came in with the shovel, the master predicted that it would be necessary for them to part.	f62d621e359ea21d4b0538826ebc26f164987e93a2d9740728f2be74f000c804d3f6926ce7176ef4a8e20f802226c4f8218e9dffcbb826da4edd4270c14ceffa
57	6d0c40e7-9bde-4cf9-a143-6d85467748d4	55	claim	DISMISSAL OF CHRISTMAS	Scrooge dismisses Christmas as a "humbug" and expresses disdain for the holiday, even when his nephew greets him cheerfully and tries to persuade him otherwise.	SCROOGE	NEPHEW	TRUE	NONE	NONE	'A merry Christmas, uncle! God save you!' cried a cheerful voice. It was the voice of Scrooge's nephew... 'Bah!' said Scrooge. 'Humbug!' ... 'Christmas a humbug, uncle!' said Scrooge's nephew. 'You don't mean that, I am sure?' 'I do,' said Scrooge.	f62d621e359ea21d4b0538826ebc26f164987e93a2d9740728f2be74f000c804d3f6926ce7176ef4a8e20f802226c4f8218e9dffcbb826da4edd4270c14ceffa
58	4d8462f7-3610-49c5-8daf-caf88a781693	56	claim	DISMISSAL OF FAMILY CONNECTIONS	Scrooge responds to his nephew's friendly approach with irritation and dismissiveness, showing little value for family relationships.	SCROOGE	NEPHEW	TRUE	NONE	NONE	'Don't be cross, uncle!' said the nephew. 'What else can I be,' returned the uncle, 'when I live in such a world of fools as this? Merry Christmas! Out upon merry Christmas!'	f62d621e359ea21d4b0538826ebc26f164987e93a2d9740728f2be74f000c804d3f6926ce7176ef4a8e20f802226c4f8218e9dffcbb826da4edd4270c14ceffa
59	ef13ec7d-32a0-4290-9d73-a518ff771cea	57	claim	FOGGY WEATHER	The city is described as having cold, bleak, biting, and foggy weather, with dense fog obscuring everything and making the houses appear as phantoms.	CITY	NONE	TRUE	NONE	NONE	It was cold, bleak, biting weather; foggy withal; and he could hear the people in the court outside go wheezing up and down, beating their hands upon their breasts, and stamping their feet upon the pavement stones to warm them. ... The fog came pouring in at every chink and keyhole, and was so dense without, that, although the court was of the narrowest, the houses opposite were mere phantoms.	f62d621e359ea21d4b0538826ebc26f164987e93a2d9740728f2be74f000c804d3f6926ce7176ef4a8e20f802226c4f8218e9dffcbb826da4edd4270c14ceffa
60	ebbe442a-d8c1-41ab-a71f-e3aef48de4c4	58	claim	PLACE OF BUSINESS	Scrooge's counting-house is described as the place where he works, with the door open so he can keep an eye on his clerk.	COUNTING-HOUSE	NONE	TRUE	NONE	NONE	Once upon a time--of all the good days in the year, on Christmas Eve--old Scrooge sat busy in his counting-house. ... The door of Scrooge's counting-house was open, that he might keep his eye upon his clerk, who in a dismal little cell beyond, a sort of tank, was copying letters.	f62d621e359ea21d4b0538826ebc26f164987e93a2d9740728f2be74f000c804d3f6926ce7176ef4a8e20f802226c4f8218e9dffcbb826da4edd4270c14ceffa
61	4b465e90-e519-40e4-8f9c-34c9b7fbf430	59	claim	EVENT OCCURRENCE	The events described take place on Christmas Eve, which is explicitly mentioned as the time of the narrative.	CHRISTMAS EVE	NONE	TRUE	NONE	NONE	Once upon a time--of all the good days in the year, on Christmas Eve--old Scrooge sat busy in his counting-house.	f62d621e359ea21d4b0538826ebc26f164987e93a2d9740728f2be74f000c804d3f6926ce7176ef4a8e20f802226c4f8218e9dffcbb826da4edd4270c14ceffa
62	e581aecc-e1f0-4ee6-a82f-7d212ae243e1	60	claim	NEGATIVE ATTITUDE TOWARDS CHRISTMAS	Scrooge expresses a strong negative attitude towards Christmas, calling it a time for paying bills without money and wishing ill upon those who celebrate it. He is described as indignant and resolute in his dislike for the holiday.	SCROOGE	NONE	TRUE	NONE	NONE	Merry Christmas! Out upon merry Christmas! What's Christmas-time to you but a time for paying bills without money; a time for finding yourself a year older, and not an hour richer; a time for balancing your books, and having every item in 'em through a round dozen of months presented dead against you? If I could work my will,' said Scrooge indignantly, 'every idiot who goes about with "Merry Christmas" on his lips should be boiled with his own pudding, and buried with a stake of holly through his heart. He should!'	a05383574c45521ff07477de95e3c0e5a18851a27c5854b65e5ba0959df277d6222311b025a1fe1327e86d0d66a941ea0803399cfcf4b563a3adf56ce1dcf9bb
63	f091eec2-80e2-4c6b-a065-e2ced1541ac0	61	claim			Let me leave it alone, then,' said Scrooge. 'Much good may it do you! Much good it has ever done you!'						a05383574c45521ff07477de95e3c0e5a18851a27c5854b65e5ba0959df277d6222311b025a1fe1327e86d0d66a941ea0803399cfcf4b563a3adf56ce1dcf9bb
64	cdbba3ad-c8bb-4a67-9afe-12e5006271e0	62	claim			Scrooge said that he would see him----Yes, indeed he did. He went the whole length of the expression, and said that he would see him in that extremity first.						a05383574c45521ff07477de95e3c0e5a18851a27c5854b65e5ba0959df277d6222311b025a1fe1327e86d0d66a941ea0803399cfcf4b563a3adf56ce1dcf9bb
65	e51e2307-2752-40de-baca-91b9242f3fa7	63	claim	POSITIVE ATTITUDE TOWARDS CHRISTMAS	Scrooge's nephew expresses a positive attitude towards Christmas, describing it as a good, kind, forgiving, charitable, and pleasant time, and believes it has done him good and will continue to do so.	SCROOGE'S NEPHEW	NONE	TRUE	NONE	NONE	But I am sure I have always thought of Christmas-time, when it has come round--apart from the veneration due to its sacred name and origin, if anything belonging to it can be apart from that--as a good time; a kind, forgiving, charitable, pleasant time; the only time I know of, in the long calendar of the year, when men and women seem by one consent to open their shut-up hearts freely, and to think of people below them as if they really were fellow-passengers to the grave, and not another race of creatures bound on other journeys. And therefore, uncle, though it has never put a scrap of gold or silver in my pocket, I believe that it _has_ done me good and _will_ do me good; and I say, God bless it!'	a05383574c45521ff07477de95e3c0e5a18851a27c5854b65e5ba0959df277d6222311b025a1fe1327e86d0d66a941ea0803399cfcf4b563a3adf56ce1dcf9bb
66	5ecb407b-fb4c-45b5-b889-19edb37f078c	64	claim	THREAT TO EMPLOYMENT	Scrooge threatens his clerk with losing his job if he hears another sound from him, indicating a harsh attitude towards his employee.	SCROOGE	CLERK	TRUE	NONE	NONE	'Let me hear another sound from _you_,' said Scrooge, 'and you'll keep your Christmas by losing your situation!'	a05383574c45521ff07477de95e3c0e5a18851a27c5854b65e5ba0959df277d6222311b025a1fe1327e86d0d66a941ea0803399cfcf4b563a3adf56ce1dcf9bb
67	89e1a0eb-471e-4d95-aef5-c02673c6171a	65	claim	FAMILY ESTRANGEMENT	Scrooge refuses to dine with his nephew and repeatedly dismisses his attempts at friendship, indicating estrangement within the family.	SCROOGE	SCROOGE'S NEPHEW	TRUE	NONE	NONE	'Don't be angry, uncle. Come! Dine with us to-morrow.'	a05383574c45521ff07477de95e3c0e5a18851a27c5854b65e5ba0959df277d6222311b025a1fe1327e86d0d66a941ea0803399cfcf4b563a3adf56ce1dcf9bb
68	9c0d4144-2e73-47f8-a12e-5f224b017ea9	66	claim			'Good afternoon,' said Scrooge.						a05383574c45521ff07477de95e3c0e5a18851a27c5854b65e5ba0959df277d6222311b025a1fe1327e86d0d66a941ea0803399cfcf4b563a3adf56ce1dcf9bb
69	51474848-829d-4831-8114-e0ae24459fab	67	claim			'I want nothing from you; I ask nothing of you; why cannot we be friends?'						a05383574c45521ff07477de95e3c0e5a18851a27c5854b65e5ba0959df277d6222311b025a1fe1327e86d0d66a941ea0803399cfcf4b563a3adf56ce1dcf9bb
70	11c337c3-62a1-4d53-acb0-ed4516626f95	68	claim			'Good afternoon!' said Scrooge.						a05383574c45521ff07477de95e3c0e5a18851a27c5854b65e5ba0959df277d6222311b025a1fe1327e86d0d66a941ea0803399cfcf4b563a3adf56ce1dcf9bb
71	759ab176-93b4-4aa8-bdff-fbc035443d05	69	claim			'I am sorry, with all my heart, to find you so resolute. We have never had any quarrel to which I have been a party. But I have made the trial in homage to Christmas, and I'll keep my Christmas humour to the last. So A Merry Christmas, uncle!'						a05383574c45521ff07477de95e3c0e5a18851a27c5854b65e5ba0959df277d6222311b025a1fe1327e86d0d66a941ea0803399cfcf4b563a3adf56ce1dcf9bb
72	4631a0e1-59df-4a5c-a8c8-332bc37a4382	70	claim			'Good afternoon,' said Scrooge.						a05383574c45521ff07477de95e3c0e5a18851a27c5854b65e5ba0959df277d6222311b025a1fe1327e86d0d66a941ea0803399cfcf4b563a3adf56ce1dcf9bb
73	3bdfab15-d1b4-42b7-9e2b-fd6a53cc6857	71	claim	LOW WAGES	Scrooge's clerk is described as earning fifteen shillings a week, which is presented as a low wage, especially considering he has a wife and family.	SCROOGE	CLERK	TRUE	NONE	NONE	'There's another fellow,' muttered Scrooge, who overheard him: 'my clerk, with fifteen shillings a week, and a wife and family, talking about a merry Christmas. I'll retire to Bedlam.'	a05383574c45521ff07477de95e3c0e5a18851a27c5854b65e5ba0959df277d6222311b025a1fe1327e86d0d66a941ea0803399cfcf4b563a3adf56ce1dcf9bb
74	312c42a2-7a2b-4aab-9aaf-f933990114ca	72	claim	BUSINESS PARTNERSHIP	Scrooge and Marley are identified as business partners, with Marley having died seven years ago.	SCROOGE AND MARLEY	NONE	TRUE	NONE	NONE	'Scrooge and Marley's, I believe,' said one of the gentlemen, referring to his list. 'Have I the pleasure of addressing Mr. Scrooge, or Mr. Marley?'	a05383574c45521ff07477de95e3c0e5a18851a27c5854b65e5ba0959df277d6222311b025a1fe1327e86d0d66a941ea0803399cfcf4b563a3adf56ce1dcf9bb
75	b8c0c719-8d2c-4bf8-8f88-d7f171bfd213	73	claim			'Mr. Marley has been dead these seven years,' Scrooge replied. 'He died seven years ago, this very night.'						a05383574c45521ff07477de95e3c0e5a18851a27c5854b65e5ba0959df277d6222311b025a1fe1327e86d0d66a941ea0803399cfcf4b563a3adf56ce1dcf9bb
76	fd914fdb-1956-4020-adcd-9cbedc3a7943	74	claim			'We have no doubt his liberality is well represented by his surviving partner,' said the gentleman, presenting his credentials.						a05383574c45521ff07477de95e3c0e5a18851a27c5854b65e5ba0959df277d6222311b025a1fe1327e86d0d66a941ea0803399cfcf4b563a3adf56ce1dcf9bb
77	866b34c7-e0a4-4380-a743-ca729189124f	75	claim	DEATH	Marley is reported to have died seven years ago, on this very night.	MARLEY	NONE	TRUE	NONE	NONE	'Mr. Marley has been dead these seven years,' Scrooge replied. 'He died seven years ago, this very night.'	a05383574c45521ff07477de95e3c0e5a18851a27c5854b65e5ba0959df277d6222311b025a1fe1327e86d0d66a941ea0803399cfcf4b563a3adf56ce1dcf9bb
78	8c645e67-64a9-4449-afb0-b2baa09e838c	76	claim	CHARITABLE ACTIVITY	The portly gentlemen are described as pleasant and are implied to be involved in charitable activities, as they are making provision for the poor and destitute at Christmas.	PORTLY GENTLEMEN	NONE	TRUE	NONE	NONE	They were portly gentlemen, pleasant to behold, and now stood, with their hats off, in Scrooge's office. They had books and papers in their hands, and bowed to him.	a05383574c45521ff07477de95e3c0e5a18851a27c5854b65e5ba0959df277d6222311b025a1fe1327e86d0d66a941ea0803399cfcf4b563a3adf56ce1dcf9bb
79	b0540c42-be0e-4b73-8352-b051f84338fd	77	claim			'At this festive season of the year, Mr. Scrooge,' said the gentleman, taking up a pen, 'it is more than usually desirable that we should make some slight provision for the poor and destitute, who suffer greatly at the present time.'						a05383574c45521ff07477de95e3c0e5a18851a27c5854b65e5ba0959df277d6222311b025a1fe1327e86d0d66a941ea0803399cfcf4b563a3adf56ce1dcf9bb
80	8bfa4689-349f-475d-b148-8bd042c5511e	78	claim	REFUSAL TO CHARITY	Scrooge refused to contribute to a charitable fund intended to provide for the poor and destitute during Christmas, stating that he wished to be left alone and that he already supported public establishments such as prisons and workhouses.	SCROOGE	NONE	TRUE	NONE	NONE	'At this festive season of the year, Mr. Scrooge,' said the gentleman, taking up a pen, 'it is more than usually desirable that we should make some slight provision for the poor and destitute, who suffer greatly at the present time. ... What shall I put you down for?' 'Nothing!' Scrooge replied. 'You wish to be anonymous?' 'I wish to be left alone,' said Scrooge. 'Since you ask me what I wish, gentlemen, that is my answer. I don't make merry myself at Christmas, and I can't afford to make idle people merry. I help to support the establishments I have mentioned--they cost enough: and those who are badly off must go there.'	9823b5d2e6ce846b8eff67ea93f41019ea27555e4c8647c992675203df7db1df714c8a098ef48ae57a7cb964f63bbd8619579c1b190e25bfcae832cea94fc29c
81	537cf9fb-b1b8-4b51-90d5-ace18685fdda	79	claim	CALLOUS ATTITUDE TOWARD THE POOR	Scrooge expressed a callous attitude toward the poor, suggesting that those who would rather die than go to the workhouses should do so to decrease the surplus population.	SCROOGE	NONE	TRUE	NONE	NONE	'Many can't go there; and many would rather die.' 'If they would rather die,' said Scrooge, 'they had better do it, and decrease the surplus population. Besides--excuse me--I don't know that.'	9823b5d2e6ce846b8eff67ea93f41019ea27555e4c8647c992675203df7db1df714c8a098ef48ae57a7cb964f63bbd8619579c1b190e25bfcae832cea94fc29c
82	ec1ce911-2bcb-4752-b4c1-ba508084388d	80	claim	DISMISSAL OF SOCIAL RESPONSIBILITY	Scrooge dismissed the idea of social responsibility, stating that it was enough for a man to understand his own business and not to interfere with other people's.	SCROOGE	NONE	TRUE	NONE	NONE	'It's not my business,' Scrooge returned. 'It's enough for a man to understand his own business, and not to interfere with other people's. Mine occupies me constantly. Good afternoon, gentlemen!'	9823b5d2e6ce846b8eff67ea93f41019ea27555e4c8647c992675203df7db1df714c8a098ef48ae57a7cb964f63bbd8619579c1b190e25bfcae832cea94fc29c
83	12827559-1a96-4396-8395-8def78baf614	81	claim	ORDER TO CELEBRATE CHRISTMAS	The Lord Mayor gave orders to his household staff to keep Christmas in a manner befitting the Lord Mayor's household.	LORD MAYOR	NONE	TRUE	NONE	NONE	The Lord Mayor, in the stronghold of the mighty Mansion House, gave orders to his fifty cooks and butlers to keep Christmas as a Lord Mayor's household should	9823b5d2e6ce846b8eff67ea93f41019ea27555e4c8647c992675203df7db1df714c8a098ef48ae57a7cb964f63bbd8619579c1b190e25bfcae832cea94fc29c
84	86f29419-4400-45db-890c-071a81beccbc	82	claim	FINED FOR MISCONDUCT	The little tailor was fined five shillings by the Lord Mayor for being drunk and bloodthirsty in the streets on the previous Monday.	LITTLE TAILOR	NONE	TRUE	NONE	NONE	even the little tailor, whom he had fined five shillings on the previous Monday for being drunk and bloodthirsty in the streets, stirred up to-morrow's pudding in his garret	9823b5d2e6ce846b8eff67ea93f41019ea27555e4c8647c992675203df7db1df714c8a098ef48ae57a7cb964f63bbd8619579c1b190e25bfcae832cea94fc29c
85	9d8f491e-773a-44f8-b21d-5b67413d2de8	83	claim	LOCATION OF MAYORAL ORDERS	Mansion House is described as the stronghold where the Lord Mayor gave orders to his staff to keep Christmas.	MANSION HOUSE	NONE	TRUE	NONE	NONE	The Lord Mayor, in the stronghold of the mighty Mansion House, gave orders to his fifty cooks and butlers to keep Christmas as a Lord Mayor's household should	9823b5d2e6ce846b8eff67ea93f41019ea27555e4c8647c992675203df7db1df714c8a098ef48ae57a7cb964f63bbd8619579c1b190e25bfcae832cea94fc29c
86	d45d6c02-1595-46ac-b3f3-d58f1528b691	84	claim	OPERATIONAL STATUS	Union workhouses were confirmed to be still in operation at the time of the conversation.	UNION WORKHOUSES	NONE	TRUE	NONE	NONE	'And the Union workhouses?' demanded Scrooge. 'Are they still in operation?' 'They are. Still,' returned the gentleman, 'I wish I could say they were not.'	9823b5d2e6ce846b8eff67ea93f41019ea27555e4c8647c992675203df7db1df714c8a098ef48ae57a7cb964f63bbd8619579c1b190e25bfcae832cea94fc29c
87	51391fc4-27d1-498c-bae0-9bf04acb8cbc	85	claim	OPERATIONAL STATUS	The Treadmill was confirmed to be in full vigour and very busy.	TREADMILL	NONE	TRUE	NONE	NONE	'The Treadmill and the Poor Law are in full vigour, then?' said Scrooge. 'Both very busy, sir.'	9823b5d2e6ce846b8eff67ea93f41019ea27555e4c8647c992675203df7db1df714c8a098ef48ae57a7cb964f63bbd8619579c1b190e25bfcae832cea94fc29c
88	2fbeba3d-6500-4926-9242-aec6a9e82a26	86	claim	OPERATIONAL STATUS	The Poor Law was confirmed to be in full vigour and very busy.	POOR LAW	NONE	TRUE	NONE	NONE	'The Treadmill and the Poor Law are in full vigour, then?' said Scrooge. 'Both very busy, sir.'	9823b5d2e6ce846b8eff67ea93f41019ea27555e4c8647c992675203df7db1df714c8a098ef48ae57a7cb964f63bbd8619579c1b190e25bfcae832cea94fc29c
89	df33f33b-2ae6-4f60-ab0c-9357a6d28846	87	claim	OPERATIONAL STATUS	Prisons were confirmed to be plentiful and operational.	PRISONS	NONE	TRUE	NONE	NONE	'Are there no prisons?' asked Scrooge. 'Plenty of prisons,' said the gentleman, laying down the pen again.'	9823b5d2e6ce846b8eff67ea93f41019ea27555e4c8647c992675203df7db1df714c8a098ef48ae57a7cb964f63bbd8619579c1b190e25bfcae832cea94fc29c
90	061c6f40-1bcd-4adf-9aaf-65d300b80d47	88	claim	DESCRIPTION OF WEATHER IMPACT	The ancient tower of a church is described as becoming invisible due to fog and darkness, with its bell striking the hours and quarters in the clouds.	CHURCH	NONE	TRUE	NONE	NONE	The ancient tower of a church, whose gruff old bell was always peeping slyly down at Scrooge out of a Gothic window in the wall, became invisible, and struck the hours and quarters in the clouds, with tremulous vibrations afterwards, as if its teeth were chattering in its frozen head up there.	9823b5d2e6ce846b8eff67ea93f41019ea27555e4c8647c992675203df7db1df714c8a098ef48ae57a7cb964f63bbd8619579c1b190e25bfcae832cea94fc29c
91	1053fbc3-421e-4a85-8592-1108c1fd7979	89	claim	LOCATION OF LABOURERS AND FIRE	In the main street, at the corner of the court, labourers were repairing gas-pipes and had lit a fire in a brazier, around which ragged men and boys gathered for warmth.	MAIN STREET	NONE	TRUE	NONE	NONE	In the main street, at the corner of the court, some labourers were repairing the gas-pipes, and had lighted a great fire in a brazier, round which a party of ragged men and boys were gathered: warming their hands and winking their eyes before the blaze in rapture.	9823b5d2e6ce846b8eff67ea93f41019ea27555e4c8647c992675203df7db1df714c8a098ef48ae57a7cb964f63bbd8619579c1b190e25bfcae832cea94fc29c
92	4d18b521-8746-43bf-a5af-9cacd6d7072e	90	claim	HYPOTHETICAL ACTION AGAINST EVIL SPIRIT	It is speculated that if St. Dunstan had used the cold weather as a weapon against the Evil Spirit, the result would have been more effective than his usual methods.	ST. DUNSTAN	NONE	SUSPECTED	NONE	NONE	If the good St. Dunstan had but nipped the Evil Spirit's nose with a touch of such weather as that, instead of using his familiar weapons, then indeed he would have roared to lusty purpose.	9823b5d2e6ce846b8eff67ea93f41019ea27555e4c8647c992675203df7db1df714c8a098ef48ae57a7cb964f63bbd8619579c1b190e25bfcae832cea94fc29c
93	5eade42c-7fd7-4184-b172-068e3d4b2d72	91	claim	HYPOTHETICAL VICTIM OF WEATHER	It is speculated that the Evil Spirit would have suffered greatly if St. Dunstan had used the cold weather against him.	EVIL SPIRIT	NONE	SUSPECTED	NONE	NONE	If the good St. Dunstan had but nipped the Evil Spirit's nose with a touch of such weather as that, instead of using his familiar weapons, then indeed he would have roared to lusty purpose.	9823b5d2e6ce846b8eff67ea93f41019ea27555e4c8647c992675203df7db1df714c8a098ef48ae57a7cb964f63bbd8619579c1b190e25bfcae832cea94fc29c
94	a9eb2405-6932-4e89-bc35-f9821036803b	92	claim	EMPLOYMENT DISPUTE	Scrooge expresses dissatisfaction with the clerk's request for a day off on Christmas, suggesting that paying wages for no work is unfair and likening the request to "picking a man's pocket every twenty-fifth of December." This indicates an employment dispute or tension regarding holiday leave and compensation.	SCROOGE	CLERK	TRUE	NONE	NONE	'You'll want all day to-morrow, I suppose?' said Scrooge. 'If quite convenient, sir.' 'It's not convenient,' said Scrooge, 'and it's not fair. If I was to stop half-a-crown for it, you'd think yourself ill used, I'll be bound?' The clerk smiled faintly. 'And yet,' said Scrooge, 'you don't think _me_ ill used when I pay a day's wages for no work.' ... 'A poor excuse for picking a man's pocket every twenty-fifth of December!' said Scrooge, buttoning his greatcoat to the chin.	f52935bbc6939851943737c1e8490e180a44ed1044eba795f6bd741f436003b170b9612e3aa047e75344c05aee55e7aa63fe9f308a1fd2179c48f641fd5f45ff
95	9f3887f9-39cf-47dc-994f-0f6a3707b212	93	claim	SUPERNATURAL ENCOUNTER	Scrooge experiences a supernatural encounter when he sees Marley's face in the knocker of his door, despite Marley being his deceased partner. The text describes the face as ghostly and horrifying, indicating an event of supernatural significance.	SCROOGE	MARLEY	TRUE	NONE	NONE	Scrooge, having his key in the lock of the door, saw in the knocker, without its undergoing any intermediate process of change--not a knocker, but Marley's face. Marley's face. It was not in impenetrable shadow, as the other objects in the yard were, but had a dismal light about it, like a bad lobster in a dark cellar. ... The hair was curiously stirred, as if by breath or hot air; and, though the eyes were wide open, they were perfectly motionless. That, and its livid colour, made it horrible; but its horror seemed to be in spite of the face, and beyond its control, rather than a part of its own expression. As Scrooge looked fixedly at this phenomenon, it was a knocker again.	f52935bbc6939851943737c1e8490e180a44ed1044eba795f6bd741f436003b170b9612e3aa047e75344c05aee55e7aa63fe9f308a1fd2179c48f641fd5f45ff
96	cc416aae-185b-4adf-8777-1cc85026e0b4	94	claim	ISOLATION	Scrooge is described as living alone in a gloomy suite of rooms, with the other rooms let out as offices. The text emphasizes his solitary existence and the dreariness of his environment, suggesting a claim of personal isolation.	SCROOGE	NONE	TRUE	NONE	NONE	He lived in chambers which had once belonged to his deceased partner. They were a gloomy suite of rooms, in a lowering pile of building up a yard, where it had so little business to be, that one could scarcely help fancying it must have run there when it was a young house, playing at hide-and-seek with other houses, and have forgotten the way out again. It was old enough now, and dreary enough; for nobody lived in it but Scrooge, the other rooms being all let out as offices.	f52935bbc6939851943737c1e8490e180a44ed1044eba795f6bd741f436003b170b9612e3aa047e75344c05aee55e7aa63fe9f308a1fd2179c48f641fd5f45ff
97	71dc463b-6106-47f4-b95d-1ef11f3d5e4b	95	claim	POVERTY	The clerk is depicted as having limited means, lacking a greatcoat and wearing a white comforter for warmth. This suggests a claim of poverty or financial hardship.	CLERK	NONE	TRUE	NONE	NONE	The clerk, with the long ends of his white comforter dangling below his waist (for he boasted no greatcoat), went down a slide on Cornhill, at the end of a lane of boys, twenty times, in honour of its being Christmas Eve, and then ran home to Camden Town as hard as he could pelt, to play at blind man's-buff.	f52935bbc6939851943737c1e8490e180a44ed1044eba795f6bd741f436003b170b9612e3aa047e75344c05aee55e7aa63fe9f308a1fd2179c48f641fd5f45ff
98	b0013195-8ce4-4a74-8f38-d74ed93d7e5e	96	claim	RESIDENCE	Camden Town is identified as the place where the clerk resides, as he runs home there after work.	CAMDEN TOWN	NONE	TRUE	NONE	NONE	...then ran home to Camden Town as hard as he could pelt, to play at blind man's-buff.	f52935bbc6939851943737c1e8490e180a44ed1044eba795f6bd741f436003b170b9612e3aa047e75344c05aee55e7aa63fe9f308a1fd2179c48f641fd5f45ff
99	b74afd49-61a0-4e6d-903c-c8dca8b9bff7	97	claim	LOCATION MENTION	The City of London is mentioned as the location where Scrooge lives and works, and is referenced in comparison to Scrooge's lack of imagination.	CITY OF LONDON	NONE	TRUE	NONE	NONE	Scrooge had as little of what is called fancy about him as any man in the City of London, even including--which is a bold word--the corporation, aldermen, and livery.	f52935bbc6939851943737c1e8490e180a44ed1044eba795f6bd741f436003b170b9612e3aa047e75344c05aee55e7aa63fe9f308a1fd2179c48f641fd5f45ff
100	1d972f4d-423d-4cd5-b305-e7b943266e70	98	claim	LOCATION MENTION	Cornhill is mentioned as the location where the clerk goes down a slide in celebration of Christmas Eve.	CORNHILL	NONE	TRUE	NONE	NONE	[Illustration: _Bob Cratchit went down a slide on Cornhill, at the end of a lane of boys, twenty times, in honour of its being Christmas Eve_]	f52935bbc6939851943737c1e8490e180a44ed1044eba795f6bd741f436003b170b9612e3aa047e75344c05aee55e7aa63fe9f308a1fd2179c48f641fd5f45ff
101	a1c57be8-2a1b-4946-86fa-4a08e10924e8	99	claim	DEATH	Marley is described as Scrooge's deceased partner, having died seven years prior to the events described.	MARLEY	NONE	TRUE	NONE	NONE	Let it also be borne in mind that Scrooge had not bestowed one thought on Marley since his last mention of his seven-years'-dead partner that afternoon.	f52935bbc6939851943737c1e8490e180a44ed1044eba795f6bd741f436003b170b9612e3aa047e75344c05aee55e7aa63fe9f308a1fd2179c48f641fd5f45ff
102	55f2ce2a-e8d6-4f19-a132-fd88961af116	100	claim	PERSONAL HABITS	Scrooge is described as not being frightened by echoes, double-locking himself in, and preferring darkness, which may indicate cautious or solitary personal habits. He also likes darkness because it is cheap, suggesting frugality.	SCROOGE	NONE	TRUE	NONE	NONE	Scrooge was not a man to be frightened by echoes. He fastened the door, and walked across the hall, and up the stairs: slowly, too: trimming his candle as he went. Up Scrooge went, not caring a button for that. Darkness is cheap, and Scrooge liked it. ... double locked himself in, which was not his custom. Thus secured against surprise, he took off his cravat; put on his dressing-gown and slippers, and his nightcap; and sat down before the fire to take his gruel.	f7c3a3ecab56333d790fbdcc13ad6da55f7d0784f0c793e510cf9a75364e156c055137b2bb73411934726a78d32ecea7afbb4d1832b9d683c9868edb062b4114
103	16e21ac8-51d1-435c-b05d-df077ec858d8	101	claim	DEATH	Marley is described as "seven years dead," confirming his death prior to the events described.	MARLEY	NONE	TRUE	NONE	NONE	...that face of Marley, seven years dead, came like the ancient Prophet's rod, and swallowed up the whole.	f7c3a3ecab56333d790fbdcc13ad6da55f7d0784f0c793e510cf9a75364e156c055137b2bb73411934726a78d32ecea7afbb4d1832b9d683c9868edb062b4114
104	05efd468-6512-4300-baef-b7d1ee6d5d07	102	claim	SUPERNATURAL EVENT	The appearance of Marley's Ghost is described as a supernatural event, with Scrooge witnessing the ghost entering the room and the dying flame reacting as if recognizing it. The claim is suspected as it is presented as a supernatural occurrence within the narrative.	MARLEY'S GHOST	NONE	SUSPECTED	NONE	NONE	Upon its coming in, the dying flame leaped up, as though it cried, 'I know him! Marley's Ghost!' and fell again. The same face: the very same. Marley in his pigtail, usual waistcoat, tights, and boots; the tassels on the latter bristling	f7c3a3ecab56333d790fbdcc13ad6da55f7d0784f0c793e510cf9a75364e156c055137b2bb73411934726a78d32ecea7afbb4d1832b9d683c9868edb062b4114
105	cc2241b0-6147-4d91-b892-f4ecb1099e2e	103	claim	CONSTRUCTION ACTIVITY	The fireplace is said to have been built by a Dutch merchant long ago, indicating a historical construction activity. The claim is suspected as it is based on narrative description rather than documentary evidence.	DUTCH MERCHANT	NONE	SUSPECTED	NONE	NONE	The fireplace was an old one, built by some Dutch merchant long ago, and paved all round with quaint Dutch tiles, designed to illustrate the Scriptures.	f7c3a3ecab56333d790fbdcc13ad6da55f7d0784f0c793e510cf9a75364e156c055137b2bb73411934726a78d32ecea7afbb4d1832b9d683c9868edb062b4114
106	8cf440ed-df52-48d3-82fd-b3ec0e068622	104	claim	BIBLICAL FIGURE	Cains are referenced as figures illustrated on the Dutch tiles around the fireplace, indicating their presence as biblical figures in the narrative.	CAINS	NONE	TRUE	NONE	NONE	There were Cains and Abels, Pharaoh's daughters, Queens of Sheba, Angelic messengers descending through the air on clouds like feather-beds, Abrahams, Belshazzars, Apostles putting off to sea in butter-boats, hundreds of figures to attract his thoughts...	f7c3a3ecab56333d790fbdcc13ad6da55f7d0784f0c793e510cf9a75364e156c055137b2bb73411934726a78d32ecea7afbb4d1832b9d683c9868edb062b4114
107	f6723754-2226-48d2-8de3-34bbb65f6e3b	105	claim	BIBLICAL FIGURE	Abels are referenced as figures illustrated on the Dutch tiles around the fireplace, indicating their presence as biblical figures in the narrative.	ABELS	NONE	TRUE	NONE	NONE	There were Cains and Abels, Pharaoh's daughters, Queens of Sheba, Angelic messengers descending through the air on clouds like feather-beds, Abrahams, Belshazzars, Apostles putting off to sea in butter-boats, hundreds of figures to attract his thoughts...	f7c3a3ecab56333d790fbdcc13ad6da55f7d0784f0c793e510cf9a75364e156c055137b2bb73411934726a78d32ecea7afbb4d1832b9d683c9868edb062b4114
108	e2a85b32-2766-4d0f-b80a-01e756f24382	106	claim	BIBLICAL FIGURE	Pharaoh's daughters are referenced as figures illustrated on the Dutch tiles around the fireplace, indicating their presence as biblical figures in the narrative.	PHARAOH'S DAUGHTERS	NONE	TRUE	NONE	NONE	There were Cains and Abels, Pharaoh's daughters, Queens of Sheba, Angelic messengers descending through the air on clouds like feather-beds, Abrahams, Belshazzars, Apostles putting off to sea in butter-boats, hundreds of figures to attract his thoughts...	f7c3a3ecab56333d790fbdcc13ad6da55f7d0784f0c793e510cf9a75364e156c055137b2bb73411934726a78d32ecea7afbb4d1832b9d683c9868edb062b4114
109	d5ac6b91-93e9-4c70-a3f4-25af04024b40	107	claim	BIBLICAL FIGURE	Queens of Sheba are referenced as figures illustrated on the Dutch tiles around the fireplace, indicating their presence as biblical figures in the narrative.	QUEENS OF SHEBA	NONE	TRUE	NONE	NONE	There were Cains and Abels, Pharaoh's daughters, Queens of Sheba, Angelic messengers descending through the air on clouds like feather-beds, Abrahams, Belshazzars, Apostles putting off to sea in butter-boats, hundreds of figures to attract his thoughts...	f7c3a3ecab56333d790fbdcc13ad6da55f7d0784f0c793e510cf9a75364e156c055137b2bb73411934726a78d32ecea7afbb4d1832b9d683c9868edb062b4114
110	3caa52d3-4b64-44d2-beea-498e159eedf4	108	claim	BIBLICAL FIGURE	Angelic messengers are referenced as figures illustrated on the Dutch tiles around the fireplace, indicating their presence as biblical figures in the narrative.	ANGELIC MESSENGERS	NONE	TRUE	NONE	NONE	There were Cains and Abels, Pharaoh's daughters, Queens of Sheba, Angelic messengers descending through the air on clouds like feather-beds, Abrahams, Belshazzars, Apostles putting off to sea in butter-boats, hundreds of figures to attract his thoughts...	f7c3a3ecab56333d790fbdcc13ad6da55f7d0784f0c793e510cf9a75364e156c055137b2bb73411934726a78d32ecea7afbb4d1832b9d683c9868edb062b4114
111	e8d7a610-464e-478d-90b3-7e39032f0a0d	109	claim	BIBLICAL FIGURE	Abrahams are referenced as figures illustrated on the Dutch tiles around the fireplace, indicating their presence as biblical figures in the narrative.	ABRAHAMS	NONE	TRUE	NONE	NONE	There were Cains and Abels, Pharaoh's daughters, Queens of Sheba, Angelic messengers descending through the air on clouds like feather-beds, Abrahams, Belshazzars, Apostles putting off to sea in butter-boats, hundreds of figures to attract his thoughts...	f7c3a3ecab56333d790fbdcc13ad6da55f7d0784f0c793e510cf9a75364e156c055137b2bb73411934726a78d32ecea7afbb4d1832b9d683c9868edb062b4114
112	428108b0-3dec-4a64-bb28-de2b555cd1cb	110	claim	BIBLICAL FIGURE	Belshazzars are referenced as figures illustrated on the Dutch tiles around the fireplace, indicating their presence as biblical figures in the narrative.	BELSHAZZARS	NONE	TRUE	NONE	NONE	There were Cains and Abels, Pharaoh's daughters, Queens of Sheba, Angelic messengers descending through the air on clouds like feather-beds, Abrahams, Belshazzars, Apostles putting off to sea in butter-boats, hundreds of figures to attract his thoughts...	f7c3a3ecab56333d790fbdcc13ad6da55f7d0784f0c793e510cf9a75364e156c055137b2bb73411934726a78d32ecea7afbb4d1832b9d683c9868edb062b4114
113	027452c2-5545-4d91-beaa-2ab4b0cdd156	111	claim	BIBLICAL FIGURE	Apostles are referenced as figures illustrated on the Dutch tiles around the fireplace, indicating their presence as biblical figures in the narrative.	APOSTLES	NONE	TRUE	NONE	NONE	There were Cains and Abels, Pharaoh's daughters, Queens of Sheba, Angelic messengers descending through the air on clouds like feather-beds, Abrahams, Belshazzars, Apostles putting off to sea in butter-boats, hundreds of figures to attract his thoughts...	f7c3a3ecab56333d790fbdcc13ad6da55f7d0784f0c793e510cf9a75364e156c055137b2bb73411934726a78d32ecea7afbb4d1832b9d683c9868edb062b4114
114	c5b656bf-acaf-4789-9b09-c0109028b87c	112	claim	LEGISLATIVE EVENT	The text references an "Act of Parliament" in a figurative sense, suggesting a legislative event or document, but the claim is suspected as it is not a factual report.	ACT OF PARLIAMENT	NONE	SUSPECTED	NONE	NONE	You may talk vaguely about driving a coach and six up a good old flight of stairs, or through a bad young Act of Parliament...	f7c3a3ecab56333d790fbdcc13ad6da55f7d0784f0c793e510cf9a75364e156c055137b2bb73411934726a78d32ecea7afbb4d1832b9d683c9868edb062b4114
115	0ae8e23d-e778-4bdc-af14-74ba007ce1fd	113	claim	OCCUPATION	The wine-merchant is referenced as the owner of cellars in the house, indicating an occupation, but the claim is suspected as it is based on narrative description.	WINE-MERCHANT	NONE	SUSPECTED	NONE	NONE	Every room above, and every cask in the wine-merchant's cellars below, appeared to have a separate peal of echoes of its own.	f7c3a3ecab56333d790fbdcc13ad6da55f7d0784f0c793e510cf9a75364e156c055137b2bb73411934726a78d32ecea7afbb4d1832b9d683c9868edb062b4114
116	2cd9f303-c78d-416e-9644-09321e992765	114	claim	GEO LOCATION	The street is referenced as a geographic location outside the house, relevant to the lighting conditions described.	STREET	NONE	TRUE	NONE	NONE	Half-a-dozen gas-lamps out of the street wouldn't have lighted the entry too well, so you may suppose that it was pretty dark with Scrooge's dip.	f7c3a3ecab56333d790fbdcc13ad6da55f7d0784f0c793e510cf9a75364e156c055137b2bb73411934726a78d32ecea7afbb4d1832b9d683c9868edb062b4114
117	f3c7907f-234f-47bc-b07a-0da9257b9bf0	115	claim	GEO LOCATION	The house is referenced as the main setting for the events described, serving as a geographic location.	HOUSE	NONE	TRUE	NONE	NONE	The sound resounded through the house like thunder. Every room above, and every cask in the wine-merchant's cellars below, appeared to have a separate peal of echoes of its own.	f7c3a3ecab56333d790fbdcc13ad6da55f7d0784f0c793e510cf9a75364e156c055137b2bb73411934726a78d32ecea7afbb4d1832b9d683c9868edb062b4114
118	8aab62a0-4307-4082-99a3-43bd48ba2539	116	claim	GEO LOCATION	The cellar is referenced as a location within the house, specifically the wine-merchant's cellars, relevant to the noises and events described.	CELLAR	NONE	TRUE	NONE	NONE	...a clanking noise deep down below as if some person were dragging a heavy chain over the casks in the wine-merchant's cellar.	f7c3a3ecab56333d790fbdcc13ad6da55f7d0784f0c793e510cf9a75364e156c055137b2bb73411934726a78d32ecea7afbb4d1832b9d683c9868edb062b4114
119	22b88cf9-9667-44c9-b5a2-13d109460987	117	claim	GEO LOCATION	The room is referenced multiple times as a location within the house where Scrooge moves and where events occur.	ROOM	NONE	TRUE	NONE	NONE	He fastened the door, and walked across the hall, and up the stairs: slowly, too: trimming his candle as he went. ... walked through his rooms to see that all was right. ... Upon its coming in, the dying flame leaped up, as though it cried, 'I know him! Marley's Ghost!' and fell again.	f7c3a3ecab56333d790fbdcc13ad6da55f7d0784f0c793e510cf9a75364e156c055137b2bb73411934726a78d32ecea7afbb4d1832b9d683c9868edb062b4114
120	16564f95-1d7f-4f90-9cc2-60e963cca77d	118	claim	GEO LOCATION	The hall is referenced as a location within the house, relevant to Scrooge's movements.	HALL	NONE	TRUE	NONE	NONE	He fastened the door, and walked across the hall, and up the stairs: slowly, too: trimming his candle as he went.	f7c3a3ecab56333d790fbdcc13ad6da55f7d0784f0c793e510cf9a75364e156c055137b2bb73411934726a78d32ecea7afbb4d1832b9d683c9868edb062b4114
121	aaf3ffef-64f5-4b12-a618-e25153492b74	119	claim	GEO LOCATION	The staircase is referenced as a location within the house, relevant to Scrooge's movements and the narrative description.	STAIRCASE	NONE	TRUE	NONE	NONE	You may talk vaguely about driving a coach and six up a good old flight of stairs, or through a bad young Act of Parliament; but I mean to say you might have got a hearse up that staircase, and taken it broadwise, with the splinter-bar towards the wall, and the door towards the balustrades: and done it easy.	f7c3a3ecab56333d790fbdcc13ad6da55f7d0784f0c793e510cf9a75364e156c055137b2bb73411934726a78d32ecea7afbb4d1832b9d683c9868edb062b4114
122	8af68bd2-dfc8-4bca-be04-8b87d2bf8496	120	claim	PERSONAL ITEM	Scrooge's dressing-gown is referenced as a personal item, hanging in a suspicious attitude against the wall.	DRESSING-GOWN	NONE	TRUE	NONE	NONE	Nobody in his dressing-gown, which was hanging up in a suspicious attitude against the wall.	f7c3a3ecab56333d790fbdcc13ad6da55f7d0784f0c793e510cf9a75364e156c055137b2bb73411934726a78d32ecea7afbb4d1832b9d683c9868edb062b4114
123	4e22fbb2-7b2c-4a79-af77-cf48ed8b7bd0	121	claim	PERSONAL ITEM	Scrooge's gruel is referenced as a personal item, prepared for him as he had a cold in his head.	GRUEl	NONE	TRUE	NONE	NONE	...and the little saucepan of gruel (Scrooge had a cold in his head) upon the hob.	f7c3a3ecab56333d790fbdcc13ad6da55f7d0784f0c793e510cf9a75364e156c055137b2bb73411934726a78d32ecea7afbb4d1832b9d683c9868edb062b4114
124	02867777-e3aa-4947-8e0f-723973b765d7	122	claim	PERSONAL ITEM	A disused bell is referenced as a personal item in the room, which begins to swing and ring, contributing to the supernatural atmosphere.	BELL	NONE	TRUE	NONE	NONE	...his glance happened to rest upon a bell, a disused bell, that hung in the room, and communicated, for some purpose now forgotten, with a chamber in the highest storey of the building. It was with great astonishment, and with a strange, inexplicable dread, that, as he looked, he saw this bell begin to swing. It swung so softly in the outset that it scarcely made a sound; but soon it rang out loudly, and so did every bell in the house.	f7c3a3ecab56333d790fbdcc13ad6da55f7d0784f0c793e510cf9a75364e156c055137b2bb73411934726a78d32ecea7afbb4d1832b9d683c9868edb062b4114
125	b684c246-5aed-4c6e-b370-1720263093a2	123	claim	SUPERNATURAL APPEARANCE	Jacob Marley, appearing as a ghost, manifested before Ebenezer Scrooge, confirming his identity as Scrooge's former partner and engaging in direct conversation. The text describes Marley's ghostly appearance, his transparent body, and the supernatural phenomena accompanying his arrival, such as the dying flame leaping up and the chain made of cash-boxes and padlocks. Scrooge interacts with Marley, initially doubting his senses but ultimately accepting the reality of the apparition.	JACOB MARLEY	EBENEZER SCROOGE	TRUE	NONE	NONE	Upon its coming in, the dying flame leaped up, as though it cried, 'I know him! Marley's Ghost!' and fell again. The same face: the very same. Marley in his pigtail, usual waistcoat, tights, and boots... His body was transparent: so that Scrooge, observing him, and looking through his waistcoat, could see the two buttons on his coat behind. 'In life I was your partner, Jacob Marley.' 'You don't believe in me,' observed the Ghost. 'I don't,' said Scrooge. 'What evidence would you have of my reality beyond that of your own senses?' 'I don't know,' said Scrooge. 'Man of the worldly mind!' replied the Ghost, 'do you believe in me or not?' 'I do,' said Scrooge; 'I must.'	82719265b8ab3d44f4c91f6a228f4801c2b68a3b6ffe7fc2dd6bbf717d3f1e98ed76c9bc9259c5f292ae023eea9aad3cafcb6879b9fbd535f92154c1653c850e
126	c78acd58-6f40-4775-9e70-92b30ec9ca76	124	claim	SKEPTICISM OF SUPERNATURAL	Ebenezer Scrooge initially expresses skepticism and disbelief regarding the supernatural appearance of Marley's ghost, attributing the vision to possible physical causes such as indigestion. He jokes about the ghost being an undigested bit of beef or a fragment of an underdone potato, and calls the apparition "humbug" before being convinced by the ghost's actions and words.	EBENEZER SCROOGE	JACOB MARLEY	TRUE	NONE	NONE	'You don't believe in me,' observed the Ghost. 'I don't,' said Scrooge. 'What evidence would you have of my reality beyond that of your own senses?' 'Because,' said Scrooge, 'a little thing affects them. A slight disorder of the stomach makes them cheats. You may be an undigested bit of beef, a blot of mustard, a crumb of cheese, a fragment of an underdone potato. There's more of gravy than of grave about you, whatever you are!' 'Humbug, I tell you: humbug!'	82719265b8ab3d44f4c91f6a228f4801c2b68a3b6ffe7fc2dd6bbf717d3f1e98ed76c9bc9259c5f292ae023eea9aad3cafcb6879b9fbd535f92154c1653c850e
127	1c51434d-f756-4d3b-94c8-adfe93010c44	125	claim	SUPERNATURAL WARNING	Jacob Marley's ghost claims that it is required of every man that the spirit within him should walk abroad among his fellow-men and travel far and wide, implying a supernatural warning or lesson for Scrooge. This claim is presented as a fact by the ghost, suggesting a moral or metaphysical consequence for one's actions in life.	JACOB MARLEY	NONE	TRUE	NONE	NONE	'It is required of every man,' the Ghost returned, 'that the spirit within him should walk abroad among his fellow-men, and travel far and wide'	82719265b8ab3d44f4c91f6a228f4801c2b68a3b6ffe7fc2dd6bbf717d3f1e98ed76c9bc9259c5f292ae023eea9aad3cafcb6879b9fbd535f92154c1653c850e
128	4a9eb561-57b8-4437-a826-68d0e0f60438	126	claim	AFTERLIFE SUFFERING	Jacob Marley claims that his spirit is condemned to wander the world after death, witnessing what he cannot share, as a consequence of his actions in life. He describes incessant torture of remorse and inability to rest, stay, or linger anywhere, indicating suffering in the afterlife.	JACOB MARLEY	NONE	TRUE	NONE	NONE	'It is required of every man,' the Ghost returned, 'that the spirit within him should walk abroad among his fellow-men, and travel far and wide; and, if that spirit goes not forth in life, it is condemned to do so after death. It is doomed to wander through the world--oh, woe is me!--and witness what it cannot share, but might have shared on earth, and turned to happiness!'	f464c802f6e74bb568afba93b156991de9b5d9f1aa12ded979ae863e9374fc7fbd79f2b70f4df7f31c9a16cee0c5a5716707b073c22622a18eaa1bbde91572e6
129	e0bc2bd9-4abd-4587-a247-7b11d8ec6228	127	claim			'I cannot rest, I cannot stay, I cannot linger anywhere. My spirit never walked beyond our counting-house--mark me;--in life my spirit never roved beyond the narrow limits of our money-changing hole; and weary journeys lie before me!'						f464c802f6e74bb568afba93b156991de9b5d9f1aa12ded979ae863e9374fc7fbd79f2b70f4df7f31c9a16cee0c5a5716707b073c22622a18eaa1bbde91572e6
130	bb6b3454-7cce-4bef-8d4b-b98bed7b75cb	128	claim			'Seven years dead,' mused Scrooge. 'And travelling all the time?' 'The whole time,' said the Ghost. 'No rest, no peace. Incessant torture of remorse.'						f464c802f6e74bb568afba93b156991de9b5d9f1aa12ded979ae863e9374fc7fbd79f2b70f4df7f31c9a16cee0c5a5716707b073c22622a18eaa1bbde91572e6
131	a4aa810e-530f-49f1-9497-36a16a664929	129	claim	REGRET FOR MISUSED OPPORTUNITIES	Jacob Marley expresses regret for misusing life's opportunities, stating that no space of regret can make amends for one life's opportunities misused. He laments not raising his eyes to the blessed Star and not helping the poor, indicating remorse for not acting benevolently during his life.	JACOB MARLEY	NONE	TRUE	NONE	NONE	'Not to know that no space of regret can make amends for one life's opportunities misused! Yet such was I! Oh, such was I!'	f464c802f6e74bb568afba93b156991de9b5d9f1aa12ded979ae863e9374fc7fbd79f2b70f4df7f31c9a16cee0c5a5716707b073c22622a18eaa1bbde91572e6
132	70610ccc-a132-4223-bfae-521f3e11f4bd	130	claim			'Why did I walk through crowds of fellow-beings with my eyes turned down, and never raise them to that blessed Star which led the Wise Men to a poor abode? Were there no poor homes to which its light would have conducted _me_?'						f464c802f6e74bb568afba93b156991de9b5d9f1aa12ded979ae863e9374fc7fbd79f2b70f4df7f31c9a16cee0c5a5716707b073c22622a18eaa1bbde91572e6
133	f35b7ea9-9ebf-46b6-aa5f-7fb1e9ce6eca	131	claim	PRIORITIZATION OF BUSINESS OVER WELFARE	Jacob Marley admits that he prioritized business over the common welfare, charity, mercy, forbearance, and benevolence. He states that mankind was his business, and the dealings of his trade were insignificant compared to the comprehensive ocean of his true business, which was the welfare of others.	JACOB MARLEY	NONE	TRUE	NONE	NONE	'Business!' cried the Ghost, wringing its hands again. 'Mankind was my business. The common welfare was my business; charity, mercy, forbearance, and benevolence were, all, my business. The dealings of my trade were but a drop of water in the comprehensive ocean of my business!'	f464c802f6e74bb568afba93b156991de9b5d9f1aa12ded979ae863e9374fc7fbd79f2b70f4df7f31c9a16cee0c5a5716707b073c22622a18eaa1bbde91572e6
134	5bf1047d-1ae6-4096-b54e-afd05094dbee	132	claim	SPIRITUAL CONSEQUENCES OF ACTIONS	The Ghost suggests that Ebenezer Scrooge is forging a chain similar to Marley’s, implying that Scrooge’s actions in life may lead to spiritual consequences after death. The chain is described as heavy and ponderous, and Scrooge is warned about the weight and length of the coil he bears.	EBENEZER SCROOGE	NONE	SUSPECTED	NONE	NONE	'Or would you know,' pursued the Ghost, 'the weight and length of the strong coil you bear yourself? It was full as heavy and as long as this seven Christmas Eves ago. You have laboured on it since. It is a ponderous chain!'	f464c802f6e74bb568afba93b156991de9b5d9f1aa12ded979ae863e9374fc7fbd79f2b70f4df7f31c9a16cee0c5a5716707b073c22622a18eaa1bbde91572e6
135	69d48a31-97c7-48af-acc0-17b01cb724cf	133	claim			Scrooge glanced about him on the floor, in the expectation of finding himself surrounded by some fifty or sixty fathoms of iron cable; but he could see nothing.						f464c802f6e74bb568afba93b156991de9b5d9f1aa12ded979ae863e9374fc7fbd79f2b70f4df7f31c9a16cee0c5a5716707b073c22622a18eaa1bbde91572e6
136	2bd6adaa-0fae-495e-b0ac-8e02e332b377	134	claim	SUPERNATURAL VISITATION	Jacob Marley, as a ghost, appears before Ebenezer Scrooge to deliver warnings and share his experiences from the afterlife. Marley states that he has sat invisible beside Scrooge many days, and now appears in a shape Scrooge can see.	JACOB MARLEY	EBENEZER SCROOGE	TRUE	NONE	NONE	'How it is that I appear before you in a shape that you can see, I may not tell. I have sat invisible beside you many and many a day.'	f464c802f6e74bb568afba93b156991de9b5d9f1aa12ded979ae863e9374fc7fbd79f2b70f4df7f31c9a16cee0c5a5716707b073c22622a18eaa1bbde91572e6
137	6aeab819-36a0-4252-93c4-f02f96a6a8a4	135	claim	NUISANCE	It is suggested that the Ward would have been justified in indicting the Ghost for a nuisance due to the hideous clanking of its chain in the dead silence of the night. This is a hypothetical claim rather than a confirmed fact.	THE WARD	NONE	SUSPECTED	NONE	NONE	The Ghost, on hearing this, set up another cry, and clanked its chain so hideously in the dead silence of the night, that the Ward would have been justified in indicting it for a nuisance.	f464c802f6e74bb568afba93b156991de9b5d9f1aa12ded979ae863e9374fc7fbd79f2b70f4df7f31c9a16cee0c5a5716707b073c22622a18eaa1bbde91572e6
138	7ac12ea0-cd7d-4d66-86c1-48275c358e72	136	claim	SUPERNATURAL ENCOUNTER	Ebenezer Scrooge was visited by the ghost of Jacob Marley, who appeared to warn him about his fate and the coming of three spirits. This is a confirmed supernatural encounter as described in the text.	EBENEZER SCROOGE	JACOB MARLEY	TRUE	NONE	NONE	'I will,' said Scrooge. 'But don't be hard upon me! Don't be flowery, Jacob! Pray!' 'How it is that I appear before you in a shape that you can see, I may not tell. I have sat invisible beside you many and many a day.' ... 'I am here to-night to warn you that you have yet a chance and hope of escaping my fate. A chance and hope of my procuring, Ebenezer.' ... 'You will be haunted,' resumed the Ghost, 'by Three Spirits.' ... 'Expect the first to-morrow when the bell tolls One.' ... 'Expect the second on the next night at the same hour. The third, upon the next night when the last stroke of Twelve has ceased to vibrate. Look to see me no more; and look that, for your own sake, you remember what has passed between us!'	cbd3a694117527d1e0b92044a23cc23954430eefd1d68a788423ac88fd62911975753700de085396e3aa2149585bd449599233fe05cbdf9da88e43827d671269
139	a06bd8c3-841e-42e1-82b2-8610f99ed053	137	claim	SUPERNATURAL EXISTENCE	Jacob Marley is described as a ghost who appears to Scrooge, confirming his existence in a supernatural form. He is depicted as suffering penance and unable to interfere in human matters.	JACOB MARLEY	NONE	TRUE	NONE	NONE	'That is no light part of my penance,' pursued the Ghost. 'I am here to-night to warn you that you have yet a chance and hope of escaping my fate. A chance and hope of my procuring, Ebenezer.' ... The apparition walked backward from him; and, at every step it took, the window raised itself a little, so that, when the spectre reached it, it was wide open. ... The air was filled with phantoms, wandering hither and thither in restless haste and moaning as they went ... Every one of them wore chains like Marley's Ghost; some few (they might be guilty governments) were linked together; none were free.	cbd3a694117527d1e0b92044a23cc23954430eefd1d68a788423ac88fd62911975753700de085396e3aa2149585bd449599233fe05cbdf9da88e43827d671269
140	a52a2457-7f55-493a-9f7c-f466c799ce93	138	claim	SUPERNATURAL EXISTENCE	The text describes the air being filled with phantoms, wandering and moaning, all wearing chains, indicating the existence of supernatural entities beyond Marley.	PHANTOMS	NONE	TRUE	NONE	NONE	[Illustration: _The air was filled with phantoms, wandering hither and thither in restless haste and moaning as they went_] ... The air was filled with phantoms, wandering hither and thither in restless haste, and moaning as they went. Every one of them wore chains like Marley's Ghost; some few (they might be guilty governments) were linked together; none were free.	cbd3a694117527d1e0b92044a23cc23954430eefd1d68a788423ac88fd62911975753700de085396e3aa2149585bd449599233fe05cbdf9da88e43827d671269
141	dd22fe3b-23bb-4406-9727-d9a628812ece	139	claim	MORAL JUDGMENT	The text speculates that some of the chained phantoms may be "guilty governments," suggesting a suspected moral judgment against certain governments, though this is not confirmed.	GUILTY GOVERNMENTS	NONE	SUSPECTED	NONE	NONE	Every one of them wore chains like Marley's Ghost; some few (they might be guilty governments) were linked together; none were free.	cbd3a694117527d1e0b92044a23cc23954430eefd1d68a788423ac88fd62911975753700de085396e3aa2149585bd449599233fe05cbdf9da88e43827d671269
142	f7904b25-b903-45bc-9a53-407133f614e0	140	claim	INABILITY TO HELP	An old ghost in a white waistcoat is described as being piteous at its inability to assist a wretched woman with an infant, indicating a confirmed claim of supernatural inability to help.	OLD GHOST IN WHITE WAISTCOAT	WRETCHED WOMAN WITH INFANT	TRUE	NONE	NONE	He had been quite familiar with one old ghost in a white waistcoat, with a monstrous iron safe attached to its ankle, who cried piteously at being unable to assist a wretched woman with an infant, whom it saw below upon a doorstep.	cbd3a694117527d1e0b92044a23cc23954430eefd1d68a788423ac88fd62911975753700de085396e3aa2149585bd449599233fe05cbdf9da88e43827d671269
143	c8093aee-f24d-4e3c-a0fd-9b5772f8db3d	141	claim	SUPERNATURAL HAUNTING	Scrooge is told by Marley's Ghost that he will be haunted by three spirits, which is a confirmed claim of impending supernatural haunting.	EBENEZER SCROOGE	NONE	TRUE	NONE	NONE	'You will be haunted,' resumed the Ghost, 'by Three Spirits.' ... 'Expect the first to-morrow when the bell tolls One.' ... 'Expect the second on the next night at the same hour. The third, upon the next night when the last stroke of Twelve has ceased to vibrate.'	cbd3a694117527d1e0b92044a23cc23954430eefd1d68a788423ac88fd62911975753700de085396e3aa2149585bd449599233fe05cbdf9da88e43827d671269
144	078ed605-dfc6-4145-a388-c65d467bca30	142	claim	EMOTIONAL DISTRESS	Scrooge experiences emotional distress, shivering, sweating, and fear as a result of his encounter with Marley's Ghost and the phantoms.	EBENEZER SCROOGE	NONE	TRUE	NONE	NONE	It was not an agreeable idea. Scrooge shivered, and wiped the perspiration from his brow. ... Not so much in obedience as in surprise and fear; for, on the raising of the hand, he became sensible of confused noises in the air; incoherent sounds of lamentation and regret; wailings inexpressibly sorrowful and self-accusatory. ... And being, from the emotions he had undergone, or the fatigues of the day, or his glimpse of the Invisible World, or the dull conversation of the Ghost, or the lateness of the hour, much in need of repose, went straight to bed without undressing, and fell asleep upon the instant.	cbd3a694117527d1e0b92044a23cc23954430eefd1d68a788423ac88fd62911975753700de085396e3aa2149585bd449599233fe05cbdf9da88e43827d671269
145	ee894327-4bd7-465b-8734-ff3619174cc0	143	claim	TIME CONFUSION	Scrooge is confused about the passage of time after his supernatural encounter, questioning whether he has slept through a whole day and finding the clock to be wrong.	EBENEZER SCROOGE	NONE	TRUE	NONE	NONE	When Scrooge awoke it was so dark, that, looking out of bed, he could scarcely distinguish the transparent window from the opaque walls of his chamber. ... To his great astonishment, the heavy bell went on from six to seven, and from seven to eight, and regularly up to twelve; then stopped. Twelve! It was past two when he went to bed. The clock was wrong. An icicle must have got into the works. Twelve! ... 'Why, it isn't possible,' said Scrooge, 'that I can have slept through a whole day and far into'	cbd3a694117527d1e0b92044a23cc23954430eefd1d68a788423ac88fd62911975753700de085396e3aa2149585bd449599233fe05cbdf9da88e43827d671269
146	3d6cc439-aac6-403c-9344-efb1b0c13904	144	claim	SUPERNATURAL ENCOUNTER	Scrooge experienced a supernatural encounter with an unearthly visitor who drew aside the curtains of his bed. The visitor is described as a strange figure, fluctuating in appearance, and is implied to be a ghostly or spiritual entity. This is a confirmed event within the narrative.	SCROOGE	NONE	TRUE	NONE	NONE	The curtains of his bed were drawn aside, I tell you, by a hand. ... Scrooge, starting up into a half-recumbent attitude, found himself face to face with the unearthly visitor who drew them: as close to it as I am now to you, and I am standing in the spirit at your elbow. It was a strange figure--like a child; yet not so like a child as like an old man, viewed through some supernatural medium, which gave him the appearance of having receded from the view, and being diminished to a child's proportions. ... Even this, though, when Scrooge looked at it with increasing steadiness, was _not_ its strangest quality. For, as its belt sparkled and glittered, now in one part and now in another, and what was light one instant at another time was dark, so the figure itself fluctuated in its distinctness; being now a thing with one arm, now with one leg, now with twenty legs, now a pair of legs without a head, now a head without a body: of which dissolving parts no outline would be visible in the dense gloom wherein they melted away. And, in the very wonder of this, it would be itself again; distinct and clear as ever.	5bb7777e3fb27abad4b45c947c012a173eb9fe1b400a6a9cdf1f1202fa80d6c6d2cbc3584fec9e9ab420aebf169434df8b61a4144d70aa6aff2b2702285f087b
147	5d8974ac-c24d-4bfb-acb0-4b3267bf38d2	145	claim	MENTAL DISTURBANCE	Scrooge was exceedingly bothered by Marley's Ghost, leading to a state of mental disturbance and confusion. He repeatedly questioned whether his experiences were dreams or reality, indicating psychological distress.	SCROOGE	MARLEY'S GHOST	TRUE	NONE	NONE	Marley's Ghost bothered him exceedingly. Every time he resolved within himself, after mature inquiry that it was all a dream, his mind flew back again, like a strong spring released, to its first position, and presented the same problem to be worked all through, 'Was it a dream or not?' Scrooge lay in this state until the chime had gone three-quarters more, when he remembered, on a sudden, that the Ghost had warned him of a visitation when the bell tolled one.	5bb7777e3fb27abad4b45c947c012a173eb9fe1b400a6a9cdf1f1202fa80d6c6d2cbc3584fec9e9ab420aebf169434df8b61a4144d70aa6aff2b2702285f087b
148	bb441184-c36f-4e1b-8ba8-e6fa2d380b2a	146	claim	CONFUSION ABOUT TIME	Scrooge experienced confusion regarding the passage of time, believing he may have slept through an entire day and into another night, and questioning whether something had happened to the sun. This confusion is a relevant fact for information discovery about his state of mind.	SCROOGE	NONE	TRUE	NONE	NONE	'Why, it isn't possible,' said Scrooge, 'that I can have slept through a whole day and far into another night. It isn't possible that anything has happened to the sun, and this is twelve at noon!' ... The more he thought, the more perplexed he was; and, the more he endeavoured not to think, the more he thought.	5bb7777e3fb27abad4b45c947c012a173eb9fe1b400a6a9cdf1f1202fa80d6c6d2cbc3584fec9e9ab420aebf169434df8b61a4144d70aa6aff2b2702285f087b
149	f6b64d8b-4ef7-4a80-9966-cd38372f11d7	147	claim	FINANCIAL INSTRUMENT HOLDER	Mr. Ebenezer Scrooge is referenced as the payee in a financial instrument, specifically a First of Exchange, indicating his involvement in financial transactions.	MR. EBENEZER SCROOGE	NONE	TRUE	NONE	NONE	'Three days after sight of this First of Exchange pay to Mr. Ebenezer Scrooge or his order,' and so forth, would have become a mere United States security if there were no days to count by.	5bb7777e3fb27abad4b45c947c012a173eb9fe1b400a6a9cdf1f1202fa80d6c6d2cbc3584fec9e9ab420aebf169434df8b61a4144d70aa6aff2b2702285f087b
150	4a568e42-4205-4494-a304-08f29623cbc7	148	claim	SUPERNATURAL WARNING	Marley's Ghost warned Scrooge of a visitation when the bell tolled one, which is a relevant supernatural claim within the narrative.	MARLEY'S GHOST	SCROOGE	TRUE	NONE	NONE	Scrooge lay in this state until the chime had gone three-quarters more, when he remembered, on a sudden, that the Ghost had warned him of a visitation when the bell tolled one.	5bb7777e3fb27abad4b45c947c012a173eb9fe1b400a6a9cdf1f1202fa80d6c6d2cbc3584fec9e9ab420aebf169434df8b61a4144d70aa6aff2b2702285f087b
151	ea20a783-ead3-4e9d-9380-d8367b54936e	149	claim	MENTIONED IN FINANCIAL CONTEXT	The United States is mentioned in the context of securities, specifically as a hypothetical scenario for a financial instrument if there were no days to count by.	UNITED STATES	NONE	TRUE	NONE	NONE	'Three days after sight of this First of Exchange pay to Mr. Ebenezer Scrooge or his order,' and so forth, would have become a mere United States security if there were no days to count by.	5bb7777e3fb27abad4b45c947c012a173eb9fe1b400a6a9cdf1f1202fa80d6c6d2cbc3584fec9e9ab420aebf169434df8b61a4144d70aa6aff2b2702285f087b
152	e023c5ca-164f-4ceb-9d08-c8843faf1d76	150	claim	SUPERNATURAL ENCOUNTER	Scrooge is visited by the Ghost of Christmas Past, a supernatural entity whose coming was foretold to him. The Spirit claims to be responsible for Scrooge's welfare and reclamation, and leads him through memories of his past.	SCROOGE	GHOST OF CHRISTMAS PAST	TRUE	NONE	NONE	'Are you the Spirit, sir, whose coming was foretold to me?' asked Scrooge. 'I am!' ... 'Who and what are you?' Scrooge demanded. 'I am the Ghost of Christmas Past.' ... 'Your welfare!' said the Ghost. ... 'Your reclamation, then. Take heed!' ... 'Rise! and walk with me!' ... 'Bear but a touch of my hand _there_,' said the Spirit, laying it upon his heart, 'and you shall be upheld in more than this!' ... As the words were spoken, they passed through the wall, and stood upon an open country road, with fields on either hand.	41a468806df36d307cdb8ecd330de40cfb10252a9be65439309b7f6e777ccac82af80b0dceb145491c744a338b76327d6e6819cae0d7ce05acc941006a3c0195
153	4c8043d1-546b-49da-b9ca-27f4e2a7b53c	151	claim	NEGLECTED CHILDHOOD	Scrooge is described as a solitary child, neglected by his friends and left alone at school, which is a significant fact about his early life.	SCROOGE	NONE	TRUE	NONE	NONE	'The school is not quite deserted,' said the Ghost. 'A solitary child, neglected by his friends, is left there still.' Scrooge said he knew it. And he sobbed.	41a468806df36d307cdb8ecd330de40cfb10252a9be65439309b7f6e777ccac82af80b0dceb145491c744a338b76327d6e6819cae0d7ce05acc941006a3c0195
154	98c73c14-1a27-495e-bbc2-4cc1c1952dfd	152	claim	GUIDANCE	The Ghost of Christmas Past acts as a guide for Scrooge, leading him through memories and encouraging his reclamation and welfare.	GHOST OF CHRISTMAS PAST	SCROOGE	TRUE	NONE	NONE	'Your welfare!' said the Ghost. ... 'Your reclamation, then. Take heed!' ... 'Rise! and walk with me!' ... 'Bear but a touch of my hand _there_,' said the Spirit, laying it upon his heart, 'and you shall be upheld in more than this!' ... As the words were spoken, they passed through the wall, and stood upon an open country road, with fields on either hand.	41a468806df36d307cdb8ecd330de40cfb10252a9be65439309b7f6e777ccac82af80b0dceb145491c744a338b76327d6e6819cae0d7ce05acc941006a3c0195
155	b6e5f4b9-8b3b-40ee-85a4-da20a6818433	153	claim	EMOTIONAL RESPONSE	Scrooge displays emotional responses such as trembling lips and sobbing when confronted with memories of his childhood and past.	SCROOGE	NONE	TRUE	NONE	NONE	'Your lip is trembling,' said the Ghost. 'And what is that upon your cheek?' Scrooge muttered, with an unusual catching in his voice, that it was a pimple; and begged the Ghost to lead him where he would. ... 'The school is not quite deserted,' said the Ghost. 'A solitary child, neglected by his friends, is left there still.' Scrooge said he knew it. And he sobbed.	41a468806df36d307cdb8ecd330de40cfb10252a9be65439309b7f6e777ccac82af80b0dceb145491c744a338b76327d6e6819cae0d7ce05acc941006a3c0195
156	d28660d1-6bab-4183-8119-aeff7d9f21f4	154	claim	CHILDHOOD LOCATION	The market-town is identified as the place where Scrooge was bred and spent his boyhood, which is relevant to his personal history.	MARKET-TOWN	NONE	TRUE	NONE	NONE	'Good Heaven!' said Scrooge, clasping his hands together, as he looked about him. 'I was bred in this place. I was a boy here!' ... They walked along the road, Scrooge recognising every gate, and post, and tree, until a little market-town appeared in the distance, with its bridge, its church, and winding river.	41a468806df36d307cdb8ecd330de40cfb10252a9be65439309b7f6e777ccac82af80b0dceb145491c744a338b76327d6e6819cae0d7ce05acc941006a3c0195
157	de8488be-865b-41a0-9be6-3ea104aa992a	155	claim	DISAPPEARANCE	The city where Scrooge previously was has entirely vanished as he is transported by the Ghost of Christmas Past.	CITY	NONE	TRUE	NONE	NONE	The city had entirely vanished. Not a vestige of it was to be seen. The darkness and the mist had vanished with it, for it was a clear, cold, winter day, with snow upon the ground.	41a468806df36d307cdb8ecd330de40cfb10252a9be65439309b7f6e777ccac82af80b0dceb145491c744a338b76327d6e6819cae0d7ce05acc941006a3c0195
158	54162a17-8d30-4c1e-81db-cb6c169cc344	156	claim	SUPERNATURAL ENTITY	The Ghost of Christmas Past is described as a supernatural entity with fluctuating physical form and the ability to transport Scrooge through time and space.	GHOST OF CHRISTMAS PAST	NONE	TRUE	NONE	NONE	instant at another time was dark, so the figure itself fluctuated in its distinctness; being now a thing with one arm, now with one leg, now with twenty legs, now a pair of legs without a head, now a head without a body: of which dissolving parts no outline would be visible in the dense gloom wherein they melted away. And, in the very wonder of this, it would be itself again; distinct and clear as ever. ... As the words were spoken, they passed through the wall, and stood upon an open country road, with fields on either hand.	41a468806df36d307cdb8ecd330de40cfb10252a9be65439309b7f6e777ccac82af80b0dceb145491c744a338b76327d6e6819cae0d7ce05acc941006a3c0195
159	afcb3420-bea3-4987-83f2-2ece489f51fa	157	claim	NEGLECT	Scrooge, as a child, was neglected by his friends and left alone at school during Christmas, which is presented as a formative and sorrowful experience for him. This is evidenced by the Ghost's statement and Scrooge's emotional reaction.	SCROOGE	NONE	TRUE	NONE	NONE	'The school is not quite deserted,' said the Ghost. 'A solitary child, neglected by his friends, is left there still.' Scrooge said he knew it. And he sobbed.	a8a757e8af48cb068f5d7d00d96ba252ecd567976821e3857890e104bd76834eb2b7c8f2222c2167911b6db3b0b30cb09a7010daec7121d7997ce3aa3efa4528
160	1325c569-3770-42e3-8402-554670ca5b32	158	claim	LONELINESS	Scrooge's younger self is described as a lonely boy, left alone at school during the holidays, which contributed to his emotional state and character development.	SCROOGE	NONE	TRUE	NONE	NONE	At one of these a lonely boy was reading near a feeble fire; and Scrooge sat down upon a form, and wept to see his poor forgotten self as he had used to be. ... One Christmas-time, when yonder solitary child was left here all alone, he _did_ come, for the first time, just like that. Poor boy!	a8a757e8af48cb068f5d7d00d96ba252ecd567976821e3857890e104bd76834eb2b7c8f2222c2167911b6db3b0b30cb09a7010daec7121d7997ce3aa3efa4528
161	2bc64dfd-77a4-4043-9d9a-0bcbb506f8b4	159	claim	REGRET	Scrooge expresses regret for not showing kindness to a boy singing a Christmas carol at his door the previous night, indicating a moment of self-reflection and remorse.	SCROOGE	NONE	TRUE	NONE	NONE	'There was a boy singing a Christmas carol at my door last night. I should like to have given him something: that's all.' The Ghost smiled thoughtfully, and waved its hand, saying as it did so, 'Let us see another Christmas!'	a8a757e8af48cb068f5d7d00d96ba252ecd567976821e3857890e104bd76834eb2b7c8f2222c2167911b6db3b0b30cb09a7010daec7121d7997ce3aa3efa4528
162	477a340f-0413-4219-a1a2-210a82524406	160	claim	IMAGINARY FRIENDSHIP	Ali Baba is referenced as a figure who visited Scrooge in his imagination during his lonely childhood, providing comfort and companionship in the absence of real friends.	ALI BABA	NONE	TRUE	NONE	NONE	'Why, it's Ali Baba!' Scrooge exclaimed in ecstasy. 'It's dear old honest Ali Baba! Yes, yes, I know. One Christmas-time, when yonder solitary child was left here all alone, he _did_ come, for the first time, just like that. Poor boy!'	a8a757e8af48cb068f5d7d00d96ba252ecd567976821e3857890e104bd76834eb2b7c8f2222c2167911b6db3b0b30cb09a7010daec7121d7997ce3aa3efa4528
163	dc23b559-545e-44c2-ac31-4e9ebe0e83a2	161	claim	IMAGINARY FRIENDSHIP	Valentine is mentioned as one of the imaginary companions who appeared to Scrooge during his lonely childhood, offering solace.	VALENTINE	NONE	TRUE	NONE	NONE	And Valentine,' said Scrooge, 'and his wild brother, Orson; there they go!'	a8a757e8af48cb068f5d7d00d96ba252ecd567976821e3857890e104bd76834eb2b7c8f2222c2167911b6db3b0b30cb09a7010daec7121d7997ce3aa3efa4528
164	8a94e165-91b6-430d-bbae-32c83080871b	162	claim	IMAGINARY FRIENDSHIP	Orson, Valentine’s wild brother, is referenced as another imaginary companion for Scrooge during his childhood.	ORSON	NONE	TRUE	NONE	NONE	And Valentine,' said Scrooge, 'and his wild brother, Orson; there they go!'	a8a757e8af48cb068f5d7d00d96ba252ecd567976821e3857890e104bd76834eb2b7c8f2222c2167911b6db3b0b30cb09a7010daec7121d7997ce3aa3efa4528
165	3b656e11-05f9-4362-9995-b483785900b4	163	claim	IMAGINARY FRIENDSHIP	The Sultan's Groom is mentioned as a character in Scrooge's childhood imagination, turned upside down by the Genii, reflecting the vividness of his fantasy world.	SULTAN'S GROOM	NONE	TRUE	NONE	NONE	And the Sultan's Groom turned upside down by the Genii; there he is upon his head! Serve him right! I'm glad of it. What business had he to be married to the Princess?'	a8a757e8af48cb068f5d7d00d96ba252ecd567976821e3857890e104bd76834eb2b7c8f2222c2167911b6db3b0b30cb09a7010daec7121d7997ce3aa3efa4528
166	d6530b9a-6aad-451a-a09b-571d3bdf84b3	164	claim	IMAGINARY FRIENDSHIP	The Princess is referenced as part of Scrooge's childhood imaginary stories, involved in the tale of the Sultan's Groom.	PRINCESS	NONE	TRUE	NONE	NONE	What business had he to be married to the Princess?'	a8a757e8af48cb068f5d7d00d96ba252ecd567976821e3857890e104bd76834eb2b7c8f2222c2167911b6db3b0b30cb09a7010daec7121d7997ce3aa3efa4528
167	2124ac8c-d44c-42de-89d6-a47c48b88247	165	claim	IMAGINARY FRIENDSHIP	Robin Crusoe (Robinson Crusoe) is mentioned as an imaginary companion for Scrooge, with the Parrot and Friday, during his lonely childhood.	ROBIN CRUSOE	NONE	TRUE	NONE	NONE	Poor Robin Crusoe he called him, when he came home again after sailing round the island. "Poor Robin Crusoe, where have you been, Robin Crusoe?" The man thought he was dreaming, but he wasn't. It was the Parrot, you know. There goes Friday, running for his life to the little creek! Halloa! Hoop! Halloo!'	a8a757e8af48cb068f5d7d00d96ba252ecd567976821e3857890e104bd76834eb2b7c8f2222c2167911b6db3b0b30cb09a7010daec7121d7997ce3aa3efa4528
168	85bbe653-1c9d-4180-89ea-bc64ac72f0da	166	claim	IMAGINARY FRIENDSHIP	Friday is mentioned as part of Scrooge's childhood imaginary adventures, running for his life to the little creek.	FRIDAY	NONE	TRUE	NONE	NONE	There goes Friday, running for his life to the little creek! Halloa! Hoop! Halloo!'	a8a757e8af48cb068f5d7d00d96ba252ecd567976821e3857890e104bd76834eb2b7c8f2222c2167911b6db3b0b30cb09a7010daec7121d7997ce3aa3efa4528
169	5c5dd127-a0be-4afc-8bc4-4ac34912acd5	167	claim	IMAGINARY ADVENTURE	Damascus is referenced as a location in Scrooge's childhood imagination, where a character was put down in his drawers, asleep, at the gate.	DAMASCUS	NONE	TRUE	NONE	NONE	And what's his name, who was put down in his drawers, asleep, at the gate of Damascus; don't you see him?	a8a757e8af48cb068f5d7d00d96ba252ecd567976821e3857890e104bd76834eb2b7c8f2222c2167911b6db3b0b30cb09a7010daec7121d7997ce3aa3efa4528
170	ef441670-98b4-4ecd-b1a3-1e1bab7ea729	168	claim	BUSINESS ASSOCIATION	Scrooge's business friends in the City are mentioned as being surprised by his emotional reaction to his childhood memories, indicating his association with the City as a business location.	CITY	NONE	TRUE	NONE	NONE	To hear Scrooge expending all the earnestness of his nature on such subjects, in a most extraordinary voice between laughing and crying; and to see his heightened and excited face; would have been a surprise to his business friends in the City, indeed.	a8a757e8af48cb068f5d7d00d96ba252ecd567976821e3857890e104bd76834eb2b7c8f2222c2167911b6db3b0b30cb09a7010daec7121d7997ce3aa3efa4528
171	10a498cd-7d54-46a9-ae7e-71e84c3be061	169	claim	SUPERNATURAL VISITATION	The Ghost is described as accompanying Scrooge and showing him scenes from his past, acting as a supernatural guide.	GHOST	NONE	TRUE	NONE	NONE	They went, the Ghost and Scrooge, across the hall, to a door at the back of the house. ... The Spirit touched him on the arm, and pointed to his younger self, intent upon his reading. ... Scrooge looked at the Ghost, and, with a mournful shaking of his head, glanced anxiously towards the door.	a8a757e8af48cb068f5d7d00d96ba252ecd567976821e3857890e104bd76834eb2b7c8f2222c2167911b6db3b0b30cb09a7010daec7121d7997ce3aa3efa4528
172	46adfe90-b586-4e6a-bba3-23b36fcf0656	170	claim	FAMILY RELATIONSHIP	Scrooge is described as the brother of Fan, who comes to bring him home for the holidays, indicating a close family relationship.	SCROOGE	FAN	TRUE	NONE	NONE	'I have come to bring you home, dear brother!' said the child, clapping her tiny hands, and bending down to laugh. 'To bring you home, home, home!' 'Home, little Fan?' returned the boy. 'Yes!' said the child, brimful of glee. 'Home for good and all. Home for ever and ever.' 'You are quite a woman, little Fan!' exclaimed the boy.	a53275b2642310311bd2a39aee70ad8bfcb5d2a20e8eb46cc413f5c2d8d271267f4e74dfb356c4916ae51eeb46ae6108c5b21f1a77672bb2ed80fef1f7067894
173	10db4ee1-fb00-4a40-9123-75fc115868f2	171	claim	FAMILY RELATIONSHIP	Fan is described as Scrooge's sister, and she comes to bring him home, showing a familial bond.	FAN	SCROOGE	TRUE	NONE	NONE	'I have come to bring you home, dear brother!' said the child, clapping her tiny hands, and bending down to laugh. 'To bring you home, home, home!' 'Home, little Fan?' returned the boy. 'Yes!' said the child, brimful of glee. 'Home for good and all. Home for ever and ever.' 'You are quite a woman, little Fan!' exclaimed the boy.	a53275b2642310311bd2a39aee70ad8bfcb5d2a20e8eb46cc413f5c2d8d271267f4e74dfb356c4916ae51eeb46ae6108c5b21f1a77672bb2ed80fef1f7067894
174	5ecdf94b-d344-4329-b6fb-74044b21a21a	172	claim	DEATH	Fan is reported to have died as a woman, according to the Ghost, which is confirmed by Scrooge.	FAN	NONE	TRUE	NONE	NONE	'She died a woman,' said the Ghost, 'and had, as I think, children.' 'One child,' Scrooge returned.	a53275b2642310311bd2a39aee70ad8bfcb5d2a20e8eb46cc413f5c2d8d271267f4e74dfb356c4916ae51eeb46ae6108c5b21f1a77672bb2ed80fef1f7067894
175	2271532d-9491-427e-96aa-4bf80fc10bcd	173	claim	FAMILY RELATIONSHIP	Fan is the mother of Scrooge's nephew, as stated by the Ghost and confirmed by Scrooge.	FAN	SCROOGE'S NEPHEW	TRUE	NONE	NONE	'She died a woman,' said the Ghost, 'and had, as I think, children.' 'One child,' Scrooge returned. 'True,' said the Ghost. 'Your nephew!' Scrooge seemed uneasy in his mind, and answered briefly, 'Yes.'	a53275b2642310311bd2a39aee70ad8bfcb5d2a20e8eb46cc413f5c2d8d271267f4e74dfb356c4916ae51eeb46ae6108c5b21f1a77672bb2ed80fef1f7067894
176	cc5380a9-81fe-4a61-aa9c-6256936306cb	174	claim	EMPLOYMENT RELATIONSHIP	Fezziwig is described as Scrooge's former employer, as Scrooge was apprenticed at Fezziwig's warehouse.	FEZZIWIG	SCROOGE	TRUE	NONE	NONE	The Ghost stopped at a certain warehouse door, and asked Scrooge if he knew it. 'Know it!' said Scrooge. 'Was I apprenticed here?' ... 'Why, it's old Fezziwig! Bless his heart, it's Fezziwig alive again!'	a53275b2642310311bd2a39aee70ad8bfcb5d2a20e8eb46cc413f5c2d8d271267f4e74dfb356c4916ae51eeb46ae6108c5b21f1a77672bb2ed80fef1f7067894
177	10105875-0dd5-4b68-8562-b6a0ebc206e9	175	claim	EMPLOYMENT RELATIONSHIP	Fezziwig is also the employer of Dick Wilkins, who is described as Scrooge's fellow apprentice.	FEZZIWIG	DICK WILKINS	TRUE	NONE	NONE	'Yo ho, there! Ebenezer! Dick!' Scrooge's former self, now grown a young man, came briskly in, accompanied by his fellow-'prentice. 'Dick Wilkins, to be sure!' said Scrooge to the Ghost. 'Bless me, yes. There he is. He was very much attached to me, was Dick'	a53275b2642310311bd2a39aee70ad8bfcb5d2a20e8eb46cc413f5c2d8d271267f4e74dfb356c4916ae51eeb46ae6108c5b21f1a77672bb2ed80fef1f7067894
178	b8bcc3a0-e4e2-4edd-bbc0-d5ae770bd9dd	176	claim	EMPLOYMENT RELATIONSHIP	Scrooge was apprenticed to Fezziwig, indicating an employment relationship.	SCROOGE	FEZZIWIG	TRUE	NONE	NONE	The Ghost stopped at a certain warehouse door, and asked Scrooge if he knew it. 'Know it!' said Scrooge. 'Was I apprenticed here?' ... 'Why, it's old Fezziwig! Bless his heart, it's Fezziwig alive again!'	a53275b2642310311bd2a39aee70ad8bfcb5d2a20e8eb46cc413f5c2d8d271267f4e74dfb356c4916ae51eeb46ae6108c5b21f1a77672bb2ed80fef1f7067894
179	4d07f8fd-c89b-4665-a795-84067f7a6b4a	177	claim	EMPLOYMENT RELATIONSHIP	Dick Wilkins was also apprenticed to Fezziwig, as described in the text.	DICK WILKINS	FEZZIWIG	TRUE	NONE	NONE	'Yo ho, there! Ebenezer! Dick!' Scrooge's former self, now grown a young man, came briskly in, accompanied by his fellow-'prentice. 'Dick Wilkins, to be sure!' said Scrooge to the Ghost. 'Bless me, yes. There he is. He was very much attached to me, was Dick'	a53275b2642310311bd2a39aee70ad8bfcb5d2a20e8eb46cc413f5c2d8d271267f4e74dfb356c4916ae51eeb46ae6108c5b21f1a77672bb2ed80fef1f7067894
180	a37e32bb-2921-45ce-9465-6df822f15638	178	claim	EDUCATION RELATIONSHIP	The schoolmaster is described as an authority figure at the school where Scrooge was a student, indicating an education relationship.	SCHOOLMASTER	SCROOGE	TRUE	NONE	NONE	A terrible voice in the hall cried, 'Bring down Master Scrooge's box, there!' and in the hall appeared the schoolmaster himself, who glared on Master Scrooge with a ferocious condescension, and threw him into a dreadful state of mind by shaking hands with him.	a53275b2642310311bd2a39aee70ad8bfcb5d2a20e8eb46cc413f5c2d8d271267f4e74dfb356c4916ae51eeb46ae6108c5b21f1a77672bb2ed80fef1f7067894
181	d4621537-79d4-4785-ae90-ff246bf2f77e	179	claim	EDUCATION RELATIONSHIP	The schoolmaster interacts with Fan and Scrooge, suggesting Fan was also present at the school.	SCHOOLMASTER	FAN	TRUE	NONE	NONE	He then conveyed him and his sister into the veriest old well of a shivering best parlour that ever was seen, where the maps upon the wall, and the celestial and terrestrial globes in the windows, were waxy with cold.	a53275b2642310311bd2a39aee70ad8bfcb5d2a20e8eb46cc413f5c2d8d271267f4e74dfb356c4916ae51eeb46ae6108c5b21f1a77672bb2ed80fef1f7067894
182	eced3f8b-2e14-4c95-b9ad-ec486a2666ba	180	claim	LOCATION	The text describes a busy city with thoroughfares, carts, coaches, and shops, indicating a geographical location.	CITY	NONE	TRUE	NONE	NONE	Although they had but that moment left the school behind them, they were now in the busy thoroughfares of a city, where shadowy passengers passed and re-passed; where shadowy carts and coaches battled for the way, and all the strife and tumult of a real city were. It was made plain enough, by the dressing of the shops, that here, too, it was Christmas-time again; but it was evening, and the streets were lighted up.	a53275b2642310311bd2a39aee70ad8bfcb5d2a20e8eb46cc413f5c2d8d271267f4e74dfb356c4916ae51eeb46ae6108c5b21f1a77672bb2ed80fef1f7067894
183	3d629c70-b001-4e86-807f-a98497f09cf8	181	claim	EVENT	The text repeatedly references Christmas as a significant event, with characters preparing to celebrate and mentioning the holidays.	CHRISTMAS	NONE	TRUE	NONE	NONE	'He was not reading now, but walking up and down despairingly. Scrooge looked at the Ghost, and, with a mournful shaking of his head, glanced anxiously towards the door.' ... 'all the other boys had gone home for the jolly holidays.' ... 'but first we're to be together all the Christmas long, and have the merriest time in all the world.' ... 'It was made plain enough, by the dressing of the shops, that here, too, it was Christmas-time again; but it was evening, and the streets were lighted up.'	a53275b2642310311bd2a39aee70ad8bfcb5d2a20e8eb46cc413f5c2d8d271267f4e74dfb356c4916ae51eeb46ae6108c5b21f1a77672bb2ed80fef1f7067894
184	212bf53d-9656-4629-82ca-8bafa2c3132e	182	claim	BENEVOLENCE	Fezziwig is depicted as a benevolent and jovial employer, creating a warm and festive atmosphere for his employees, encouraging celebration and camaraderie. Evidence includes his cheerful demeanor, generosity, and the positive impact on those around him.	FEZZIWIG	NONE	TRUE	NONE	NONE	benevolence; and called out, in a comfortable, oily, rich, fat, jovial voice-- 'Yo ho, there! Ebenezer! Dick!' ... 'Yo ho, my boys!' said Fezziwig. 'No more work to-night. Christmas Eve, Dick. Christmas, Ebenezer! Let's have the shutters up,' cried old Fezziwig, with a sharp clap of his hands, 'before a man can say Jack Robinson!' ... Clear away! There was nothing they wouldn't have cleared away, or couldn't have cleared away, with old Fezziwig looking on. ... the warehouse was as snug, and warm, and dry, and bright a ball-room as you would desire to see upon a winter's night.	4c9fd580d24a30d396d5f70661dff14cceb2ef8f8baed49cec3b1d02e9f54821041409f2c03d3b396718f2a27a54a6d9ac8e5e8ced4726b2b85f70c6ac5a2742
185	6e052d1c-ba62-4393-96e1-f2c419a652d3	183	claim	EMPLOYMENT	Ebenezer (Scrooge's former self) is identified as a young apprentice employed by Fezziwig, participating in the festive activities and working in the warehouse.	EBENEZER	NONE	TRUE	NONE	NONE	Scrooge's former self, now grown a young man, came briskly in, accompanied by his fellow-'prentice. ... 'Yo ho, there! Ebenezer! Dick!' ... 'Yo ho, my boys!' said Fezziwig. 'No more work to-night. Christmas Eve, Dick. Christmas, Ebenezer! Let's have the shutters up,' cried old Fezziwig, with a sharp clap of his hands, 'before a man can say Jack Robinson!'	4c9fd580d24a30d396d5f70661dff14cceb2ef8f8baed49cec3b1d02e9f54821041409f2c03d3b396718f2a27a54a6d9ac8e5e8ced4726b2b85f70c6ac5a2742
186	f5c1e07b-59cf-4989-aa2f-11c38421dcee	184	claim	EMPLOYMENT	Dick Wilkins is identified as a fellow apprentice alongside Ebenezer, working for Fezziwig and participating in the warehouse activities and festivities.	DICK WILKINS	NONE	TRUE	NONE	NONE	'Dick Wilkins, to be sure!' said Scrooge to the Ghost. 'Bless me, yes. There he is. He was very much attached to me, was Dick. Poor Dick! Dear, dear!' ... 'Yo ho, there! Ebenezer! Dick!' ... 'Yo ho, my boys!' said Fezziwig. 'No more work to-night. Christmas Eve, Dick. Christmas, Ebenezer! Let's have the shutters up,' cried old Fezziwig, with a sharp clap of his hands, 'before a man can say Jack Robinson!'	4c9fd580d24a30d396d5f70661dff14cceb2ef8f8baed49cec3b1d02e9f54821041409f2c03d3b396718f2a27a54a6d9ac8e5e8ced4726b2b85f70c6ac5a2742
187	26656abc-cee5-46d2-a3fc-d707076e072a	185	claim	PARTNERSHIP	Mrs. Fezziwig is described as Fezziwig's partner, both in dance and in life, and is praised for being worthy of him in every sense, indicating a strong and positive partnership.	MRS. FEZZIWIG	FEZZIWIG	TRUE	NONE	NONE	In came Mrs. Fezziwig, one vast substantial smile. ... Then old Fezziwig stood out to dance with Mrs. Fezziwig. ... As to _her_, she was worthy to be his partner in every sense of the term. If that's not high praise, tell me higher, and I'll use it.	4c9fd580d24a30d396d5f70661dff14cceb2ef8f8baed49cec3b1d02e9f54821041409f2c03d3b396718f2a27a54a6d9ac8e5e8ced4726b2b85f70c6ac5a2742
188	e6e16c47-04ed-4e57-9f13-a9d88c739dba	186	claim	SOCIAL INFLUENCE	The three Miss Fezziwigs are described as beaming and lovable, and are said to have broken the hearts of six young followers, indicating their social influence and popularity at the event.	MISS FEZZIWIGS	NONE	TRUE	NONE	NONE	In came the three Miss Fezziwigs, beaming and lovable. In came the six young followers whose hearts they broke.	4c9fd580d24a30d396d5f70661dff14cceb2ef8f8baed49cec3b1d02e9f54821041409f2c03d3b396718f2a27a54a6d9ac8e5e8ced4726b2b85f70c6ac5a2742
189	90e90c7c-6cfd-4b07-9975-162206f60fe1	187	claim	PROFESSIONAL SKILL	The fiddler is described as highly skilled and dedicated, able to create an orchestra from a desk, and is praised for knowing his business better than others could tell him.	FIDDLER	NONE	TRUE	NONE	NONE	In came a fiddler with a music-book, and went up to the lofty desk, and made an orchestra of it, and tuned like fifty stomach-aches. ... The fiddler (an artful dog, mind! The sort of man who knew his business better than you or I could have told it him!) struck up 'Sir Roger de Coverley.' ... the fiddler plunged his hot face into a pot of porter, especially provided for that purpose. But, scorning rest upon his reappearance, he instantly began again, though there were no dancers yet, as if the other fiddler had been carried home, exhausted, on a shutter, and he were a bran-new man resolved to beat him out of sight, or perish.	4c9fd580d24a30d396d5f70661dff14cceb2ef8f8baed49cec3b1d02e9f54821041409f2c03d3b396718f2a27a54a6d9ac8e5e8ced4726b2b85f70c6ac5a2742
190	ad7a27d7-aed1-4515-8e25-b67482b5e096	188	claim	NEGLECT	The boy from over the way is suspected of not having board enough from his master, suggesting possible neglect or insufficient care.	BOY FROM OVER THE WAY	NONE	SUSPECTED	NONE	NONE	In came the boy from over the way, who was suspected of not having board enough from his master;	4c9fd580d24a30d396d5f70661dff14cceb2ef8f8baed49cec3b1d02e9f54821041409f2c03d3b396718f2a27a54a6d9ac8e5e8ced4726b2b85f70c6ac5a2742
191	98aa39ce-65f6-4a67-9159-c54f77632a76	189	claim	MISTREATMENT	The girl from next door but one is reported to have had her ears pulled by her mistress, indicating mistreatment.	GIRL FROM NEXT DOOR BUT ONE	NONE	TRUE	NONE	NONE	trying to hide himself behind the girl from next door but one, who was proved to have had her ears pulled by her mistress.	4c9fd580d24a30d396d5f70661dff14cceb2ef8f8baed49cec3b1d02e9f54821041409f2c03d3b396718f2a27a54a6d9ac8e5e8ced4726b2b85f70c6ac5a2742
192	05badd35-23cd-4734-9e4e-e337ea8ebc5d	190	claim	ORGANIZATION	Fezziwig's warehouse is described as a place of employment and social gathering, transformed into a warm and bright ballroom for the Christmas celebration.	FEZZIWIG'S WAREHOUSE	NONE	TRUE	NONE	NONE	the warehouse was as snug, and warm, and dry, and bright a ball-room as you would desire to see upon a winter's night.	4c9fd580d24a30d396d5f70661dff14cceb2ef8f8baed49cec3b1d02e9f54821041409f2c03d3b396718f2a27a54a6d9ac8e5e8ced4726b2b85f70c6ac5a2742
193	d3c2048a-cde5-4bbc-95a0-0da7bd6fbe5b	191	claim	POSITIVE REPUTATION	Fezziwig is praised by the apprentices and others for his kindness and ability to make people happy, as described in the text. He is depicted as a generous employer who brings joy to those around him, and his actions are recognized as creating gratitude and happiness among his employees.	FEZZIWIG	NONE	TRUE	NONE	NONE	They shone in every part of the dance like moons. You couldn't have predicted, at any given time, what would become of them next. And when old Fezziwig and Mrs. Fezziwig had gone all through the dance... Mr. and Mrs. Fezziwig took their stations, one on either side the door, and, shaking hands with every person individually as he or she went out, wished him or her a Merry Christmas... The Spirit signed to him to listen to the two apprentices, who were pouring out their hearts in praise of Fezziwig; and when he had done so, said: 'Why! Is it not? He has spent but a few pounds of your mortal money: three or four, perhaps. Is that so much that he deserves this praise?' 'It isn't that,' said Scrooge, heated by the remark, and speaking unconsciously like his former, not his latter self. 'It isn't that, Spirit. He has the power to render us happy or unhappy; to make our service light or burdensome; a pleasure or a toil. Say that his power lies in words and looks; in things so slight and insignificant that it is impossible to add and count 'em up: what then? The happiness he gives is quite as great as if it cost a fortune.'	57abef7377c567861f1edbd8a5c73829ba9f909814a0bec5a939890c4fdb162459e079badfd16df2cd8c0eea05cced4a72d850edc672f570160b77f90d28bbe7
194	8f0682b3-50c5-472f-8ef8-e87cf984ec05	192	claim	PERSONAL CHANGE	Scrooge is described as having changed over time, becoming more avaricious and focused on gain, which led to the loss of his nobler aspirations and affected his relationship with the young girl. The text provides evidence of his transformation from a happier, more content person to one consumed by the pursuit of wealth.	SCROOGE	NONE	TRUE	NONE	NONE	There was an eager, greedy, restless motion in the eye, which showed the passion that had taken root, and where the shadow of the growing tree would fall... 'You fear the world too much,' she answered gently. 'All your other hopes have merged into the hope of being beyond the chance of its sordid reproach. I have seen your nobler aspirations fall off one by one, until the master passion, Gain, engrosses you. Have I not?'... 'You are changed. When it was made you were another man.' 'Your own feeling tells you that you were not what you are,' she returned. 'I am. That which promised happiness when we were one in heart is fraught with misery now that we are two.'	57abef7377c567861f1edbd8a5c73829ba9f909814a0bec5a939890c4fdb162459e079badfd16df2cd8c0eea05cced4a72d850edc672f570160b77f90d28bbe7
195	252a84bb-55a3-4f66-83ee-addafbac2c77	193	claim	SUPERNATURAL EVENT	The Ghost of Christmas Past is described as a supernatural entity that interacts with Scrooge, guiding him through memories and prompting reflection on his past actions and changes.	GHOST OF CHRISTMAS PAST	NONE	TRUE	NONE	NONE	He remembered the Ghost, and became conscious that it was looking full upon him, while the light upon its head burnt very clear... 'A small matter,' said the Ghost, 'to make these silly folks so full of gratitude.'... 'My time grows short,' observed the Spirit. 'Quick!'	57abef7377c567861f1edbd8a5c73829ba9f909814a0bec5a939890c4fdb162459e079badfd16df2cd8c0eea05cced4a72d850edc672f570160b77f90d28bbe7
196	93900b47-4791-47e8-b729-56e989e2b6a3	194	claim	POSITIVE REPUTATION	Mrs. Fezziwig is depicted as a kind and cheerful person, participating in the dance and wishing everyone a Merry Christmas, contributing to the positive atmosphere of the event.	MRS. FEZZIWIG	NONE	TRUE	NONE	NONE	And when old Fezziwig and Mrs. Fezziwig had gone all through the dance... Mr. and Mrs. Fezziwig took their stations, one on either side the door, and, shaking hands with every person individually as he or she went out, wished him or her a Merry Christmas.	57abef7377c567861f1edbd8a5c73829ba9f909814a0bec5a939890c4fdb162459e079badfd16df2cd8c0eea05cced4a72d850edc672f570160b77f90d28bbe7
197	dfe8aee0-5c37-4b3d-8a49-ad12ea746482	195	claim	POSITIVE REPUTATION	Dick is mentioned as one of the apprentices who is left with Scrooge's former self after the party, and is part of the group that expresses gratitude and praise for Fezziwig.	DICK	NONE	TRUE	NONE	NONE	It was not until now, when the bright faces of his former self and Dick were turned from them, that he remembered the Ghost, and became conscious that it was looking full upon him, while the light upon its head burnt very clear.	57abef7377c567861f1edbd8a5c73829ba9f909814a0bec5a939890c4fdb162459e079badfd16df2cd8c0eea05cced4a72d850edc672f570160b77f90d28bbe7
198	37617f81-de84-4ceb-83cc-7e880f8f1d89	196	claim	BROKEN RELATIONSHIP	The fair young girl is described as ending her relationship with Scrooge due to his change in character and pursuit of wealth, which displaced their former happiness and unity.	FAIR YOUNG GIRL	NONE	TRUE	NONE	NONE	He was not alone, but sat by the side of a fair young girl in a mourning dress: in whose eyes there were tears, which sparkled in the light that shone out of the Ghost of Christmas Past... 'It matters little,' she said softly. 'To you, very little. Another idol has displaced me; and, if it can cheer and comfort you in time to come as I would have tried to do, I have no just cause to grieve.'... 'You are changed. When it was made you were another man.' 'Your own feeling tells you that you were not what you are,' she returned. 'I am. That which promised happiness when we were one in heart is fraught with misery now that we are two.'	57abef7377c567861f1edbd8a5c73829ba9f909814a0bec5a939890c4fdb162459e079badfd16df2cd8c0eea05cced4a72d850edc672f570160b77f90d28bbe7
199	dea7a536-6f09-4db8-aa19-1be214a624f5	197	claim	EMOTIONAL DISTRESS	Scrooge is shown to experience emotional distress and regret over his past choices, particularly in his relationship with the girl who releases him from their engagement. This is evidenced by his pleas to the Spirit to "show me no more" and his visible agitation during the scenes of his past.	SCROOGE	NONE	TRUE	NONE	NONE	'Spirit!' said Scrooge, 'show me no more! Conduct me home. Why do you delight to torture me?' 'No more!' cried Scrooge. 'No more! I don't wish to see it. Show me no more!' But the relentless Ghost pinioned him in both his arms, and forced him to observe what happened next.	63f401ecdbec6096e847d23115c0bc5d86bc2f102be0bfcd30ca95adbf91a523ae95257b2d46d6600f5fbfded35a5d0bbf76961a3bf5d5c6fdafa62c9a04cc11
200	973c0485-03a4-466f-bd87-11ef9dbdc4ce	198	claim	SUPERNATURAL INTERVENTION	The Ghost is depicted as a supernatural entity intervening in Scrooge's life by forcing him to witness scenes from his past, despite Scrooge's protests. This intervention is described as relentless and pinioning.	GHOST	SCROOGE	TRUE	NONE	NONE	'But the relentless Ghost pinioned him in both his arms, and forced him to observe what happened next.'	63f401ecdbec6096e847d23115c0bc5d86bc2f102be0bfcd30ca95adbf91a523ae95257b2d46d6600f5fbfded35a5d0bbf76961a3bf5d5c6fdafa62c9a04cc11
201	b2e7a67c-b141-43c6-a682-cf1d1f5243c2	199	claim	RELATIONSHIP TERMINATION	The girl, who was once engaged to Scrooge, releases him from their engagement due to his changed nature and priorities. She expresses that their relationship has become fraught with misery and that she no longer believes he would choose her.	GIRL	SCROOGE	TRUE	NONE	NONE	'That which promised happiness when we were one in heart is fraught with misery now that we are two... I release you. With a full heart, for the love of him you once were.' 'Have I ever sought release?' 'In words. No. Never.' 'In what, then?' 'In a changed nature; in an altered spirit; in another atmosphere of life; another Hope as its great end. In everything that made my love of any worth or value in your sight.'	63f401ecdbec6096e847d23115c0bc5d86bc2f102be0bfcd30ca95adbf91a523ae95257b2d46d6600f5fbfded35a5d0bbf76961a3bf5d5c6fdafa62c9a04cc11
202	105741e9-6f21-4e50-b434-6f77a121ea94	200	claim	FAMILY LIFE	The matron, formerly the girl who was engaged to Scrooge, is shown to have a happy family life, surrounded by children and enjoying domestic happiness, in contrast to Scrooge's solitary existence.	MATRON	NONE	TRUE	NONE	NONE	Near to the winter fire sat a beautiful young girl, so like that last that Scrooge believed it was the same, until he saw her, now a comely matron, sitting opposite her daughter. The noise in this room was perfectly tumultuous, for there were more children there than Scrooge in his agitated state of mind could count... the mother and daughter laughed heartily, and enjoyed it very much.	63f401ecdbec6096e847d23115c0bc5d86bc2f102be0bfcd30ca95adbf91a523ae95257b2d46d6600f5fbfded35a5d0bbf76961a3bf5d5c6fdafa62c9a04cc11
203	49eb0a50-3e38-469d-90a8-baeaeb138e55	201	claim	NONE	No specific geographic entities are mentioned in the provided text.	GEO: NONE	NONE	NONE	NONE	NONE	NONE	63f401ecdbec6096e847d23115c0bc5d86bc2f102be0bfcd30ca95adbf91a523ae95257b2d46d6600f5fbfded35a5d0bbf76961a3bf5d5c6fdafa62c9a04cc11
204	d458ebc9-dc1c-43b9-a031-9ba69e84f8b7	202	claim	NONE	No specific events (other than personal or supernatural experiences) are named in the provided text.	EVENT: NONE	NONE	NONE	NONE	NONE	NONE	63f401ecdbec6096e847d23115c0bc5d86bc2f102be0bfcd30ca95adbf91a523ae95257b2d46d6600f5fbfded35a5d0bbf76961a3bf5d5c6fdafa62c9a04cc11
205	bcb9cfc1-f2e1-42f0-b99f-4f01c8e35410	203	claim	EMOTIONAL DISTRESS	Scrooge is described as experiencing emotional distress and exhaustion after witnessing scenes involving his past, including seeing his former love Belle and her family, and being haunted by the Ghost. This is evidenced by his broken voice, pleas to be removed from the scene, and his subsequent exhaustion and drowsiness.	SCROOGE	NONE	TRUE	NONE	NONE	'Spirit!' said Scrooge in a broken voice, 'remove me from this place.' 'Remove me!' Scrooge exclaimed, 'I cannot bear it!' He turned upon the Ghost, and seeing that it looked upon him with a face, in which in some strange way there were fragments of all the faces it had shown him, wrestled with it. 'Leave me! Take me back. Haunt me no longer!' ... He was conscious of being exhausted, and overcome by an irresistible drowsiness; and, further, of being in his own bedroom. He gave the cap a parting squeeze, in which his hand relaxed; and had barely time to reel to bed, before he sank into a heavy sleep.	2f6df1cf1337efd0e1f44f31e39c47148edfce65f5c8593d6f15754f92c4f54e1f11c3eb807d58fa1d570db885faa700dbabded8ff1d4fad4be7f1d32094cb1d
206	2ce5d614-fe15-4615-991a-b9922207cfc0	204	claim	FAMILY CONNECTION	Belle is described as having a family, including a husband and daughter, and is referenced as Scrooge's former love. The text suggests that Belle's life took a different path from Scrooge's, highlighting a missed family connection for Scrooge.	BELLE	NONE	TRUE	NONE	NONE	'Belle,' said the husband, turning to his wife with a smile, 'I saw an old friend of yours this afternoon.' ... 'Mr. Scrooge it was. I passed his office window; and as it was not shut up, and he had a candle inside, I could scarcely help seeing him. His partner lies upon the point of death, I hear; and there he sat alone. Quite alone in the world, I do believe.' ... And now Scrooge looked on more attentively than ever, when the master of the house, having his daughter leaning fondly on him, sat down with her and her mother at his own fireside; and when he thought that such another creature, quite as graceful and as full of promise, might have called him father, and been a spring-time in the haggard winter of his life, his sight grew very dim indeed.	2f6df1cf1337efd0e1f44f31e39c47148edfce65f5c8593d6f15754f92c4f54e1f11c3eb807d58fa1d570db885faa700dbabded8ff1d4fad4be7f1d32094cb1d
207	c636a4cb-2aa6-4961-a95b-a909c6b55303	205	claim	SUPERNATURAL INFLUENCE	The Ghost is described as exerting a supernatural influence over Scrooge, showing him visions of his past and causing emotional reactions. Scrooge attempts to resist and extinguish the Ghost's light, but is unable to do so completely.	GHOST	SCROOGE	TRUE	NONE	NONE	'I told you these were shadows of the things that have been,' said the Ghost. 'That they are what they are do not blame me!' ... In the struggle, if that can be called a struggle in which the Ghost with no visible resistance on its own part was undisturbed by any effort of its adversary, Scrooge observed that its light was burning high and bright; and dimly connecting that with its influence over him, he seized the extinguisher-cap, and by a sudden action pressed it down upon its head. ... The Spirit dropped beneath it, so that the extinguisher covered its whole form; but though Scrooge pressed it down with all his force, he could not hide the light, which streamed from under it, in an unbroken flood upon the ground.	2f6df1cf1337efd0e1f44f31e39c47148edfce65f5c8593d6f15754f92c4f54e1f11c3eb807d58fa1d570db885faa700dbabded8ff1d4fad4be7f1d32094cb1d
208	565c2073-73f2-4fa0-bd14-9e083b9f3399	206	claim	INTERVENTION	Jacob Marley is referenced as having intervened to send the second messenger (Spirit) to Scrooge, facilitating Scrooge's supernatural experiences.	JACOB MARLEY	SCROOGE	TRUE	NONE	NONE	He felt that he was restored to consciousness in the right nick of time, for the especial purpose of holding a conference with the second messenger despatched to him through Jacob Marley's intervention.	2f6df1cf1337efd0e1f44f31e39c47148edfce65f5c8593d6f15754f92c4f54e1f11c3eb807d58fa1d570db885faa700dbabded8ff1d4fad4be7f1d32094cb1d
209	de0e104a-5870-4c96-a09e-d6cf903777dd	207	claim	FALSE ALARM	It was announced that the baby was suspected of having swallowed a fictitious turkey, but this was found to be a false alarm.	BABY	NONE	FALSE	NONE	NONE	The terrible announcement that the baby had been taken in the act of putting a doll's frying pan into his mouth, and was more than suspected of having swallowed a fictitious turkey, glued on a wooden platter! The immense relief of finding this a false alarm!	2f6df1cf1337efd0e1f44f31e39c47148edfce65f5c8593d6f15754f92c4f54e1f11c3eb807d58fa1d570db885faa700dbabded8ff1d4fad4be7f1d32094cb1d
210	28c44767-b9b6-4e96-99ad-9eb7ac6a769f	208	claim	FAMILY ROLE	The master of the house is described as a family figure, sitting with his wife and daughter at the fireside, representing familial warmth and connection.	MASTER OF THE HOUSE	NONE	TRUE	NONE	NONE	And now Scrooge looked on more attentively than ever, when the master of the house, having his daughter leaning fondly on him, sat down with her and her mother at his own fireside;	2f6df1cf1337efd0e1f44f31e39c47148edfce65f5c8593d6f15754f92c4f54e1f11c3eb807d58fa1d570db885faa700dbabded8ff1d4fad4be7f1d32094cb1d
211	b919ad77-2024-4ffa-8d1d-d59a6d0813a8	209	claim	SUPERNATURAL EXPERIENCE	Scrooge experienced a supernatural event when a strange voice called him by name, and he encountered the Ghost of Christmas Present, who revealed itself and interacted with him in his own room, which had undergone a magical transformation.	SCROOGE	NONE	TRUE	NONE	NONE	The moment Scrooge's hand was on the lock a strange voice called him by his name, and bade him enter. He obeyed. ... 'I am the Ghost of Christmas Present,' said the Spirit. 'Look upon me!' ... Scrooge reverently did so. ... 'You have never seen the like of me before!' exclaimed the Spirit. 'Never,' Scrooge made answer to it.	009ad19645d1ebc8aca6212e6c4b601d9be033585d0027efd478dd2c7c2135abc95300dcf252bfbf034571651a4a2369a7a5cf1b1986f38acfff4adbd03da239
212	a5942451-8fb4-4272-aca1-d2a05ee94819	210	claim	SUPERNATURAL ENTITY INTERACTION	The Ghost of Christmas Present interacted with Scrooge, introducing itself and inviting Scrooge to learn from it, indicating a supernatural entity engaging with a person.	GHOST OF CHRISTMAS PRESENT	SCROOGE	TRUE	NONE	NONE	'Come in!' exclaimed the Ghost. 'Come in! and know me better, man!' ... 'I am the Ghost of Christmas Present,' said the Spirit. 'Look upon me!' ... 'You have never seen the like of me before!' exclaimed the Spirit. ... The Ghost of Christmas Present rose. ... 'Spirit,' said Scrooge submissively, 'conduct me where you will. I went forth last night on compulsion, and I learned a lesson which is working now. To-night if you have aught to teach me, let me profit by it.' ... 'Touch my robe!' ... Scrooge did as he was told, and held it fast.	009ad19645d1ebc8aca6212e6c4b601d9be033585d0027efd478dd2c7c2135abc95300dcf252bfbf034571651a4a2369a7a5cf1b1986f38acfff4adbd03da239
213	93f6a856-a383-4e19-a62f-220d19ef977d	211	claim	LOCATION OF SUPERNATURAL EVENT	The city is the location where Scrooge and the Ghost of Christmas Present stood after the magical transformation and disappearance of the room and its contents.	CITY	SCROOGE	TRUE	NONE	NONE	So did the room, the fire, the ruddy glow, the hour of night, and they stood in the city	009ad19645d1ebc8aca6212e6c4b601d9be033585d0027efd478dd2c7c2135abc95300dcf252bfbf034571651a4a2369a7a5cf1b1986f38acfff4adbd03da239
214	109d240a-cadf-461d-a377-bcb52d5dbd17	212	claim	PAST SUPERNATURAL ASSOCIATION	Marley is referenced as having a connection to supernatural events in Scrooge's time, specifically in relation to the hearth and winter seasons.	MARLEY	NONE	TRUE	NONE	NONE	... that dull petrification of a hearth had never known in Scrooge's time, or Marley's, or for many and many a winter season gone.	009ad19645d1ebc8aca6212e6c4b601d9be033585d0027efd478dd2c7c2135abc95300dcf252bfbf034571651a4a2369a7a5cf1b1986f38acfff4adbd03da239
215	5379b075-ac98-45ec-b117-f5eb060e5eb4	213	claim	FAMILY OF SUPERNATURAL ENTITIES	The Ghost of Christmas Present claims to have more than eighteen hundred brothers, indicating a large family of supernatural entities associated with Christmas.	GHOST OF CHRISTMAS PRESENT	NONE	TRUE	NONE	NONE	'Have you had many brothers, Spirit?' 'More than eighteen hundred,' said the Ghost.	009ad19645d1ebc8aca6212e6c4b601d9be033585d0027efd478dd2c7c2135abc95300dcf252bfbf034571651a4a2369a7a5cf1b1986f38acfff4adbd03da239
216	3c48aa37-cde1-422b-b4fd-794d0c161662	214	claim	SUPERNATURAL EXPERIENCE	Scrooge is depicted as interacting with supernatural elements, specifically being told to "Touch my robe!" and experiencing a sudden change in environment, which is consistent with the supernatural visitations in "A Christmas Carol".	SCROOGE	NONE	TRUE	NONE	NONE	'Touch my robe!' Scrooge did as he was told, and held it fast. Holly, mistletoe, red berries, ivy, turkeys, geese, game, poultry, brawn, meat, pigs, sausages, oysters, pies, puddings, fruit, and punch, all vanished instantly. So did the room, the fire, the ruddy glow, the hour of night, and they stood in the city streets on Christmas morning...	92e8f7d2897d04f6d231e31ccc34f283d98eb963f2b45ee4ac71fbef6c902f05244284acd0e277101f39cbb8b32f3e35a3238b6f43dd5dc763a57b8a37204224
217	c432db72-3ac0-4ed4-917f-96d4fde475a7	215	claim	CLIMATE DESCRIPTION	The text describes the climate and atmosphere in Great Britain on Christmas morning, noting the severe weather, snow, and sooty mist, which contributes to the setting of the story.	GREAT BRITAIN	NONE	TRUE	NONE	NONE	as if all the chimneys in Great Britain had, by one consent, caught fire, and were blazing away to their dear heart's content. There was nothing very cheerful in the climate or the town, and yet was there an air of cheerfulness abroad that the clearest summer air and brightest summer sun might have endeavoured to diffuse in vain.	92e8f7d2897d04f6d231e31ccc34f283d98eb963f2b45ee4ac71fbef6c902f05244284acd0e277101f39cbb8b32f3e35a3238b6f43dd5dc763a57b8a37204224
218	858b67cd-8eb7-4460-85b9-e6f17b41d321	216	claim	BUSINESS ACTIVITY	The grocer and his staff are described as engaging in lively business activities, serving eager customers and contributing to the festive atmosphere.	THE GROCER	NONE	TRUE	NONE	NONE	The Grocers'! oh, the Grocers'! nearly closed, with perhaps two shutters down, or one; but through those gaps such glimpses!... while the grocer and his people were so frank and fresh, that the polished hearts with which they fastened their aprons behind might have been their own, worn outside for general inspection, and for Christmas daws to peck at if they chose.	92e8f7d2897d04f6d231e31ccc34f283d98eb963f2b45ee4ac71fbef6c902f05244284acd0e277101f39cbb8b32f3e35a3238b6f43dd5dc763a57b8a37204224
219	36b870a5-4352-4260-9d89-567f4b1313fc	217	claim	FOOD ITEM DESCRIPTION	Norfolk Biffins are described as "squab and swarthy," contributing to the vivid depiction of festive foods available in the shops.	NORFOLK BIFFINS	NONE	TRUE	NONE	NONE	There were Norfolk Biffins, squab and swarthy, setting off the yellow of the oranges and lemons, and, in the great compactness of their juicy persons, urgently entreating and beseeching to be carried home in paper bags and eaten after dinner.	92e8f7d2897d04f6d231e31ccc34f283d98eb963f2b45ee4ac71fbef6c902f05244284acd0e277101f39cbb8b32f3e35a3238b6f43dd5dc763a57b8a37204224
220	2c16e61a-8d3a-4844-aa50-2760b36fbd1d	218	claim	FOOD ITEM DESCRIPTION	Spanish onions are described as "ruddy, brown-faced, broad-girthed," and compared to Spanish friars, adding to the colorful imagery of the market scene.	SPANISH ONIONS	NONE	TRUE	NONE	NONE	There were ruddy, brown-faced, broad-girthed Spanish onions, shining in the fatness of their growth like Spanish friars, and winking from their shelves in wanton slyness at the girls as they went by, and glanced demurely at the hung-up mistletoe.	92e8f7d2897d04f6d231e31ccc34f283d98eb963f2b45ee4ac71fbef6c902f05244284acd0e277101f39cbb8b32f3e35a3238b6f43dd5dc763a57b8a37204224
221	ba01ae02-7ce6-48ee-b42b-8b8092b2c338	219	claim	EVENT SETTING	The city streets are described as the setting for Christmas morning, with people making music by scraping snow and engaging in festive activities.	CITY STREETS	NONE	TRUE	NONE	NONE	and they stood in the city streets on Christmas morning, where (for the weather was severe) the people made a rough, but brisk and not unpleasant kind of music, in scraping the snow from the pavement in front of their dwellings, and from the tops of their houses...	92e8f7d2897d04f6d231e31ccc34f283d98eb963f2b45ee4ac71fbef6c902f05244284acd0e277101f39cbb8b32f3e35a3238b6f43dd5dc763a57b8a37204224
222	42dde135-3ec1-453f-8cdd-439ba8ae5eba	220	claim	MISATTRIBUTION OF ACTIONS	Scrooge suspects that the Spirit desires to cramp people's opportunities for innocent enjoyment and to deprive them of their means of dining every seventh day, but the Spirit denies this, clarifying that such actions have been done in the Spirit's name or that of his family, not by the Spirit himself. This is a suspected claim of misattribution of actions to the Spirit.	SCROOGE	SPIRIT	SUSPECTED	NONE	NONE	'Spirit!' said Scrooge, after a moment's thought, 'I wonder you, of all the beings in the many worlds about us, should desire to cramp these people's opportunities of innocent enjoyment. "I!" cried the Spirit. "You would deprive them of their means of dining every seventh day, often the only day on which they can be said to dine at all," said Scrooge; "wouldn't you?" "I!" cried the Spirit. "You seek to close these places on the Seventh Day," said Scrooge. "And it comes to the same thing." "I seek!" exclaimed the Spirit. "Forgive me if I am wrong. It has been done in your name, or at least in that of your family," said Scrooge.'	552eea2f188052c3f687ed425d60ce19074f34634b19d5a20e4248169de82466f8945d95c6e452d92c2f98c230749bff61c67dcf06c342be96f439a993aced2f
223	6208cdea-004b-4d93-ba2c-b3271f9e1dbb	221	claim	MISATTRIBUTION OF ACTIONS	The Spirit denies the claim that he seeks to deprive people of their means of dining or to close bakeries on the Seventh Day, clarifying that such deeds are done by others who claim to know the Spirit, but are not truly connected to him or his kin. The Spirit asserts these actions should be charged to those who commit them, not to the Spirit.	SPIRIT	NONE	FALSE	NONE	NONE	'There are some upon this earth of yours,' returned the Spirit, 'who lay claim to know us, and who do their deeds of passion, pride, ill-will, hatred, envy, bigotry, and selfishness in our name, who are as strange to us, and all our kith and kin, as if they had never lived. Remember that, and charge their doings on themselves, not us.'	552eea2f188052c3f687ed425d60ce19074f34634b19d5a20e4248169de82466f8945d95c6e452d92c2f98c230749bff61c67dcf06c342be96f439a993aced2f
224	671d6bf8-e23d-40a9-9750-9c294cfcef7e	222	claim	POVERTY	Bob Cratchit is described as living in poverty, earning only fifteen 'Bob' a week, and his family is depicted as making do with limited means, such as Mrs. Cratchit wearing a twice-turned gown and the children rejoicing over simple pleasures.	BOB CRATCHIT	NONE	TRUE	NONE	NONE	Think of that! Bob had but fifteen 'Bob' a week himself; he pocketed on Saturdays but fifteen copies of his Christian name; and yet the Ghost of Christmas Present blessed his four-roomed house! Then up rose Mrs. Cratchit, Cratchit's wife, dressed out but poorly in a twice-turned gown, but brave in ribbons, which are cheap, and make a goodly show for sixpence; and she laid the cloth, assisted by Belinda Cratchit, second of her daughters, also brave in ribbons; while Master Peter Cratchit plunged a fork into the saucepan of potatoes, and getting the corners of his monstrous shirt-collar (Bob's private property, conferred upon his son and heir in honour of the day,) into his mouth, rejoiced to find himself so gallantly attired, and yearned to show his linen in the fashionable Parks. And now two smaller Cratchits, boy and girl, came tearing in, screaming that outside the baker's they had smelt the goose, and known it for their own; and basking in luxurious thoughts of sage and onion, these young Cratchits danced about the table, and exalted Master Peter Cratchit to the skies, while he (not proud, although his collars nearly	552eea2f188052c3f687ed425d60ce19074f34634b19d5a20e4248169de82466f8945d95c6e452d92c2f98c230749bff61c67dcf06c342be96f439a993aced2f
225	8f713562-f3d9-4980-8a5f-352de830db09	223	claim	BENEVOLENCE	The Spirit is described as blessing Bob Cratchit's dwelling with the sprinklings of his torch, showing kindness and sympathy for the poor.	SPIRIT	BOB CRATCHIT	TRUE	NONE	NONE	and on the threshold of the door the Spirit smiled, and stopped to bless Bob Cratchit's dwelling with the sprinklings of his torch. Think of that! Bob had but fifteen 'Bob' a week himself; he pocketed on Saturdays but fifteen copies of his Christian name; and yet the Ghost of Christmas Present blessed his four-roomed house!	552eea2f188052c3f687ed425d60ce19074f34634b19d5a20e4248169de82466f8945d95c6e452d92c2f98c230749bff61c67dcf06c342be96f439a993aced2f
226	61402866-49a5-4d4e-a2bf-7c081949f7f8	224	claim	LOCATION OF EVENTS	The Spirit and Scrooge travel invisibly into the suburbs of the town, indicating the location of subsequent events.	GEO: SUBURBS OF THE TOWN	NONE	TRUE	NONE	NONE	and they went on, invisible, as they had been before, into the suburbs of the town.	552eea2f188052c3f687ed425d60ce19074f34634b19d5a20e4248169de82466f8945d95c6e452d92c2f98c230749bff61c67dcf06c342be96f439a993aced2f
227	595a6d5f-1a8e-4ad8-b9e6-452100f20e0a	225	claim	ASPIRATIONAL LOCATION	Master Peter Cratchit yearns to show his linen in the fashionable Parks, indicating the Parks as an aspirational location for the character.	GEO: PARKS	NONE	TRUE	NONE	NONE	and getting the corners of his monstrous shirt-collar (Bob's private property, conferred upon his son and heir in honour of the day,) into his mouth, rejoiced to find himself so gallantly attired, and yearned to show his linen in the fashionable Parks.	552eea2f188052c3f687ed425d60ce19074f34634b19d5a20e4248169de82466f8945d95c6e452d92c2f98c230749bff61c67dcf06c342be96f439a993aced2f
228	9b03b89a-b467-40f2-90ae-70016c352e12	226	claim	FAMILY CARE	Mrs. Cratchit is depicted as caring for her family, welcoming her children home, showing affection to Martha, and preparing food for the family, which demonstrates her role as a nurturing figure.	MRS. CRATCHIT	NONE	TRUE	NONE	NONE	'What has ever got your precious father, then?' said Mrs. Cratchit. 'And your brother, Tiny Tim? And Martha warn't as late last Christmas Day by half an hour!' ... 'Why, bless your heart alive, my dear, how late you are!' said Mrs. Cratchit, kissing her a dozen times, and taking off her shawl and bonnet for her with officious zeal. ... 'Well! never mind so long as you are come,' said Mrs. Cratchit. 'Sit ye down before the fire, my dear, and have a warm, Lord bless ye!' ... Mrs. Cratchit made the gravy (ready beforehand in a little saucepan) hissing hot; ... At last the dishes were set on, and grace was said. It was succeeded by a breathless pause, as Mrs. Cratchit, looking slowly all along the carving-knife, prepared to plunge it in the breast; but when she did, and when the long-expected gush of stuffing issued forth, one murmur of delight arose all round the board, and even Tiny Tim, excited by the two young Cratchits, beat on the table with the handle of his knife and feebly cried Hurrah!	0b2c4df6fd915ed06478189efde78b3595bbdfd1551a295f1fd2e41b082d48b2837a6a9a3aac2d03cc7539df295c7be6331fef8592379312b0d600c69ff2073c
229	f4264741-c349-4294-bbd4-825f36f1d428	227	claim	FAMILY SUPPORT	Bob Cratchit is shown as a supportive father, carrying Tiny Tim home from church, expressing concern for his family, and participating in family activities, which highlights his role as a caring and involved parent.	BOB CRATCHIT	NONE	TRUE	NONE	NONE	So Martha hid herself, and in came little Bob, the father, with at least three feet of comforter, exclusive of the fringe, hanging down before him, and his threadbare clothes darned up and brushed to look seasonable, and Tiny Tim upon his shoulder. Alas for Tiny Tim, he bore a little crutch, and had his limbs supported by an iron frame! ... 'Not coming!' said Bob, with a sudden declension in his high spirits; for he had been Tim's blood-horse all the way from church, and had come home rampant. ... Bob's voice was tremulous when he told them this, and trembled more when he said that Tiny Tim was growing strong and hearty. ... Bob took Tiny Tim beside him in a tiny corner at the table; ... [Illustration: HE HAD BEEN TIM'S BLOOD-HORSE ALL THE WAY FROM CHURCH]	0b2c4df6fd915ed06478189efde78b3595bbdfd1551a295f1fd2e41b082d48b2837a6a9a3aac2d03cc7539df295c7be6331fef8592379312b0d600c69ff2073c
230	b2c29778-a094-4c1c-bb03-6e6dcd53ed4a	228	claim	HEALTH CONDITION	Tiny Tim is described as a cripple who uses a crutch and has his limbs supported by an iron frame, indicating a significant health condition.	TINY TIM	NONE	TRUE	NONE	NONE	Alas for Tiny Tim, he bore a little crutch, and had his limbs supported by an iron frame! ... 'He told me, coming home, that he hoped the people saw him in the church, because he was a cripple, and it might be pleasant to them to remember upon Christmas Day who made lame beggars walk and blind men see.' ... Bob's voice was tremulous when he told them this, and trembled more when he said that Tiny Tim was growing strong and hearty. ... His active little crutch was heard upon the floor, and back came Tiny Tim before another word was spoken, escorted by his brother and sister to his stool beside the fire; ... even Tiny Tim, excited by the two young Cratchits, beat on the table with the handle of his knife and feebly cried Hurrah!	0b2c4df6fd915ed06478189efde78b3595bbdfd1551a295f1fd2e41b082d48b2837a6a9a3aac2d03cc7539df295c7be6331fef8592379312b0d600c69ff2073c
231	99216810-1bf4-4615-8493-7cf158151bce	229	claim	FAMILY PRESENCE	Martha is noted for arriving home late due to work, and her presence is celebrated by her family, indicating her importance in the family dynamic.	MARTHA	NONE	TRUE	NONE	NONE	'Here's Martha, mother!' said a girl, appearing as she spoke. ... 'Why, bless your heart alive, my dear, how late you are!' said Mrs. Cratchit, kissing her a dozen times, and taking off her shawl and bonnet for her with officious zeal. ... 'We'd a deal of work to finish up last night,' replied the girl, 'and had to clear away this morning, mother!' ... 'Well! never mind so long as you are come,' said Mrs. Cratchit. 'Sit ye down before the fire, my dear, and have a warm, Lord bless ye!' ... So Martha hid herself, and in came little Bob, the father, ... Martha didn't like to see him disappointed, if it were only in joke; so she came out prematurely from behind the closet door, and ran into his arms, ...	0b2c4df6fd915ed06478189efde78b3595bbdfd1551a295f1fd2e41b082d48b2837a6a9a3aac2d03cc7539df295c7be6331fef8592379312b0d600c69ff2073c
232	a264cfc8-17c5-4cf4-a7b3-05c51d4bc45e	230	claim	FAMILY PARTICIPATION	Master Peter is actively involved in family activities, such as blowing the fire, mashing potatoes, and fetching the goose, showing his participation in family life.	MASTER PETER	NONE	TRUE	NONE	NONE	and exalted Master Peter Cratchit to the skies, while he (not proud, although his collars nearly choked him) blew the fire, until the slow potatoes, bubbling up, knocked loudly at the saucepan-lid to be let out and peeled. ... Master Peter mashed the potatoes with incredible vigour; ... Master Peter and the two ubiquitous young Cratchits went to fetch the goose, with which they soon returned in high procession.	0b2c4df6fd915ed06478189efde78b3595bbdfd1551a295f1fd2e41b082d48b2837a6a9a3aac2d03cc7539df295c7be6331fef8592379312b0d600c69ff2073c
233	fd50c0e1-f6fb-4f89-8775-17c71250825d	231	claim	FAMILY PARTICIPATION	Miss Belinda is involved in preparing the family meal, specifically sweetening the apple sauce, indicating her role in family activities.	MISS BELINDA	NONE	TRUE	NONE	NONE	Miss Belinda sweetened up the apple sauce;	0b2c4df6fd915ed06478189efde78b3595bbdfd1551a295f1fd2e41b082d48b2837a6a9a3aac2d03cc7539df295c7be6331fef8592379312b0d600c69ff2073c
234	552b333f-34cd-4f0f-82ac-771bdaf09944	232	claim	FAMILY PARTICIPATION	The two young Cratchits are described as energetic and involved in family activities, such as setting chairs, fetching the goose, and entertaining Tiny Tim.	THE TWO YOUNG CRATCHITS	NONE	TRUE	NONE	NONE	And now two smaller Cratchits, boy and girl, came tearing in, screaming that outside the baker's they had smelt the goose, and known it for their own; ... the two young Cratchits danced about the table, and exalted Master Peter Cratchit to the skies, ... The two young Cratchits hustled Tiny Tim, and bore him off into the wash-house, that he might hear the pudding singing in the copper. ... the two ubiquitous young Cratchits went to fetch the goose, with which they soon returned in high procession. ... the two young Cratchits set chairs for everybody, not forgetting themselves, and, mounting guard upon their posts, crammed spoons into their mouths, lest they should shriek for goose before their turn came to be helped. ... even Tiny Tim, excited by the two young Cratchits, beat on the table with the handle of his knife and feebly cried Hurrah!	0b2c4df6fd915ed06478189efde78b3595bbdfd1551a295f1fd2e41b082d48b2837a6a9a3aac2d03cc7539df295c7be6331fef8592379312b0d600c69ff2073c
235	a9353b9b-346d-4ee4-983f-996a593d76e1	233	claim	COMMUNITY PRESENCE	The church is referenced as a place the Cratchit family attends, and is significant for Tiny Tim, who hopes his presence there inspires others.	CHURCH	NONE	TRUE	NONE	NONE	He told me, coming home, that he hoped the people saw him in the church, because he was a cripple, and it might be pleasant to them to remember upon Christmas Day who made lame beggars walk and blind men see.	0b2c4df6fd915ed06478189efde78b3595bbdfd1551a295f1fd2e41b082d48b2837a6a9a3aac2d03cc7539df295c7be6331fef8592379312b0d600c69ff2073c
236	58c1550e-2c09-468b-90e2-a0b3e989108e	234	claim	FASHIONABLE LOCATION	The Parks are mentioned as a fashionable location where Master Peter yearned to show his linen, indicating their social significance.	PARKS	NONE	TRUE	NONE	NONE	antly attired, and yearned to show his linen in the fashionable Parks.	0b2c4df6fd915ed06478189efde78b3595bbdfd1551a295f1fd2e41b082d48b2837a6a9a3aac2d03cc7539df295c7be6331fef8592379312b0d600c69ff2073c
237	f3db29b6-cff8-4bdd-869f-b0d6dbc8496c	235	claim	COMMUNITY LOCATION	The baker's is referenced as a location outside which the young Cratchits smelled the goose, indicating its role in the community.	BAKER'S	NONE	TRUE	NONE	NONE	screaming that outside the baker's they had smelt the goose, and known it for their own;	0b2c4df6fd915ed06478189efde78b3595bbdfd1551a295f1fd2e41b082d48b2837a6a9a3aac2d03cc7539df295c7be6331fef8592379312b0d600c69ff2073c
238	b0a61360-3bae-4f8e-815c-08d43324bc2b	236	claim	EVENT CELEBRATION	Christmas Day is repeatedly referenced as the central event around which the family gathers and celebrates.	CHRISTMAS DAY	NONE	TRUE	NONE	NONE	'Not coming upon Christmas Day!' ... He told me, coming home, that he hoped the people saw him in the church, because he was a cripple, and it might be pleasant to them to remember upon Christmas Day who made lame beggars walk and blind men see.	0b2c4df6fd915ed06478189efde78b3595bbdfd1551a295f1fd2e41b082d48b2837a6a9a3aac2d03cc7539df295c7be6331fef8592379312b0d600c69ff2073c
239	7a209418-1036-4951-9afe-d7fbe81d56b7	237	claim	HEALTH RISK	Tiny Tim is suspected to be at risk of dying if the future remains unchanged, as indicated by the Ghost's warning to Scrooge. The claim is not confirmed but is presented as a possible outcome.	TINY TIM	NONE	SUSPECTED	NONE	NONE	'Spirit,' said Scrooge, with an interest he had never felt before, 'tell me if Tiny Tim will live.' 'I see a vacant seat,' replied the Ghost, 'in the poor chimney corner, and a crutch without an owner, carefully preserved. If these shadows remain unaltered by the Future, the child will die.' 'No, no,' said Scrooge. 'Oh no, kind Spirit! say he will be spared.' 'If these shadows remain unaltered by the Future none other of my race,' returned the Ghost, 'will find him here. What then? If he be like to die, he had better do it, and decrease the surplus population.'	253d50af150aea6c0ecb4a880ad4e347dd04608dd702870ebc5fd6cca65c89a49e651510361688fba0aaa8be0d76b9275ec3ab97ff7235a90aeb7ef5a8eace69
240	a367bf14-3b72-4eaa-93e5-0677eebdfb8d	238	claim	MORAL REBUKE	Scrooge is rebuked by the Ghost for his previous callous remarks about the poor and surplus population, indicating a moral failing. The Ghost quotes Scrooge's own words and criticizes his lack of compassion.	SCROOGE	NONE	TRUE	NONE	NONE	Scrooge hung his head to hear his own words quoted by the Spirit, and was overcome with penitence and grief. 'Man,' said the Ghost, 'if man you be in heart, not adamant, forbear that wicked cant until you have discovered what the surplus is, and where it is. Will you decide what men shall live, what men shall die? It may be that, in the sight of Heaven, you are more worthless and less fit to live than millions like this poor man's child. O God! to hear the insect on the leaf pronouncing on the too much life among his hungry brothers in the dust!'	253d50af150aea6c0ecb4a880ad4e347dd04608dd702870ebc5fd6cca65c89a49e651510361688fba0aaa8be0d76b9275ec3ab97ff7235a90aeb7ef5a8eace69
241	db01f4ba-b297-4a4d-ab48-68d41162157a	239	claim	FEAST FOUNDER	Scrooge is acknowledged by Bob Cratchit as the "Founder of the Feast," suggesting that, despite his reputation, he is the source of the family's Christmas dinner.	SCROOGE	NONE	TRUE	NONE	NONE	'Mr. Scrooge!' said Bob. 'I'll give you Mr. Scrooge, the Founder of the Feast!'	253d50af150aea6c0ecb4a880ad4e347dd04608dd702870ebc5fd6cca65c89a49e651510361688fba0aaa8be0d76b9275ec3ab97ff7235a90aeb7ef5a8eace69
242	ecf4a300-3a63-4563-9005-9f85977f1212	240	claim	FAMILY PROVIDER	Bob Cratchit is depicted as the provider and organizer of the family Christmas dinner, serving food and drinks to his family and leading the celebration.	BOB CRATCHIT	NONE	TRUE	NONE	NONE	Bob served it out with beaming looks, while the chestnuts on the fire sputtered and cracked noisily. Then Bob proposed: 'A merry Christmas to us all, my dears. God bless us!' Which all the family re-echoed.	253d50af150aea6c0ecb4a880ad4e347dd04608dd702870ebc5fd6cca65c89a49e651510361688fba0aaa8be0d76b9275ec3ab97ff7235a90aeb7ef5a8eace69
243	85896f8a-68f6-4b5d-b36b-da81835b94bb	241	claim	COOKING SUCCESS	Mrs. Cratchit is credited with successfully preparing the Christmas pudding, which is admired by the whole family and regarded as her greatest achievement since marriage.	MRS. CRATCHIT	NONE	TRUE	NONE	NONE	Mrs. Cratchit left the room alone--too nervous to bear witnesses--to take the pudding up, and bring it in... Mrs. Cratchit entered--flushed, but smiling proudly--with the pudding, like a speckled cannon-ball, so hard and firm, blazing in half of half-a-quartern of ignited brandy, and bedight with Christmas holly stuck into the top. Oh, a wonderful pudding! Bob Cratchit said, and calmly too, that he regarded it as the greatest success achieved by Mrs. Cratchit since their marriage.	253d50af150aea6c0ecb4a880ad4e347dd04608dd702870ebc5fd6cca65c89a49e651510361688fba0aaa8be0d76b9275ec3ab97ff7235a90aeb7ef5a8eace69
244	73bf21a0-fda1-42a6-947a-e0b7817567ee	242	claim	FAMILY UNITY	The Cratchit family is portrayed as united and joyful during their Christmas celebration, despite their modest means.	CRATCHIT FAMILY	NONE	TRUE	NONE	NONE	Then all the Cratchit family drew round the hearth in what Bob Cratchit called a circle, meaning half a one; and at Bob Cratchit's elbow stood the family display of glass. Two tumblers and a custard cup without a handle. These held the hot stuff from the jug, however, as well as golden goblets would have done; and Bob served it out with beaming looks, while the chestnuts on the fire sputtered and cracked noisily. Then Bob proposed: 'A merry Christmas to us all, my dears. God bless us!' Which all the family re-echoed.	253d50af150aea6c0ecb4a880ad4e347dd04608dd702870ebc5fd6cca65c89a49e651510361688fba0aaa8be0d76b9275ec3ab97ff7235a90aeb7ef5a8eace69
245	4e9c01f4-d1b6-450a-94e0-5c35a20f4ad5	243	claim	SUPERNATURAL WARNING	The Ghost provides supernatural warnings to Scrooge about the consequences of his actions and the fate of Tiny Tim, serving as a moral guide.	GHOST	NONE	TRUE	NONE	NONE	'Spirit,' said Scrooge, with an interest he had never felt before, 'tell me if Tiny Tim will live.' 'I see a vacant seat,' replied the Ghost, 'in the poor chimney corner, and a crutch without an owner, carefully preserved. If these shadows remain unaltered by the Future, the child will die.' ... 'Man,' said the Ghost, 'if man you be in heart, not adamant, forbear that wicked cant until you have discovered what the surplus is, and where it is. Will you decide what men shall live, what men shall die?'	253d50af150aea6c0ecb4a880ad4e347dd04608dd702870ebc5fd6cca65c89a49e651510361688fba0aaa8be0d76b9275ec3ab97ff7235a90aeb7ef5a8eace69
246	ca06c8ee-0a4f-4cb0-85d0-1e165f9b9411	244	claim	NEGATIVE CHARACTER TRAITS	Scrooge is described as "an odious, stingy, hard, unfeeling man" and "the Ogre of the family," indicating negative character traits and a poor reputation among the Cratchit family.	SCROOGE	NONE	TRUE	NONE	NONE	'It should be Christmas Day, I am sure,' said she, 'on which one drinks the health of such an odious, stingy, hard, unfeeling man as Mr. Scrooge. You know he is, Robert! Nobody knows it better than you do, poor fellow!'; 'Scrooge was the Ogre of the family. The mention of his name cast a dark shadow on the party, which was not dispelled for full five minutes.'; 'After it had passed away they were ten times merrier than before, from the mere relief of Scrooge the Baleful being done with.'	07700e80969b4b7720ceab4f8f3fca87f938ca0b8b37cd84dbb742c13619114a7d10295d8e11611e86cedaf3e80d81970da1a25ae76f160bc56adb467ea06ef9
247	ebc1d78a-623a-4964-8cb9-6b0f91be7d78	245	claim	FOUNDER OF THE FEAST	Scrooge is referred to as "the Founder of the Feast" by Bob Cratchit, suggesting that despite his negative traits, he is the reason for the Cratchit family's Christmas dinner, likely due to his role as Bob's employer.	SCROOGE	NONE	TRUE	NONE	NONE	'Mr. Scrooge!' said Bob. 'I'll give you Mr. Scrooge, the Founder of the Feast!'; 'The Founder of the Feast, indeed!' cried Mrs. Cratchit, reddening.'	07700e80969b4b7720ceab4f8f3fca87f938ca0b8b37cd84dbb742c13619114a7d10295d8e11611e86cedaf3e80d81970da1a25ae76f160bc56adb467ea06ef9
248	56c8ec1c-e3bc-429d-8518-520bbf5ad370	246	claim	FAMILY PROVIDER	Bob Cratchit is depicted as the provider for his family, seeking employment opportunities for his son Peter and ensuring the family's well-being.	BOB CRATCHIT	NONE	TRUE	NONE	NONE	Bob Cratchit told them how he had a situation in his eye for Master Peter, which would bring in, if obtained, full five-and-sixpence weekly.	07700e80969b4b7720ceab4f8f3fca87f938ca0b8b37cd84dbb742c13619114a7d10295d8e11611e86cedaf3e80d81970da1a25ae76f160bc56adb467ea06ef9
249	bb50854e-8833-423a-9c71-ee2d1a3519ef	247	claim	ASPIRING BUSINESSMAN	Peter is portrayed as an aspiring businessman, with his family joking about his future investments and business prospects.	PETER	NONE	TRUE	NONE	NONE	The two young Cratchits laughed tremendously at the idea of Peter's being a man of business; and Peter himself looked thoughtfully at the fire from between his collars, as if he were deliberating what particular investments he should favour when he came into the receipt of that bewildering income.	07700e80969b4b7720ceab4f8f3fca87f938ca0b8b37cd84dbb742c13619114a7d10295d8e11611e86cedaf3e80d81970da1a25ae76f160bc56adb467ea06ef9
250	9beab9d2-3939-4f56-947b-24500f3f3c72	248	claim	POOR APPRENTICE	Martha is described as a poor apprentice at a milliner's, working long hours and looking forward to a holiday.	MARTHA	NONE	TRUE	NONE	NONE	Martha, who was a poor apprentice at a milliner's, then told them what kind of work she had to do, and how many hours she worked at a stretch and how she meant to lie abed to-morrow morning for a good long rest; to-morrow being a holiday she passed at home.	07700e80969b4b7720ceab4f8f3fca87f938ca0b8b37cd84dbb742c13619114a7d10295d8e11611e86cedaf3e80d81970da1a25ae76f160bc56adb467ea06ef9
251	ca8fa103-9b92-4653-b0f6-0394186c8d3c	249	claim	SICK CHILD	Tiny Tim is depicted as a sickly child with a plaintive voice, who is cared for by his family and receives special attention from Scrooge.	TINY TIM	NONE	TRUE	NONE	NONE	Tiny Tim drank it last of all, but he didn't care twopence for it. Scrooge had his eye upon them, and especially on Tiny Tim, until the last.	07700e80969b4b7720ceab4f8f3fca87f938ca0b8b37cd84dbb742c13619114a7d10295d8e11611e86cedaf3e80d81970da1a25ae76f160bc56adb467ea06ef9
252	c6bcdaba-394c-44eb-b2e0-e338a41733a6	250	claim	POOR BUT HAPPY FAMILY	The Cratchit family is described as poor, with scanty clothes and shoes far from waterproof, but they are happy, grateful, and contented with one another.	CRATCHIT FAMILY	NONE	TRUE	NONE	NONE	There was nothing of high mark in this. They were not a handsome family; they were not well dressed; their shoes were far from being waterproof; their clothes were scanty; and Peter might have known, and very likely did, the inside of a pawnbroker's. But they were happy, grateful, pleased with one another, and contented with the time.	07700e80969b4b7720ceab4f8f3fca87f938ca0b8b37cd84dbb742c13619114a7d10295d8e11611e86cedaf3e80d81970da1a25ae76f160bc56adb467ea06ef9
253	1d8e62cd-aa5f-426a-9528-b5f627cb8048	251	claim	SOCIAL STATUS	Martha mentions seeing a countess, indicating the presence of higher social status individuals in the community.	COUNTESS	NONE	TRUE	NONE	NONE	Also how she had seen a countess and a lord some days before, and how the lord 'was much about as tall as Peter';	07700e80969b4b7720ceab4f8f3fca87f938ca0b8b37cd84dbb742c13619114a7d10295d8e11611e86cedaf3e80d81970da1a25ae76f160bc56adb467ea06ef9
254	839c44f0-e06d-41e2-a91c-78eb9c973e39	252	claim	SOCIAL STATUS	Martha mentions seeing a lord, indicating the presence of higher social status individuals in the community.	LORD	NONE	TRUE	NONE	NONE	Also how she had seen a countess and a lord some days before, and how the lord 'was much about as tall as Peter';	07700e80969b4b7720ceab4f8f3fca87f938ca0b8b37cd84dbb742c13619114a7d10295d8e11611e86cedaf3e80d81970da1a25ae76f160bc56adb467ea06ef9
255	4cadc01c-03b3-485e-9959-07f1d9d078c2	253	claim	HOLIDAY EVENT	Christmas Day is referenced as a significant holiday event, celebrated by the Cratchit family and others in the community.	CHRISTMAS DAY	NONE	TRUE	NONE	NONE	'My dear,' said Bob, 'the children! Christmas Day.'; 'It should be Christmas Day, I am sure,' said she, 'on which one drinks the health of such an odious, stingy, hard, unfeeling man as Mr. Scrooge.'; 'I'll drink his health for your sake and the Day's,' said Mrs. Cratchit, 'not for his. Long life to him! A merry Christmas and a happy New Year! He'll be very merry and very happy, I have no doubt!'; to-morrow being a holiday she passed at home.	07700e80969b4b7720ceab4f8f3fca87f938ca0b8b37cd84dbb742c13619114a7d10295d8e11611e86cedaf3e80d81970da1a25ae76f160bc56adb467ea06ef9
256	94af8c6d-ab02-414d-a370-2bf10b81da50	254	claim	WEATHER EVENT	Snow is described as a weather event, affecting the environment and the activities of the characters.	SNOW	NONE	TRUE	NONE	NONE	By this time it was getting dark, and snowing pretty heavily; and as Scrooge and the Spirit went along the streets, the brightness of the roaring fires in kitchens, parlours, and all sorts of rooms was wonderful.; There was a song, about a lost child travelling in the snow, from Tiny Tim, who had a plaintive little voice, and sang it very well indeed.	07700e80969b4b7720ceab4f8f3fca87f938ca0b8b37cd84dbb742c13619114a7d10295d8e11611e86cedaf3e80d81970da1a25ae76f160bc56adb467ea06ef9
257	35c23e33-052a-4ba4-96fc-9b8eab63e22b	255	claim	GEO LOCATION	The streets are described as the setting for Scrooge and the Spirit's journey, filled with people heading to gatherings and illuminated by fires and lamplighters.	STREETS	NONE	TRUE	NONE	NONE	By this time it was getting dark, and snowing pretty heavily; and as Scrooge and the Spirit went along the streets, the brightness of the roaring fires in kitchens, parlours, and all sorts of rooms was wonderful.; The very lamplighter, who ran on before, dotting the dusky street with specks of light, and who was dressed to spend the evening somewhere, laughed out loudly as the Spirit passed, though little kenned the lamplighter that he had any company but Christmas.	07700e80969b4b7720ceab4f8f3fca87f938ca0b8b37cd84dbb742c13619114a7d10295d8e11611e86cedaf3e80d81970da1a25ae76f160bc56adb467ea06ef9
258	66919d1a-304a-48d6-bff6-460e5a90a6c4	256	claim	INFORMATION DISCOVERY	Scrooge is depicted as a character who is surprised by the laughter of his nephew and is present in various scenes, including a moor, a ship, and a bright room. He interacts with the Spirit and witnesses the effects of Christmas on different people.	SCROOGE	NONE	TRUE	NONE	NONE	'What place is this?' asked Scrooge. ... To Scrooge's horror, looking back, he saw the last of the land, a frightful range of rocks, behind them; ... It was a great surprise to Scrooge, while listening to the moaning of the wind, and thinking what a solemn thing it was to move on through the lonely darkness over an unknown abyss, whose depths were secrets as profound as death: it was a great surprise to Scrooge, while thus engaged, to hear a hearty laugh. It was a much greater surprise to Scrooge to recognise it as his own nephew's and to find himself in a bright, dry, gleaming room, with the Spirit standing smiling by his side, and looking at that same nephew with approving affability!	01dd721088b5fb763a1680667cea602c0f49955eb78c65c316de1227fb81eba12b41ab443c817f768f44f2a629f01cca5382885626ea250c8b0819a5595815b4
259	0bdb6d57-3667-4d6d-93ec-2daf2ef48b16	257	claim	INFORMATION DISCOVERY	Scrooge's nephew is described as a man blessed in laughter, whose hearty laugh surprises Scrooge. He is portrayed as a positive influence, spreading laughter and good-humour.	SCROOGE'S NEPHEW	NONE	TRUE	NONE	NONE	It was a much greater surprise to Scrooge to recognise it as his own nephew's and to find himself in a bright, dry, gleaming room, with the Spirit standing smiling by his side, and looking at that same nephew with approving affability! 'Ha, ha!' laughed Scrooge's nephew. 'Ha, ha, ha!' If you should happen, by any unlikely chance, to know a man more blessed in a laugh than Scrooge's nephew, all I can say is, I should like to know him too. Introduce him to me, and I'll cultivate his acquaintance.	01dd721088b5fb763a1680667cea602c0f49955eb78c65c316de1227fb81eba12b41ab443c817f768f44f2a629f01cca5382885626ea250c8b0819a5595815b4
260	db30c613-cd25-46a8-b779-76428ec6c782	258	claim	INFORMATION DISCOVERY	The Spirit is a supernatural entity guiding Scrooge through various locations, showing him scenes of Christmas celebrations and influencing the narrative.	THE SPIRIT	NONE	TRUE	NONE	NONE	The Spirit did not tarry here, but bade Scrooge hold his robe, and, passing on above the moor, sped whither? ... Again the Ghost sped on, above the black and heaving sea--on, on--until being far away, as he told Scrooge, from any shore, they lighted on a ship. ... with the Spirit standing smiling by his side, and looking at that same nephew with approving affability!	01dd721088b5fb763a1680667cea602c0f49955eb78c65c316de1227fb81eba12b41ab443c817f768f44f2a629f01cca5382885626ea250c8b0819a5595815b4
261	1243d504-2c26-49a7-851d-eae97824d1f9	259	claim	INFORMATION DISCOVERY	Miners are described as living in a bleak moor, laboring in the earth, and celebrating Christmas together with their families, showing resilience and community spirit.	MINERS	NONE	TRUE	NONE	NONE	'A place where miners live, who labour in the bowels of the earth,' returned the Spirit. 'But they know me. See!' ... Passing through the wall of mud and stone, they found a cheerful company assembled round a glowing fire. An old, old man and woman, with their children and their children's children, and another generation beyond that, all decked out gaily in their holiday attire. The old man, in a voice that seldom rose above the howling of the wind upon the barren waste, was singing them a Christmas song; ... So surely as they raised their voices, the old man got quite blithe and loud; and so surely as they stopped, his vigour sank again.	01dd721088b5fb763a1680667cea602c0f49955eb78c65c316de1227fb81eba12b41ab443c817f768f44f2a629f01cca5382885626ea250c8b0819a5595815b4
262	d34ca2ee-df4e-45a0-a369-70685945d2fd	260	claim	INFORMATION DISCOVERY	Two men are described as watching the light in a solitary lighthouse, making a fire, and wishing each other Merry Christmas, demonstrating camaraderie and celebration in isolation.	TWO MEN IN LIGHTHOUSE	NONE	TRUE	NONE	NONE	But, even here, two men who watched the light had made a fire, that through the loophole in the thick stone wall shed out a ray of brightness on the awful sea. Joining their horny hands over the rough table at which they sat, they wished each other Merry Christmas in their can of grog; and one of them--the elder too, with his face all damaged and scarred with hard weather, as the figure-head of an old ship might be--struck up a sturdy song that was like a gale in itself.	01dd721088b5fb763a1680667cea602c0f49955eb78c65c316de1227fb81eba12b41ab443c817f768f44f2a629f01cca5382885626ea250c8b0819a5595815b4
263	51b2dbc0-2764-44a5-8d06-eb32aa3b7da4	261	claim	INFORMATION DISCOVERY	The crew of the ship, including the helmsman, look-out, and officers, are described as sharing Christmas thoughts, tunes, and kindness, even while at sea and far from home.	SHIP'S CREW	NONE	TRUE	NONE	NONE	Again the Ghost sped on, above the black and heaving sea--on, on--until being far away, as he told Scrooge, from any shore, they lighted on a ship. They stood beside the helmsman at the wheel, the look-out in the bow, the officers who had the watch; dark, ghostly figures in their several stations; but every man among them hummed a Christmas tune, or had a Christmas thought, or spoke below his breath to his companion of some bygone Christmas Day, with homeward hopes belonging to it. And every man on board, waking or sleeping, good or bad, had had a kinder word for one another on that day than on any day in the year; and had shared to some extent in its festivities; and had remembered those he cared for at a distance, and had known that they delighted to remember him.	01dd721088b5fb763a1680667cea602c0f49955eb78c65c316de1227fb81eba12b41ab443c817f768f44f2a629f01cca5382885626ea250c8b0819a5595815b4
264	8851d975-7130-4fa7-bd95-6918231454bd	262	claim	INFORMATION DISCOVERY	The moor is described as a bleak and desert place, with masses of stone and frost, serving as the setting for the miners' community.	MOOR	NONE	TRUE	NONE	NONE	And now, without a word of warning from the Ghost, they stood upon a bleak and desert moor, where monstrous masses of rude stone were cast about, as though it were the burial-place of giants; and water spread itself wheresoever it listed; or would have done so, but for the frost that held it prisoner; and nothing grew but moss and furze, and coarse, rank grass. Down in the west the setting sun had left a streak of fiery red, which glared upon the desolation for an instant, like a sullen eye, and frowning lower, lower, lower yet, was lost in the thick gloom of darkest night.	01dd721088b5fb763a1680667cea602c0f49955eb78c65c316de1227fb81eba12b41ab443c817f768f44f2a629f01cca5382885626ea250c8b0819a5595815b4
265	0db1047d-56c4-4cb0-8af8-14256317122c	263	claim	INFORMATION DISCOVERY	The lighthouse is described as a solitary structure built on a dismal reef of sunken rocks, serving as a place of work and celebration for two men during Christmas.	LIGHTHOUSE	NONE	TRUE	NONE	NONE	Built upon a dismal reef of sunken rocks, some league or so from shore, on which the waters chafed and dashed, the wild year through, there stood a solitary lighthouse. Great heaps of seaweed clung to its base, and storm-birds--born of the wind, one might suppose, as seaweed of the water--rose and fell about it, like the waves they skimmed.	01dd721088b5fb763a1680667cea602c0f49955eb78c65c316de1227fb81eba12b41ab443c817f768f44f2a629f01cca5382885626ea250c8b0819a5595815b4
266	77256359-8df2-4717-9e6c-ace18dc8a4f6	264	claim	INFORMATION DISCOVERY	The ship is described as being far from any shore, with its crew celebrating Christmas and sharing kindness, serving as a setting for the Spirit's journey with Scrooge.	SHIP	NONE	TRUE	NONE	NONE	Again the Ghost sped on, above the black and heaving sea--on, on--until being far away, as he told Scrooge, from any shore, they lighted on a ship. They stood beside the helmsman at the wheel, the look-out in the bow, the officers who had the watch; dark, ghostly figures in their several stations; but every man among them hummed a Christmas tune, or had a Christmas thought, or spoke below his breath to his companion of some bygone Christmas Day, with homeward hopes belonging to it.	01dd721088b5fb763a1680667cea602c0f49955eb78c65c316de1227fb81eba12b41ab443c817f768f44f2a629f01cca5382885626ea250c8b0819a5595815b4
267	7a6e61a2-3192-4970-ad9b-6cb2437ebf49	265	claim	INFORMATION DISCOVERY	The desert moor is depicted as a bleak, desolate place, serving as the location for the miners' community and the Spirit's journey.	DESERT MOOR	NONE	TRUE	NONE	NONE	And now, without a word of warning from the Ghost, they stood upon a bleak and desert moor, where monstrous masses of rude stone were cast about, as though it were the burial-place of giants; and water spread itself wheresoever it listed; or would have done so, but for the frost that held it prisoner; and nothing grew but moss and furze, and coarse, rank grass.	01dd721088b5fb763a1680667cea602c0f49955eb78c65c316de1227fb81eba12b41ab443c817f768f44f2a629f01cca5382885626ea250c8b0819a5595815b4
268	d847f934-c36a-48d0-b40b-bf19288b9566	266	claim	NEGATIVE ATTITUDE TOWARDS CHRISTMAS	Scrooge is claimed to believe that Christmas is a humbug, indicating a negative attitude towards the holiday. This is directly stated by Scrooge's nephew, who says, "He said that Christmas was a humbug, as I live! He believed it, too!"	SCROOGE	NONE	TRUE	NONE	NONE	'He said that Christmas was a humbug, as I live!' cried Scrooge's nephew. 'He believed it, too!'	3b46e45f661a0d96378baf46576848e117b7475756a10934d2168b24866d012782460ab457f0c88ef00772d5e3c4d6805d84aa376981415625078266c9cfb529
269	342b5517-7efb-43cd-81b4-ed21f8440c07	267	claim	WEALTH NOT USED FOR GOOD	Scrooge is described as very rich, but his wealth is said to be of no use to him, as he does not do any good with it or make himself comfortable. This is suggested by Scrooge's niece and confirmed by Scrooge's nephew.	SCROOGE	NONE	TRUE	NONE	NONE	'I'm sure he is very rich, Fred,' hinted Scrooge's niece. 'At least, you always tell _me_ so.' 'What of that, my dear?' said Scrooge's nephew. 'His wealth is of no use to him. He don't do any good with it. He don't make himself comfortable with it. He hasn't the satisfaction of thinking--ha, ha, ha!--that he is ever going to benefit Us with it.'	3b46e45f661a0d96378baf46576848e117b7475756a10934d2168b24866d012782460ab457f0c88ef00772d5e3c4d6805d84aa376981415625078266c9cfb529
270	7eaadd30-ada4-4871-b6e3-10fe000cf74a	268	claim	SELF-ISOLATION	Scrooge is claimed to take a dislike to his family and not make merry with them, resulting in his own loss of pleasant moments and companionship. This is described by Scrooge's nephew, who says, "Here he takes it into his head to dislike us, and he won't come and dine with us."	SCROOGE	NONE	TRUE	NONE	NONE	'Here he takes it into his head to dislike us, and he won't come and dine with us. What's the consequence? He don't lose much of a dinner.' 'Indeed, I think he loses a very good dinner,' interrupted Scrooge's niece. Everybody else said the same, and they must be allowed to have been competent judges, because they had just had dinner; and with the dessert upon the table, were clustered round the fire, by lamplight.	3b46e45f661a0d96378baf46576848e117b7475756a10934d2168b24866d012782460ab457f0c88ef00772d5e3c4d6805d84aa376981415625078266c9cfb529
271	03c2db1a-e0f6-4def-ae84-060c07c762e8	269	claim	LACK OF GENEROSITY TO CLERK	It is suggested that Scrooge does not provide financial benefit to his clerk, as Scrooge's nephew jokes that if his annual visits put Scrooge in the vein to leave his poor clerk fifty pounds, "that's something." This implies that such generosity is not typical of Scrooge.	SCROOGE	NONE	SUSPECTED	NONE	NONE	If it only put him in the vein to leave his poor clerk fifty pounds, _that's_ something; and I think I shook him yesterday.'	3b46e45f661a0d96378baf46576848e117b7475756a10934d2168b24866d012782460ab457f0c88ef00772d5e3c4d6805d84aa376981415625078266c9cfb529
272	e679adf1-9116-48c2-bae5-6b97b4dca8b8	270	claim	FAMILY CONCERN	Fred (Scrooge's nephew) expresses concern and pity for Scrooge, stating that he is sorry for him and could not be angry with him, and that he intends to give Scrooge a chance every year to join the family.	FRED	SCROOGE	TRUE	NONE	NONE	'Oh, I have!' said Scrooge's nephew. 'I am sorry for him; I couldn't be angry with him if I tried.' ... I mean to give him the same chance every year, whether he likes it or not, for I pity him.'	3b46e45f661a0d96378baf46576848e117b7475756a10934d2168b24866d012782460ab457f0c88ef00772d5e3c4d6805d84aa376981415625078266c9cfb529
273	20dd58d4-e46c-464a-8aeb-f5279e140b4b	271	claim	BACHELOR STATUS	Topper is described as a bachelor and refers to himself as a "wretched outcast" who has no right to express an opinion on the subject of housekeepers.	TOPPER	NONE	TRUE	NONE	NONE	Topper had clearly got his eye upon one of Scrooge's niece's sisters, for he answered that a bachelor was a wretched outcast, who had no right to express an opinion on the subject.	3b46e45f661a0d96378baf46576848e117b7475756a10934d2168b24866d012782460ab457f0c88ef00772d5e3c4d6805d84aa376981415625078266c9cfb529
274	f5f5c583-68c8-4818-836d-e3cbb1efea0c	272	claim	POSITIVE CHARACTER DESCRIPTION	Scrooge's niece is described as very pretty, with a dimpled, surprised-looking, capital face, a ripe little mouth, and the sunniest pair of eyes. She is said to be earnest and satisfactory.	SCROOGE'S NIECE	NONE	TRUE	NONE	NONE	She was very pretty; exceedingly pretty. With a dimpled, surprised-looking, capital face; a ripe little mouth, that seemed made to be kissed--as no doubt it was; all kinds of good little dots about her chin, that melted into one another when she laughed; and the sunniest pair of eyes you ever saw in any little creature's head. Altogether she was what you would have called provoking, you know; but satisfactory, too. Oh, perfectly satisfactory! ... Bless those women! they never do anything by halves. They are always in earnest.	3b46e45f661a0d96378baf46576848e117b7475756a10934d2168b24866d012782460ab457f0c88ef00772d5e3c4d6805d84aa376981415625078266c9cfb529
275	829d9868-8833-42aa-8c36-f6fd0a109ea0	273	claim	POSITIVE CHARACTER DESCRIPTION	Scrooge's niece's sister (the plump one with the lace tucker) is described as blushing when Topper refers to bachelors as wretched outcasts, indicating a positive and lively character.	SCROOGE'S NIECE'S SISTER	NONE	TRUE	NONE	NONE	Topper had clearly got his eye upon one of Scrooge's niece's sisters, for he answered that a bachelor was a wretched outcast, who had no right to express an opinion on the subject. Whereat Scrooge's niece's sister--the plump one with the lace tucker: not the one with the roses--blushed.	3b46e45f661a0d96378baf46576848e117b7475756a10934d2168b24866d012782460ab457f0c88ef00772d5e3c4d6805d84aa376981415625078266c9cfb529
276	f344cee2-7c02-4b92-848e-d91b5ca0eaac	274	claim	POSITIVE CHARACTER DESCRIPTION	Scrooge's nephew is described as having an irresistibly contagious laugh and good-humour, and is called a "comical old fellow" and "thoroughly good-natured."	SCROOGE'S NEPHEW	NONE	TRUE	NONE	NONE	If you should happen, by any unlikely chance, to know a man more blessed in a laugh than Scrooge's nephew, all I can say is, I should like to know him too. ... It is a fair, even-handed, noble adjustment of things, that while there is infection in disease and sorrow, there is nothing in the world so irresistibly contagious as laughter and good-humour. When Scrooge's nephew laughed in this way--holding his sides, rolling his head, and twisting his face into the most extravagant contortions--Scrooge's niece, by marriage, laughed as heartily as he. ... 'He's a comical old fellow,' said Scrooge's nephew, 'that's the truth; and not so pleasant as he might be. ... But being thoroughly good-natured, and not much caring what they laughed at, so that they laughed at any rate, he encouraged them in their merriment, and passed the bottle, joyously.	3b46e45f661a0d96378baf46576848e117b7475756a10934d2168b24866d012782460ab457f0c88ef00772d5e3c4d6805d84aa376981415625078266c9cfb529
277	a15653f2-d0b6-439d-9a86-76fa82c5c84b	275	claim	PERSONAL TRANSFORMATION	Scrooge is depicted as undergoing a personal transformation, softening emotionally and participating in family games, which is a significant change from his earlier demeanor. Evidence includes his engagement in music, games, and his request to the Ghost to stay longer.	SCROOGE	NONE	TRUE	NONE	NONE	he softened more and more; and thought that if he could have listened to it often, years ago, he might have cultivated the kindnesses of life for his own happiness with his own hands, without resorting to the sexton's spade that buried Jacob Marley. ... There might have been twenty people there, young and old, but they all played, and so did Scrooge; for wholly forgetting, in the interest he had in what was going on, that his voice made no sound in their ears, he sometimes came out with his guess quite loud, and very often guessed right, too; for the sharpest needle, best Whitechapel, warranted not to cut in the eye, was not sharper than Scrooge, blunt as he took it in his head to be. ... The Ghost was greatly pleased to find him in this mood, and looked upon him with such favour that he begged like a boy to be allowed to stay until the guests departed. But this the Spirit said could not be done.	a9b16d67a796045157d33774e7f05a81a66e26e5e1d0a8df1d01bba7cc8c0e3118f2eca9d36e8d6a6ec9009540e6491a0d70e5719b2a64c5bac83cbc56f16caa
278	837e82b9-7202-41a6-9b21-03c8f6a72746	276	claim	SOCIAL MISCONDUCT	Topper is suspected of social misconduct during the blind man's-buff game, as he is described as pretending not to be blind and targeting the plump sister, which is considered an outrage on the credulity of human nature and unfair by other participants.	TOPPER	NONE	SUSPECTED	NONE	NONE	And I no more believe Topper was really blind than I believe he had eyes in his boots. My opinion is, that it was a done thing between him and Scrooge's nephew; and that the Ghost of Christmas Present knew it. The way he went after that plump sister in the lace tucker was an outrage on the credulity of human nature. ... She often cried out that it wasn't fair; and it really was not. But when, at last, he caught her; when, in spite of all her silken rustlings, and her rapid flutterings past him, he got her into a corner whence there was no escape; then his conduct was the most execrable. For his pretending not to know her; his pretending that it was necessary to touch her head-dress, and further to assure himself of her identity by pressing a certain ring upon her finger, and a certain chain about her neck; was vile, monstrous!	a9b16d67a796045157d33774e7f05a81a66e26e5e1d0a8df1d01bba7cc8c0e3118f2eca9d36e8d6a6ec9009540e6491a0d70e5719b2a64c5bac83cbc56f16caa
279	30c1186b-14ec-44e2-8238-e3eeb7b1c165	277	claim	SUPERNATURAL INTERVENTION	The Ghost of Christmas Past is described as having shown Scrooge memories that led to his emotional softening and reflection on his life, acting as a supernatural agent of change.	GHOST OF CHRISTMAS PAST	NONE	TRUE	NONE	NONE	he had been reminded by the Ghost of Christmas Past. When this strain of music sounded, all the things that Ghost had shown him came upon his mind; he softened more and more; and thought that if he could have listened to it often, years ago, he might have cultivated the kindnesses of life for his own happiness with his own hands, without resorting to the sexton's spade that buried Jacob Marley.	a9b16d67a796045157d33774e7f05a81a66e26e5e1d0a8df1d01bba7cc8c0e3118f2eca9d36e8d6a6ec9009540e6491a0d70e5719b2a64c5bac83cbc56f16caa
280	295a2509-b74f-49dd-ac46-7e6d08de4112	278	claim	SUPERNATURAL INTERVENTION	The Ghost of Christmas Present is described as knowing the true nature of the blind man's-buff game and influencing the events at the party, acting as a supernatural observer and guide.	GHOST OF CHRISTMAS PRESENT	NONE	TRUE	NONE	NONE	My opinion is, that it was a done thing between him and Scrooge's nephew; and that the Ghost of Christmas Present knew it. ... The Ghost was greatly pleased to find him in this mood, and looked upon him with such favour that he begged like a boy to be allowed to stay until the guests departed. But this the Spirit said could not be done.	a9b16d67a796045157d33774e7f05a81a66e26e5e1d0a8df1d01bba7cc8c0e3118f2eca9d36e8d6a6ec9009540e6491a0d70e5719b2a64c5bac83cbc56f16caa
281	09e6c228-2c10-4185-a1c3-0137a45b0267	279	claim	MUSICAL TALENT	Scrooge's niece is described as playing the harp well and participating actively in games, demonstrating musical talent and social engagement.	SCROOGE'S NIECE	NONE	TRUE	NONE	NONE	Scrooge's niece played well upon the harp; and played, among other tunes, a simple little air ... Scrooge's niece was not one of the blind man's-buff party, but was made comfortable with a large chair and a footstool, in a snug corner where the Ghost and Scrooge were close behind her. But she joined in the forfeits, and loved her love to admiration with all the letters of the alphabet. Likewise at the game of How, When, and Where, she was very great, and, to the secret joy of Scrooge's nephew, beat her sisters hollow; though they were sharp girls too, as Topper could have told you.	a9b16d67a796045157d33774e7f05a81a66e26e5e1d0a8df1d01bba7cc8c0e3118f2eca9d36e8d6a6ec9009540e6491a0d70e5719b2a64c5bac83cbc56f16caa
282	444e56e1-888d-4c75-b053-9d2eeefd2638	280	claim	SOCIAL LEADERSHIP	Scrooge's nephew is described as leading games and being the center of attention during the party, showing social leadership and engagement.	SCROOGE'S NEPHEW	NONE	TRUE	NONE	NONE	It was a game called Yes and No, where Scrooge's nephew had to think of something, and the rest must find out what, he only answering to their questions yes or no, as the case was. The brisk fire of questioning to which he was exposed elicited from him that he was thinking of an animal, a live animal, rather a disagreeable animal, a savage animal, an animal that growled and grunted sometimes, and talked sometimes and lived in London, and walked about the streets, and wasn't made a show of, and wasn't led by anybody, and didn't live in a menagerie, and was never killed in a market, and was not a horse, or an ass, or a cow, or a bull, or a tiger, or a dog, or a pig, or a cat, or ...	a9b16d67a796045157d33774e7f05a81a66e26e5e1d0a8df1d01bba7cc8c0e3118f2eca9d36e8d6a6ec9009540e6491a0d70e5719b2a64c5bac83cbc56f16caa
283	ce2aaaf2-cde1-468a-9ed6-1526accf47c6	281	claim	DEATH	Jacob Marley is referenced as having died and been buried, which is a factual claim about his status.	JACOB MARLEY	NONE	TRUE	NONE	NONE	without resorting to the sexton's spade that buried Jacob Marley.	a9b16d67a796045157d33774e7f05a81a66e26e5e1d0a8df1d01bba7cc8c0e3118f2eca9d36e8d6a6ec9009540e6491a0d70e5719b2a64c5bac83cbc56f16caa
284	363ae82a-a518-40c8-9dc4-cce66df7469a	282	claim	LOCATION OF EVENTS	London is referenced as the location where the described animal lives and walks about the streets, indicating the setting of the events.	LONDON	NONE	TRUE	NONE	NONE	and lived in London, and walked about the streets, and wasn't made a show of, and wasn't led by anybody, and didn't live in a menagerie, and was never killed in a market, and was not a horse, or an ass, or a cow, or a bull, or a tiger, or a dog, or a pig, or a cat, or ...	a9b16d67a796045157d33774e7f05a81a66e26e5e1d0a8df1d01bba7cc8c0e3118f2eca9d36e8d6a6ec9009540e6491a0d70e5719b2a64c5bac83cbc56f16caa
285	9c5848d0-8ba4-4c53-8211-3877ecdeda48	283	claim	PERSONAL TRANSFORMATION	Scrooge is depicted as undergoing a personal transformation, becoming "so gay and light of heart" that he would have pledged the company in return and thanked them, indicating a shift from his previously miserly and dour demeanor.	SCROOGE	NONE	TRUE	NONE	NONE	Uncle Scrooge had imperceptibly become so gay and light of heart, that he would have pledged the unconscious company in return, and thanked them in an inaudible speech, if the Ghost had given him time.	61acc8024e41e456abfb6d5364d92d65424ea0af158b5c9a8bc4f5292f2ea8f3353e8bb0af013fdacc40552ffdbc258eb5661add847f9405b9a63ad2513af365
286	8f3c6c96-2c78-421d-9d53-bd21ce2b36c0	284	claim	SUPERNATURAL ENTITY	The Spirit is described as a supernatural being whose life on earth is brief and ends at midnight, indicating its ephemeral and otherworldly nature.	SPIRIT	NONE	TRUE	NONE	NONE	'Are spirits' lives so short?' asked Scrooge. 'My life upon this globe is very brief,' replied the Ghost. 'It ends to-night.' 'To-night!' cried Scrooge. 'To-night at midnight. Hark! The time is drawing near.'	61acc8024e41e456abfb6d5364d92d65424ea0af158b5c9a8bc4f5292f2ea8f3353e8bb0af013fdacc40552ffdbc258eb5661add847f9405b9a63ad2513af365
287	86080130-d719-40d7-990b-76e779f37b5c	285	claim	LOCATION OF EVENTS	London is referenced as the setting where the described events and characters, including Scrooge, live and interact.	LONDON	NONE	TRUE	NONE	NONE	animal that growled and grunted sometimes, and talked sometimes and lived in London, and walked about the streets	61acc8024e41e456abfb6d5364d92d65424ea0af158b5c9a8bc4f5292f2ea8f3353e8bb0af013fdacc40552ffdbc258eb5661add847f9405b9a63ad2513af365
288	c49f7504-9bc4-4759-9a69-d4eef1351e34	286	claim	SOCIAL INSTITUTION	Almshouse is mentioned as one of the places visited by the Spirit, representing a social institution associated with poverty and refuge.	ALMSHOUSE	NONE	TRUE	NONE	NONE	In almshouse, hospital, and gaol, in misery's every refuge, where vain man in his little brief authority had not made fast the door, and barred the Spirit out, he left his blessing and taught Scrooge his precepts.	61acc8024e41e456abfb6d5364d92d65424ea0af158b5c9a8bc4f5292f2ea8f3353e8bb0af013fdacc40552ffdbc258eb5661add847f9405b9a63ad2513af365
289	e14d6c8d-7445-4aa3-83f1-75123c182659	287	claim	SOCIAL INSTITUTION	Hospital is mentioned as one of the places visited by the Spirit, representing a social institution associated with sickness and care.	HOSPITAL	NONE	TRUE	NONE	NONE	In almshouse, hospital, and gaol, in misery's every refuge, where vain man in his little brief authority had not made fast the door, and barred the Spirit out, he left his blessing and taught Scrooge his precepts.	61acc8024e41e456abfb6d5364d92d65424ea0af158b5c9a8bc4f5292f2ea8f3353e8bb0af013fdacc40552ffdbc258eb5661add847f9405b9a63ad2513af365
290	b57cbf51-7319-47a4-9035-ed08f8a42aa2	288	claim	SOCIAL INSTITUTION	Gaol (jail) is mentioned as one of the places visited by the Spirit, representing a social institution associated with imprisonment and misery.	GAOL	NONE	TRUE	NONE	NONE	In almshouse, hospital, and gaol, in misery's every refuge, where vain man in his little brief authority had not made fast the door, and barred the Spirit out, he left his blessing and taught Scrooge his precepts.	61acc8024e41e456abfb6d5364d92d65424ea0af158b5c9a8bc4f5292f2ea8f3353e8bb0af013fdacc40552ffdbc258eb5661add847f9405b9a63ad2513af365
291	5eb29e36-f347-4f43-90f8-c29164d6da4d	289	claim	FAMILY RELATIONSHIP	Fred is identified as Scrooge's nephew, and he expresses affection and goodwill towards Scrooge, despite Scrooge's initial reluctance to accept it.	FRED	SCROOGE	TRUE	NONE	NONE	'I have found it out! I know what it is, Fred! I know what it is!' 'What is it?' cried Fred. 'It's your uncle Scro-o-o-o-oge.' ... 'He has given us plenty of merriment, I am sure,' said Fred, 'and it would be ungrateful not to drink his health. Here is a glass of mulled wine ready to our hand at the moment; and I say, "Uncle Scrooge!"' 'Well! Uncle Scrooge!' they cried. 'A merry Christmas and a happy New Year to the old man, whatever he is!' said Scrooge's nephew. 'He wouldn't take it from me, but may he have it, nevertheless. Uncle Scrooge!'	61acc8024e41e456abfb6d5364d92d65424ea0af158b5c9a8bc4f5292f2ea8f3353e8bb0af013fdacc40552ffdbc258eb5661add847f9405b9a63ad2513af365
292	1e453fc7-2333-481c-a622-12441dc88077	290	claim	PERSONIFICATION OF SOCIAL ISSUE	Ignorance is personified as a boy brought forth by the Spirit, representing a social issue affecting humanity.	IGNORANCE	NONE	TRUE	NONE	NONE	From the foldings of its robe it brought two children, wretched, abject, frightful, hideous, miserable. ... 'They are Man's,' said the Spirit, looking down upon them. 'And they cling to me, appealing from their fathers. This boy is Ignorance.'	61acc8024e41e456abfb6d5364d92d65424ea0af158b5c9a8bc4f5292f2ea8f3353e8bb0af013fdacc40552ffdbc258eb5661add847f9405b9a63ad2513af365
293	f9630f3a-a2e8-49ed-b040-2c0c9c3d4a37	291	claim	LOCATION OF EVENTS	Foreign lands are mentioned as places visited by the Spirit and Scrooge, indicating the breadth of their travels and the universality of the experiences observed.	FOREIGN LANDS	NONE	TRUE	NONE	NONE	Much they saw, and far they went, and many homes they visited, but always with a happy end. The Spirit stood beside sick-beds, and they were cheerful; on foreign lands, and they were close at home; by struggling men, and they were patient in their greater hope; by poverty, and it was rich.	61acc8024e41e456abfb6d5364d92d65424ea0af158b5c9a8bc4f5292f2ea8f3353e8bb0af013fdacc40552ffdbc258eb5661add847f9405b9a63ad2513af365
294	58f404aa-eead-4857-b3b8-59f29162081f	292	claim	PERSONAL TRANSFORMATION	Scrooge expresses fear and uncertainty about the future, but also hope to change and become a better man, indicating a suspected claim of personal transformation.	SCROOGE	NONE	SUSPECTED	NONE	NONE	'Ghost of the Future!' he exclaimed, 'I fear you more than any spectre I have seen. But as I know your purpose is to do me good, and as I hope to live to be another man from what I was, I am prepared to bear your company, and do it with a thankful heart. Will you not speak to me?'	34bec24be8f67f640c106d1bf3ad8fc86d5d3bebb0e932106e9bd2ac984887365a64914a842e30f37cceefd69b8a9f38c24f0993250aadb5f5fb2de772634196
295	ca3f5cd5-3416-451a-ab34-38d5ce4c54f6	293	claim	SUPERNATURAL INFLUENCE	The Spirit (Ghost of Christmas Yet to Come) exerts a supernatural influence over Scrooge, guiding him through visions of the future and instilling fear and reflection.	SPIRIT	SCROOGE	TRUE	NONE	NONE	'I am in the presence of the Ghost of Christmas Yet to Come?' said Scrooge. The Spirit answered not, but pointed onward with its hand.' 'The Phantom slowly, gravely, silently approached. When it came near him, Scrooge bent down upon his knee; for in the very air through which this Spirit moved it seemed to scatter gloom and mystery.' 'It gave him no reply. The hand was pointed straight before them.'	34bec24be8f67f640c106d1bf3ad8fc86d5d3bebb0e932106e9bd2ac984887365a64914a842e30f37cceefd69b8a9f38c24f0993250aadb5f5fb2de772634196
296	865aeac9-0354-42fe-a6ea-f9dc0ad2ceae	294	claim	SOCIAL NEGLECT	The Spirit claims that the children, Ignorance and Want, are 'Man's', representing society's neglect and the consequences of ignoring social issues.	MAN	NONE	TRUE	NONE	NONE	'They are Man's,' said the Spirit, looking down upon them. 'And they cling to me, appealing from their fathers. This boy is Ignorance. This girl is Want. Beware of them both, and all of their degree, but most of all beware this boy, for on his brow I see that written which is Doom, unless the writing be erased. Deny it!' cried the Spirit, stretching out his hand towards the city.'	34bec24be8f67f640c106d1bf3ad8fc86d5d3bebb0e932106e9bd2ac984887365a64914a842e30f37cceefd69b8a9f38c24f0993250aadb5f5fb2de772634196
297	cf0b9ad4-a8b2-416b-ac64-b4c83ab958b1	295	claim	SETTING FOR EVENTS	The City is described as the setting where Scrooge and the Spirit observe merchants and business men, indicating its role as a location for key events.	CITY	NONE	TRUE	NONE	NONE	'They scarcely seemed to enter the City; for the City rather seemed to spring up about them, and encompass them of its own act. But there they were in the heart of it; on 'Change, amongst the merchants, who hurried up and down, and chinked the money in their pockets, and conversed in groups, and looked at their watches, and trifled thoughtfully with their great gold seals, and so forth, as Scrooge had seen them often.'	34bec24be8f67f640c106d1bf3ad8fc86d5d3bebb0e932106e9bd2ac984887365a64914a842e30f37cceefd69b8a9f38c24f0993250aadb5f5fb2de772634196
298	eb1abe94-d27e-4b81-b3da-965f55db0487	296	claim	PREDICTION	Scrooge remembers the prediction of old Jacob Marley, which foreshadowed the arrival of the Phantom and the events to come.	JACOB MARLEY	SCROOGE	TRUE	NONE	NONE	As the last stroke ceased to vibrate, he remembered the prediction of old Jacob Marley, and, lifting up his eyes, beheld a solemn Phantom, draped and hooded, coming like a mist along the ground towards him.	34bec24be8f67f640c106d1bf3ad8fc86d5d3bebb0e932106e9bd2ac984887365a64914a842e30f37cceefd69b8a9f38c24f0993250aadb5f5fb2de772634196
299	6a24a34e-ca30-4474-b075-964b9365ce48	297	claim	SYMBOL OF SOCIAL ILLS	Ignorance is personified as a boy, representing a social ill that the Spirit warns must be addressed to avoid doom.	IGNORANCE	NONE	TRUE	NONE	NONE	'This boy is Ignorance. This girl is Want. Beware of them both, and all of their degree, but most of all beware this boy, for on his brow I see that written which is Doom, unless the writing be erased.'	34bec24be8f67f640c106d1bf3ad8fc86d5d3bebb0e932106e9bd2ac984887365a64914a842e30f37cceefd69b8a9f38c24f0993250aadb5f5fb2de772634196
300	a9eb4220-96a1-4671-b5e0-dbe8f6441c47	298	claim	SYMBOL OF SOCIAL ILLS	Want is personified as a girl, representing poverty and deprivation, and is presented as a warning to society.	WANT	NONE	TRUE	NONE	NONE	'This boy is Ignorance. This girl is Want. Beware of them both, and all of their degree...'	34bec24be8f67f640c106d1bf3ad8fc86d5d3bebb0e932106e9bd2ac984887365a64914a842e30f37cceefd69b8a9f38c24f0993250aadb5f5fb2de772634196
301	e8b2c797-9ccd-4bbe-aec6-8ca34ef410d5	299	claim	BUSINESS COMMUNITY	The merchants are depicted as a business community, discussing the death of an unnamed individual and the fate of his money, highlighting their focus on commerce and wealth.	MERCHANTS	NONE	TRUE	NONE	NONE	'on 'Change, amongst the merchants, who hurried up and down, and chinked the money in their pockets, and conversed in groups, and looked at their watches, and trifled thoughtfully with their great gold seals, and so forth, as Scrooge had seen them often.' 'No,' said a great fat man with a monstrous chin, 'I don't know much about it either way. I only know he's dead.' 'What has he done with his money?' asked a red-faced gentleman...'	34bec24be8f67f640c106d1bf3ad8fc86d5d3bebb0e932106e9bd2ac984887365a64914a842e30f37cceefd69b8a9f38c24f0993250aadb5f5fb2de772634196
302	4bb38919-128c-4df5-8665-ccf9536bc309	300	claim	BUSINESS REPUTATION	Scrooge is described as being known to men of business, very wealthy and of great importance, and having made a point of standing well in their esteem in a business point of view. This suggests that Scrooge is a recognized figure in the business community, with a reputation for wealth and influence.	SCROOGE	NONE	TRUE	NONE	NONE	He knew these men, also, perfectly. They were men of business: very wealthy, and of great importance. He had made a point always of standing well in their esteem in a business point of view, that is; strictly in a business point of view.	286b34ceac09f1b3481a0105ff7073279b980ded4160f43a557bda82ad61dc925432257f88d4f5674a20b0cc2e3a2a5206d42297ba39cc5e6bd3142a1a75f526
303	ab32a736-25e4-4888-b378-f62bd0eecda7	301	claim	SOCIAL ISOLATION	There are multiple references to Scrooge's lack of close relationships and social isolation, including the suggestion that few people would attend his funeral and that he had no particular friends. This is relevant to information discovery about his personal life and social standing.	SCROOGE	NONE	TRUE	NONE	NONE	'Left it to his company, perhaps. He hasn't left it to _me_. That's all I know.' 'It's likely to be a very cheap funeral,' said the same speaker; 'for, upon my life, I don't know of anybody to go to it. Suppose we make up a party, and volunteer?' 'When I come to think of it, I'm not at all sure that I wasn't his most particular friend; for we used to stop and speak whenever we met. Bye, bye!'	286b34ceac09f1b3481a0105ff7073279b980ded4160f43a557bda82ad61dc925432257f88d4f5674a20b0cc2e3a2a5206d42297ba39cc5e6bd3142a1a75f526
304	05a9e7a7-01e3-4178-ba57-55d7604fd64a	302	claim	DEATH	Jacob, Scrooge's old partner, is referenced as having died. This is a factual claim relevant to information discovery about the event of his death.	JACOB	NONE	TRUE	NONE	NONE	They could scarcely be supposed to have any bearing on the death of Jacob, his old partner, for that was Past, and this Ghost's province was the Future.	286b34ceac09f1b3481a0105ff7073279b980ded4160f43a557bda82ad61dc925432257f88d4f5674a20b0cc2e3a2a5206d42297ba39cc5e6bd3142a1a75f526
305	fd034b32-3c2d-4337-8514-ca075ff069a4	303	claim	CRIMINAL ACTIVITY	A grey-haired rascal, nearly seventy years of age, is described as sitting among wares in a den of infamous resort, in a quarter that 'reeked with crime, with filth, and misery.' The description suggests suspected involvement in criminal or illicit activities, though not confirmed.	UNKNOWN GREY-HAIRED RASCAL	NONE	SUSPECTED	NONE	NONE	Far in this den of infamous resort, there was a low-browed, beetling shop, below a penthouse roof, where iron, old rags, bottles, bones, and greasy offal were bought... Sitting in among the wares he dealt in, by a charcoal stove made of old bricks, was a grey-haired rascal, nearly seventy years of age, who had screened himself from the cold air without by a frouzy curtaining of miscellaneous tatters hung upon a line and smoked his pipe in all	286b34ceac09f1b3481a0105ff7073279b980ded4160f43a557bda82ad61dc925432257f88d4f5674a20b0cc2e3a2a5206d42297ba39cc5e6bd3142a1a75f526
306	0f6114a9-491d-4830-9dd3-a61d1afdb582	304	claim	POVERTY AND CRIME	The obscure part of the town is described as having a bad reputation, with foul and narrow ways, wretched shops and houses, and people living in poverty and misery. The area is said to 'reek with crime, with filth, and misery,' indicating a high prevalence of poverty and criminal activity.	OBSCURE PART OF THE TOWN	NONE	TRUE	NONE	NONE	They left the busy scene, and went into an obscure part of the town, where Scrooge had never penetrated before, although he recognised its situation and its bad repute. The ways were foul and narrow; the shop and houses wretched; the people half naked, drunken, slipshod, ugly. Alleys and archways, like so many cesspools, disgorged their offences of smell and dirt, and life upon the straggling streets; and the whole quarter reeked with crime, with filth, and misery.	286b34ceac09f1b3481a0105ff7073279b980ded4160f43a557bda82ad61dc925432257f88d4f5674a20b0cc2e3a2a5206d42297ba39cc5e6bd3142a1a75f526
307	9c04fbdd-1440-4449-b99e-9f0b92dd9e52	305	claim	HANDLING STOLEN GOODS	Old Joe is depicted as an elderly man who appraises and purchases items brought to him by others, which are described as "plunder" and items taken from a dead man. He is the central figure in the shop where stolen goods are brought and valued, indicating his role in handling stolen property.	OLD JOE	NONE	TRUE	NONE	NONE	Sitting in among the wares he dealt in, by a charcoal stove made of old bricks, was a grey-haired rascal, nearly seventy years of age...; They were severally examined and appraised by old Joe, who chalked the sums he was disposed to give for each upon the wall, and added them up into a total when he found that there was nothing more to come.; 'That's your account,' said Joe, 'and I wouldn't give another sixpence, if I was to be boiled for not doing it. Who's next?'	9b57aac4adf63f62c30ff40e9baf353a779d07f5a589d7fd0e890a1805a201b101abe7f7c499e1a7bac91eec1b5bf8d07922bf15123faac709719e705e377337
308	8dea25f6-18db-420c-a156-bc24d2bb9bd4	306	claim	THEFT	Mrs. Dilber is shown bringing a bundle of items, including sheets, towels, silver teaspoons, and boots, to Old Joe's shop, which are implied to have been taken from a dead man. She participates in the sale and appraisal of these items, indicating her involvement in theft.	MRS. DILBER	NONE	TRUE	NONE	NONE	'Mrs. Dilber was next. Sheets and towels, a little wearing apparel, two old fashioned silver teaspoons, a pair of sugar-tongs, and a few boots. Her account was stated on the wall in the same manner.'; 'If he wanted to keep 'em after he was dead, a wicked old screw,' pursued the woman, 'why wasn't he natural in his lifetime? If he had been, he'd have had somebody to look after him when he was struck with Death, instead of lying gasping out his last there, alone by himself.'; 'It's the truest word that ever was spoke,' said Mrs. Dilber. 'It's a judgment on him.'	9b57aac4adf63f62c30ff40e9baf353a779d07f5a589d7fd0e890a1805a201b101abe7f7c499e1a7bac91eec1b5bf8d07922bf15123faac709719e705e377337
309	91315808-432f-47fd-9505-5b4834236c75	307	claim	THEFT	The charwoman is described as the first to enter Old Joe's shop with a heavy bundle, and is directly involved in the discussion about taking items from a dead man. She admits to helping herself to the goods and justifies her actions.	CHARWOMAN	NONE	TRUE	NONE	NONE	'Let the charwoman alone to be the first!' cried she who had entered first...; 'We knew pretty well that we were helping ourselves before we met here, I believe. It's no sin. Open the bundle, Joe.'; 'If he wanted to keep 'em after he was dead, a wicked old screw,' pursued the woman, 'why wasn't he natural in his lifetime? If he had been, he'd have had somebody to look after him when he was struck with Death, instead of lying gasping out his last there, alone by himself.'; 'It's the truest word that ever was spoke,' said Mrs. Dilber. 'It's a judgment on him.'; 'I wish it was a little heavier judgment,' replied the woman: 'and it should have been, you may depend upon it, if I could have laid my hands on anything else. Open that bundle, old Joe, and let me know the value of it. Speak out plain. I'm not afraid to be the first, nor afraid for them to see it.'	9b57aac4adf63f62c30ff40e9baf353a779d07f5a589d7fd0e890a1805a201b101abe7f7c499e1a7bac91eec1b5bf8d07922bf15123faac709719e705e377337
310	7abe62bc-3756-41a4-8662-1bb6a9774272	308	claim	THEFT	The undertaker's man is described as bringing his own bundle of "plunder" to Old Joe's shop, which includes small valuables. His participation in the sale and appraisal of these items indicates his involvement in theft.	UNDERTAKER'S MAN	NONE	TRUE	NONE	NONE	But the gallantry of her friends would not allow of this; and the man in faded black, mounting the breach first, produced _his_ plunder. It was not extensive. A seal or two, a pencil-case, a pair of sleeve-buttons, and a brooch of no great value, were all. They were severally examined and appraised by old Joe, who chalked the sums he was disposed to give for each upon the wall, and added them up into a total when he found that there was nothing more to come.	9b57aac4adf63f62c30ff40e9baf353a779d07f5a589d7fd0e890a1805a201b101abe7f7c499e1a7bac91eec1b5bf8d07922bf15123faac709719e705e377337
311	f24736d1-5edc-4345-bcbd-ade72e613fc4	309	claim	NEGLECT AND ISOLATION	Scrooge is referenced as the dead man whose possessions are being stolen and sold. The text describes how his lack of kindness in life led to his isolation and the lack of care after his death, resulting in his belongings being taken by others.	SCROOGE	NONE	TRUE	NONE	NONE	'If he wanted to keep 'em after he was dead, a wicked old screw,' pursued the woman, 'why wasn't he natural in his lifetime? If he had been, he'd have had somebody to look after him when he was struck with Death, instead of lying gasping out his last there, alone by himself.'; 'It's the truest word that ever was spoke,' said Mrs. Dilber. 'It's a judgment on him.'; 'I wish it was a little heavier judgment,' replied the woman: 'and it should have been, you may depend upon it, if I could have laid my hands on anything else.'	9b57aac4adf63f62c30ff40e9baf353a779d07f5a589d7fd0e890a1805a201b101abe7f7c499e1a7bac91eec1b5bf8d07922bf15123faac709719e705e377337
312	f9a81308-7e3c-4466-8382-7e5cb7b58360	310	claim	SUPERVISION OF EVENTS	The Phantom is present with Scrooge as they witness the events in Old Joe's shop, acting as a guide or supervisor to Scrooge's discovery of these facts.	PHANTOM	NONE	TRUE	NONE	NONE	Scrooge and the Phantom came into the presence of this man, just as a woman with a heavy bundle slunk into the shop.	9b57aac4adf63f62c30ff40e9baf353a779d07f5a589d7fd0e890a1805a201b101abe7f7c499e1a7bac91eec1b5bf8d07922bf15123faac709719e705e377337
313	b20d68e8-93b6-401e-bd15-184dc769c802	311	claim	THEFT	Joe is implicated in theft, as he is described opening bundles and discussing the acquisition of bed-curtains and blankets from a deceased man's room, suggesting he took these items for personal gain. The dialogue indicates he is aware of the questionable morality of his actions, referencing "ruin myself" and negotiating over money.	JOE	NONE	TRUE	NONE	NONE	'I always give too much to ladies. It's a weakness of mine, and that's the way I ruin myself,' said old Joe. 'That's your account. If you asked me for another penny, and made it an open question, I'd repent of being so liberal, and knock off half-a-crown.'	6dc471856937bcb4e1ea31815b9c5193d2adaf839109c4a16b4965adc40ad91af0b5c9daafe60fc262a55e0af22ac30c79260037a446fe29de8ec5d459fb940d
314	38bf907c-7aec-4e7f-9c8c-4fb6a93ec819	312	claim			Joe went down on his knees for the greater convenience of opening it, and, having unfastened a great many knots, dragged out a large heavy roll of some dark stuff.						6dc471856937bcb4e1ea31815b9c5193d2adaf839109c4a16b4965adc40ad91af0b5c9daafe60fc262a55e0af22ac30c79260037a446fe29de8ec5d459fb940d
315	fcd6bdcc-6b0a-4281-9d3c-5c37fb5338f5	313	claim			'What do you call this?' said Joe. 'Bed-curtains?'						6dc471856937bcb4e1ea31815b9c5193d2adaf839109c4a16b4965adc40ad91af0b5c9daafe60fc262a55e0af22ac30c79260037a446fe29de8ec5d459fb940d
316	441f3028-75e5-424f-8f4c-e6030c0b20ff	314	claim			'You don't mean to say you took 'em down, rings and all, with him lying there?' said Joe.						6dc471856937bcb4e1ea31815b9c5193d2adaf839109c4a16b4965adc40ad91af0b5c9daafe60fc262a55e0af22ac30c79260037a446fe29de8ec5d459fb940d
317	55cd6c20-9198-4e97-a813-028a887bc1cc	315	claim			'His blankets?' asked Joe.						6dc471856937bcb4e1ea31815b9c5193d2adaf839109c4a16b4965adc40ad91af0b5c9daafe60fc262a55e0af22ac30c79260037a446fe29de8ec5d459fb940d
318	23008901-4faa-4286-a831-f6d5b4f2a301	316	claim	THEFT	The woman is implicated in theft, as she admits to taking bed-curtains and blankets from a deceased man's room, even while he was lying there. She also confesses to removing a shirt intended for burial, justifying her actions by saying calico is good enough for the purpose. Her attitude is unapologetic and mercenary.	WOMAN	NONE	TRUE	NONE	NONE	'You don't mean to say you took 'em down, rings and all, with him lying there?' said Joe.	6dc471856937bcb4e1ea31815b9c5193d2adaf839109c4a16b4965adc40ad91af0b5c9daafe60fc262a55e0af22ac30c79260037a446fe29de8ec5d459fb940d
319	8a96b985-7c53-43a9-bcfc-871b84bcee29	317	claim			'Yes, I do,' replied the woman. 'Why not?'						6dc471856937bcb4e1ea31815b9c5193d2adaf839109c4a16b4965adc40ad91af0b5c9daafe60fc262a55e0af22ac30c79260037a446fe29de8ec5d459fb940d
320	04d2d24c-9382-4216-9f97-5c60ddd375ff	318	claim			'I certainly shan't hold my hand, when I can get anything in it by reaching it out, for the sake of such a man as he was, I promise you, Joe,' returned the woman coolly.						6dc471856937bcb4e1ea31815b9c5193d2adaf839109c4a16b4965adc40ad91af0b5c9daafe60fc262a55e0af22ac30c79260037a446fe29de8ec5d459fb940d
321	dd7ecfa3-4287-4fdf-bde7-d7f4203eb6bb	319	claim			'He isn't likely to take cold without 'em, I dare say.'						6dc471856937bcb4e1ea31815b9c5193d2adaf839109c4a16b4965adc40ad91af0b5c9daafe60fc262a55e0af22ac30c79260037a446fe29de8ec5d459fb940d
322	a7ebebe5-3452-4fbc-8af0-0cde82e3e41b	320	claim			'Somebody was fool enough to do it, but I took it off again. If calico an't good enough for such a purpose, it isn't good enough for anything. It's quite as becoming to the body. He can't look uglier than he did in that one.'						6dc471856937bcb4e1ea31815b9c5193d2adaf839109c4a16b4965adc40ad91af0b5c9daafe60fc262a55e0af22ac30c79260037a446fe29de8ec5d459fb940d
323	6bbd3183-c635-4ba9-b350-9607329d83de	321	claim	SOCIAL ISOLATION	Scrooge is described as having frightened everyone away from him during his life, resulting in his death being unwept, uncared for, and his possessions being plundered. The narrative suggests his avarice and hard dealing led to his social isolation and a "rich end" in terms of material wealth but poverty in human connection.	SCROOGE	NONE	TRUE	NONE	NONE	'He frightened every one away from him when he was alive, to profit us when he was dead! Ha, ha, ha!'	6dc471856937bcb4e1ea31815b9c5193d2adaf839109c4a16b4965adc40ad91af0b5c9daafe60fc262a55e0af22ac30c79260037a446fe29de8ec5d459fb940d
324	46e15607-1c24-4655-b5c7-8eae98538e43	322	claim			Scrooge listened to this dialogue in horror.						6dc471856937bcb4e1ea31815b9c5193d2adaf839109c4a16b4965adc40ad91af0b5c9daafe60fc262a55e0af22ac30c79260037a446fe29de8ec5d459fb940d
325	5648bf01-9db4-4a02-b9d1-3ac19abf45b2	323	claim			He lay in the dark, empty house, with not						6dc471856937bcb4e1ea31815b9c5193d2adaf839109c4a16b4965adc40ad91af0b5c9daafe60fc262a55e0af22ac30c79260037a446fe29de8ec5d459fb940d
326	96bb1890-c0d6-4fb9-9503-a91aea7086ee	324	claim			The case of this unhappy man might be my own. My life tends that way now. Merciful heaven, what is this?'						6dc471856937bcb4e1ea31815b9c5193d2adaf839109c4a16b4965adc40ad91af0b5c9daafe60fc262a55e0af22ac30c79260037a446fe29de8ec5d459fb940d
327	8efd5c2a-449d-4b2f-91bd-c95a8e4d8502	325	claim	EVENT	Death is personified as an event and described as having dominion over the deceased, with the room and bed depicted as its altar. The passage reflects on the inevitability and impartiality of death, contrasting it with the virtues of the deceased.	DEATH	NONE	TRUE	NONE	NONE	Oh, cold, cold, rigid, dreadful Death, set up thine altar here, and dress it with such terrors as thou hast at thy command; for this is thy dominion! But of the loved, revered, and honoured head thou canst not turn one hair to thy dread purposes, or make one feature odious.	6dc471856937bcb4e1ea31815b9c5193d2adaf839109c4a16b4965adc40ad91af0b5c9daafe60fc262a55e0af22ac30c79260037a446fe29de8ec5d459fb940d
328	6f52b019-4a9c-4525-8424-c902bbb4c39b	326	claim	PERSONAL TRANSFORMATION	Scrooge is depicted as reflecting on his life and actions, particularly his avarice and hard dealing, suggesting a potential for personal transformation and remorse. Evidence includes his internal dialogue and interactions with the Spirit, indicating a shift in perspective.	SCROOGE	NONE	SUSPECTED	NONE	NONE	He thought, if this man could be raised up now, what would be his foremost thoughts? Avarice, hard dealing, griping cares? They have brought him to a rich end, truly! 'Spirit!' he said, 'this is a fearful place. In leaving it, I shall not leave its lesson, trust me. Let us go!' 'I understand you,' Scrooge returned, 'and I would do it if I could. But I have not the power, Spirit. I have not the power.' 'Let me see some tenderness connected with a death,' said Scrooge; 'or that dark chamber, Spirit, which we left just now, will be for ever present to me.'	0b9a2293b030e9276c70e2fef154bf8a1b1da96447ccd516a695c44716f677767ddad838b9990ad6eb9582e5fd9a0940e40d4e781f3ed37a017dd147b18546f6
329	46fa30dd-2190-463b-96c7-0acfc3f5b9f9	327	claim	EMOTIONAL RESPONSE TO DEATH	Caroline is shown to feel relief and thankfulness upon hearing of the death of her creditor, indicating the emotional impact of the event on her and her family. She expresses both gratitude and remorse, highlighting the complexity of her feelings.	CAROLINE	NONE	TRUE	NONE	NONE	She was thankful in her soul to hear it, and she said so with clasped hands. She prayed forgiveness the next moment, and was sorry; but the first was the emotion of her heart.	0b9a2293b030e9276c70e2fef154bf8a1b1da96447ccd516a695c44716f677767ddad838b9990ad6eb9582e5fd9a0940e40d4e781f3ed37a017dd147b18546f6
330	ec71bea2-ce17-4f32-be96-c671a849ded3	328	claim	FAMILY LOSS	Bob Cratchit and his family are depicted as mourning the loss of Tiny Tim, with the household described as quiet and subdued, indicating the impact of the death on the family.	BOB CRATCHIT	NONE	TRUE	NONE	NONE	Quiet. Very quiet. The noisy little Cratchits were as still as statues in one corner, and sat looking up at Peter, who had a book before him. The mother and her daughters were engaged in sewing. But surely they were very quiet! 'The colour hurts my eyes,' she said. The colour? Ah, poor Tiny Tim! 'They're better now again,' said Cratchit's wife. 'It makes them weak by candle-light; and I wouldn't show weak eyes to your father when he comes home for the world. It must be near his time.' 'Past it rather,' Peter answered, shutting up his	0b9a2293b030e9276c70e2fef154bf8a1b1da96447ccd516a695c44716f677767ddad838b9990ad6eb9582e5fd9a0940e40d4e781f3ed37a017dd147b18546f6
331	f7a50f2f-482a-4624-b39c-a2c31c372962	329	claim	DEATH	Tiny Tim is implied to have died, as evidenced by the family's mourning and references to his absence and the mother's weak eyes from crying.	TINY TIM	NONE	TRUE	NONE	NONE	'The colour hurts my eyes,' she said. The colour? Ah, poor Tiny Tim! 'They're better now again,' said Cratchit's wife. 'It makes them weak by candle-light; and I wouldn't show weak eyes to your father when he comes home for the world. It must be near his time.' 'Past it rather,' Peter answered, shutting up his	0b9a2293b030e9276c70e2fef154bf8a1b1da96447ccd516a695c44716f677767ddad838b9990ad6eb9582e5fd9a0940e40d4e781f3ed37a017dd147b18546f6
332	d52ea8ea-aa89-4af5-a03a-f0d60dc158a4	330	claim	CREDITOR MERCILESSNESS	The unknown creditor is described as merciless, causing distress to Caroline and her husband, who express relief at his death and hope that his successor will be less harsh.	UNKNOWN CREDITOR	CAROLINE	TRUE	NONE	NONE	'We are quite ruined?' 'No. There is hope yet, Caroline.' 'If _he_ relents,' she said, amazed, 'there is! Nothing is past hope, if such a miracle has happened.' 'He is past relenting,' said her husband. 'He is dead.' 'To whom will our debt be transferred?' 'I don't know. But, before that time, we shall be ready with the money; and even though we were not, it would be bad fortune indeed to find so merciless a creditor in his successor. We may sleep to-night with light hearts, Caroline!'	0b9a2293b030e9276c70e2fef154bf8a1b1da96447ccd516a695c44716f677767ddad838b9990ad6eb9582e5fd9a0940e40d4e781f3ed37a017dd147b18546f6
333	7e6342c2-b913-4385-9ec2-4e68f53a5b92	331	claim	SUPERNATURAL GUIDANCE	The Ghost acts as a supernatural guide for Scrooge, leading him through scenes that prompt reflection and emotional responses, facilitating Scrooge's journey of self-discovery.	GHOST	SCROOGE	TRUE	NONE	NONE	'Spirit!' he said, 'this is a fearful place. In leaving it, I shall not leave its lesson, trust me. Let us go!' Still the Ghost pointed with an unmoved finger to the head. 'I understand you,' Scrooge returned, 'and I would do it if I could. But I have not the power, Spirit. I have not the power.' The Ghost conducted him through several streets familiar to his feet; and as they went along, Scrooge looked here and there to find himself, but nowhere was he to be seen.	0b9a2293b030e9276c70e2fef154bf8a1b1da96447ccd516a695c44716f677767ddad838b9990ad6eb9582e5fd9a0940e40d4e781f3ed37a017dd147b18546f6
334	064740d0-ba5a-4bff-9564-0421fd85ad75	332	claim	FAMILY LOSS	Bob Cratchit is grieving the loss of his child, Tiny Tim, as evidenced by his emotional reaction and the family's discussion about Tiny Tim's absence and their first parting.	BOB CRATCHIT	NONE	TRUE	NONE	NONE	'My little, little child!' cried Bob. 'My little child!' He broke down all at once. He couldn't help it. If he could have helped it, he and his child would have been farther apart, perhaps, than they were. He left the room, and went upstairs into the room above, which was lighted cheerfully, and hung with Christmas. There was a chair set close beside the child, and there were signs of some one having been there lately. Poor Bob sat down in it, and when he had thought a little and composed himself, he kissed the little face. He was reconciled to what had happened, and went down again quite happy. ... But, however and whenever we part from one another, I am sure we shall none of us forget poor Tiny Tim--shall we--or this first parting that there was among us?' 'Never, father!' cried they all.	63974ab25060d23f5c99805f5e5bb49353fbdf58753a4bec3ad6598debb80501de21fb7d27ec6dfbf08b2022fbea45fc3c4b905d2b0a99f82c8e581490ad4797
335	71896e2e-78a6-4abc-93c7-15a56ad8bd3b	333	claim	ILLNESS	Tiny Tim suffered from an illness that made him weak, as indicated by references to his lightness and the family's concern for his health.	TINY TIM	NONE	TRUE	NONE	NONE	'The colour hurts my eyes,' she said. The colour? Ah, poor Tiny Tim! 'They're better now again,' said Cratchit's wife. 'It makes them weak by candle-light; and I wouldn't show weak eyes to your father when he comes home for the world. It must be near his time.' ... 'I have known him walk with--I have known him walk with Tiny Tim upon his shoulder very fast indeed.' 'And so have I,' cried Peter. 'Often.' 'And so have I,' exclaimed another. So had all. 'But he was very light to carry,' she resumed, intent upon her work, 'and his father loved him so, that it was no trouble, no trouble.'	63974ab25060d23f5c99805f5e5bb49353fbdf58753a4bec3ad6598debb80501de21fb7d27ec6dfbf08b2022fbea45fc3c4b905d2b0a99f82c8e581490ad4797
336	de4e6937-8e98-4ef4-b493-91307cb67d5a	334	claim	KINDNESS	Mr. Scrooge's nephew showed extraordinary kindness to Bob Cratchit by expressing sympathy for his loss and offering assistance, as described by Bob.	MR. SCROOGE'S NEPHEW	BOB CRATCHIT	TRUE	NONE	NONE	Bob told them of the extraordinary kindness of Mr. Scrooge's nephew, whom he had scarcely seen but once, and who, meeting him in the street that day, and seeing that he looked a little--'just a little down, you know,' said Bob, inquired what had happened to distress him. 'On which,' said Bob, 'for he is the pleasantest-spoken gentleman you ever heard, I told him. "I am heartily sorry for it, Mr. Cratchit," he said, "and heartily sorry for your good wife." ... "If I can be of service to you in any way," he said, giving me his card, "that's where I live. Pray come to me."'	63974ab25060d23f5c99805f5e5bb49353fbdf58753a4bec3ad6598debb80501de21fb7d27ec6dfbf08b2022fbea45fc3c4b905d2b0a99f82c8e581490ad4797
337	267fcd42-ec1e-42d2-a3c5-9241e5d17d46	335	claim	EMPLOYMENT OPPORTUNITY	It is suspected that Mr. Scrooge's nephew may help Peter Cratchit obtain a better job, based on Bob's hopeful remarks.	MR. SCROOGE'S NEPHEW	PETER CRATCHIT	SUSPECTED	NONE	NONE	'I shouldn't be at all surprised--mark what I say!--if he got Peter a better situation.' 'Only hear that, Peter,' said Mrs. Cratchit.	63974ab25060d23f5c99805f5e5bb49353fbdf58753a4bec3ad6598debb80501de21fb7d27ec6dfbf08b2022fbea45fc3c4b905d2b0a99f82c8e581490ad4797
338	0ba061d1-d055-4da7-b380-5a113326de49	336	claim	INDUSTRY	Mrs. Cratchit is praised for her industriousness and speed in her work, as noted by Bob Cratchit.	MRS. CRATCHIT	NONE	TRUE	NONE	NONE	He looked at the work upon the table, and praised the industry and speed of Mrs. Cratchit and the girls. They would be done long before Sunday, he said.	63974ab25060d23f5c99805f5e5bb49353fbdf58753a4bec3ad6598debb80501de21fb7d27ec6dfbf08b2022fbea45fc3c4b905d2b0a99f82c8e581490ad4797
339	68b23f2e-48bf-49d1-9650-b6c13f5c9dd0	337	claim	EDUCATION	Peter Cratchit is engaged in reading and education, as indicated by his shutting up his book and participating in family discussions.	PETER CRATCHIT	NONE	TRUE	NONE	NONE	'Past it rather,' Peter answered, shutting up his book. 'But I think he has walked a little slower than he used, these few last evenings, mother.'	63974ab25060d23f5c99805f5e5bb49353fbdf58753a4bec3ad6598debb80501de21fb7d27ec6dfbf08b2022fbea45fc3c4b905d2b0a99f82c8e581490ad4797
340	298b1171-2ea1-4855-8a11-1f46e4aac656	338	claim	GRIEF	The Cratchit family is experiencing grief and loss due to the death of Tiny Tim, as shown by their emotional responses and discussions.	CRATCHIT FAMILY	NONE	TRUE	NONE	NONE	'Don't mind it, father. Don't be grieved!' ... 'But, however and whenever we part from one another, I am sure we shall none of us forget poor Tiny Tim--shall we--or this first parting that there was among us?' 'Never, father!' cried they all.	63974ab25060d23f5c99805f5e5bb49353fbdf58753a4bec3ad6598debb80501de21fb7d27ec6dfbf08b2022fbea45fc3c4b905d2b0a99f82c8e581490ad4797
341	d63b5f5b-190f-459d-bc59-453d92209f01	339	claim	FATE/DEATH FORESHADOWING	Ebenezer Scrooge is shown a vision of his own neglected grave by the Ghost of Christmas Yet to Come, suggesting that he is destined to die unloved and forgotten unless he changes his ways. This is a suspected claim about his fate, as it is presented as a possible future rather than a confirmed fact.	EBENEZER SCROOGE	NONE	SUSPECTED	NONE	NONE	'Scrooge crept towards it, trembling as he went; and, following the finger, read upon the stone of the neglected grave his own name, EBENEZER SCROOGE.' 'Am I that man who lay upon the bed?' he cried upon his knees. The finger pointed from the grave to him, and back again. 'No, Spirit! Oh no, no!' The finger still was there.	a906c10ef800a8d537f0157bb83f83126e84490857a259b3d3dddafe558b90e0c207d9879c550e959d1a9a0825e9f265b6e52f1c146645f709253b62d905bbc6
342	d5df9220-3fd7-4a87-a2a6-b9953d21dc3f	340	claim	PERSONAL REFORMATION	Ebenezer Scrooge resolves to change his life after being shown the consequences of his actions by the Spirits. He vows to honor Christmas and live in the Past, Present, and Future, indicating a confirmed claim of personal reformation.	EBENEZER SCROOGE	NONE	TRUE	NONE	NONE	'I am not the man I was. I will not be the man I must have been but for this intercourse. Why show me this, if I am past all hope?' 'I will honour Christmas in my heart, and try to keep it all the year. I will live in the Past, the Present, and the Future. The Spirits of all Three shall strive within me. I will not shut out the lessons that they teach. Oh, tell me I may sponge away the writing on this stone!' 'I will live in the Past, the Present, and the Future!' Scrooge repeated as he scrambled out of bed. 'The Spirits of all Three shall strive within me. O Jacob Marley! Heaven and the Christmas Time be praised for this! I say it on my knees, old Jacob; on my knees!'	a906c10ef800a8d537f0157bb83f83126e84490857a259b3d3dddafe558b90e0c207d9879c550e959d1a9a0825e9f265b6e52f1c146645f709253b62d905bbc6
343	07c53751-bf17-4d09-8d36-7d6f94de0537	341	claim	INNOCENCE/GOODNESS	Tiny Tim is described as patient, mild, and possessing a 'childish essence' from God, indicating a confirmed claim of innocence and goodness.	TINY TIM	NONE	TRUE	NONE	NONE	'I know, my dears, that when we recollect how patient and how mild he was; although he was a little, little child; we shall not quarrel easily among ourselves, and forget poor Tiny Tim in doing it.' 'Spirit of Tiny Tim, thy childish essence was from God!'	a906c10ef800a8d537f0157bb83f83126e84490857a259b3d3dddafe558b90e0c207d9879c550e959d1a9a0825e9f265b6e52f1c146645f709253b62d905bbc6
344	dbccfb3f-ae65-45ad-9987-e93d887f291d	342	claim	SUPERNATURAL INTERVENTION	Jacob Marley is referenced as a spirit whose intervention, along with the other Christmas Spirits, leads to Scrooge's transformation.	JACOB MARLEY	NONE	TRUE	NONE	NONE	'O Jacob Marley! Heaven and the Christmas Time be praised for this! I say it on my knees, old Jacob; on my knees!'	a906c10ef800a8d537f0157bb83f83126e84490857a259b3d3dddafe558b90e0c207d9879c550e959d1a9a0825e9f265b6e52f1c146645f709253b62d905bbc6
345	cf99ff08-6340-471d-aa70-c6c350d804b7	343	claim	SUPERNATURAL GUIDANCE	The Ghost of Christmas Yet to Come guides Scrooge through visions of the future, showing him the consequences of his actions and prompting his desire to change.	GHOST OF CHRISTMAS YET TO COME	NONE	TRUE	NONE	NONE	'The Ghost of Christmas Yet to Come conveyed him, as before--though at a different time, he thought: indeed there seemed no order in these latter visions, save that they were in the Future--into the resorts of business men, but showed him not himself.' 'The Spirit stood among the graves, and pointed down to One.' 'The Spirit was immovable as ever.' 'The kind hand trembled.'	a906c10ef800a8d537f0157bb83f83126e84490857a259b3d3dddafe558b90e0c207d9879c550e959d1a9a0825e9f265b6e52f1c146645f709253b62d905bbc6
346	267c9e92-2c83-4501-a881-9439812963ac	344	claim	FAMILY DEVOTION	Bob Cratchit is depicted as a devoted father, expressing happiness and encouraging his family to remember Tiny Tim and avoid quarrels.	BOB CRATCHIT	NONE	TRUE	NONE	NONE	'And I know,' said Bob, 'I know, my dears, that when we recollect how patient and how mild he was; although he was a little, little child; we shall not quarrel easily among ourselves, and forget poor Tiny Tim in doing it.' 'I am very happy,' said little Bob, 'I am very happy!'	a906c10ef800a8d537f0157bb83f83126e84490857a259b3d3dddafe558b90e0c207d9879c550e959d1a9a0825e9f265b6e52f1c146645f709253b62d905bbc6
347	25e7307e-e506-428f-ba92-7fe4427ff391	345	claim	FAMILY AFFECTION	Mrs. Cratchit is shown expressing affection for her family, kissing Bob and her children.	MRS. CRATCHIT	NONE	TRUE	NONE	NONE	'Mrs. Cratchit kissed him, his daughters kissed him, the two young Cratchits kissed him, and Peter and himself shook hands.'	a906c10ef800a8d537f0157bb83f83126e84490857a259b3d3dddafe558b90e0c207d9879c550e959d1a9a0825e9f265b6e52f1c146645f709253b62d905bbc6
348	6d3a0618-bd4d-47fb-909c-0b5249c2de82	346	claim	FAMILY AFFECTION	Peter Cratchit is depicted as part of a loving family, shaking hands with Bob and participating in family affection.	PETER CRATCHIT	NONE	TRUE	NONE	NONE	'Peter and himself shook hands.'	a906c10ef800a8d537f0157bb83f83126e84490857a259b3d3dddafe558b90e0c207d9879c550e959d1a9a0825e9f265b6e52f1c146645f709253b62d905bbc6
349	8e5dfb1f-881f-476f-b0f6-f29a14f6a491	347	claim	EVENT CELEBRATION	Christmas is celebrated as a time of joy, transformation, and spiritual renewal, especially for Scrooge.	CHRISTMAS	NONE	TRUE	NONE	NONE	'I will honour Christmas in my heart, and try to keep it all the year.' 'Heaven and the Christmas Time be praised for this!'	a906c10ef800a8d537f0157bb83f83126e84490857a259b3d3dddafe558b90e0c207d9879c550e959d1a9a0825e9f265b6e52f1c146645f709253b62d905bbc6
350	23c4d1af-10c9-40c4-8527-030f6b0a598d	348	claim	PLACE OF BURIAL	The churchyard is described as the burial place of the 'wretched man' (Scrooge), overrun by grass and weeds, symbolizing neglect and death.	CHURCHYARD	NONE	TRUE	NONE	NONE	'A churchyard. Here, then, the wretched man, whose name he had now to learn, lay underneath the ground. It was a worthy place. Walled in by houses; overrun by grass and weeds, the growth of vegetation's death, not life; choked up with too much burying; fat with repleted appetite. A worthy place!'	a906c10ef800a8d537f0157bb83f83126e84490857a259b3d3dddafe558b90e0c207d9879c550e959d1a9a0825e9f265b6e52f1c146645f709253b62d905bbc6
351	351789bb-4e2c-49cf-ba00-61bb1ba43815	349	claim	PERSONAL TRANSFORMATION	Scrooge experiences a profound personal transformation, expressing intentions to live in the Past, Present, and Future, and to make amends for his previous behavior. This is evidenced by his emotional state, declarations, and actions following his encounters with the Spirits.	SCROOGE	NONE	TRUE	NONE	NONE	'I will live in the Past, the Present, and the Future!' Scrooge repeated as he scrambled out of bed. 'The Spirits of all Three shall strive within me. O Jacob Marley! Heaven and the Christmas Time be praised for this! I say it on my knees, old Jacob; on my knees!' ... He was so fluttered and so glowing with his good intentions, that his broken voice would scarcely answer to his call. He had been sobbing violently in his conflict with the Spirit, and his face was wet with tears. ... 'They are not torn down,' cried Scrooge, folding one of his bed-curtains in his arms, 'They are not torn down, rings and all. They are here--I am here--the shadows of the things that would have been may be dispelled. They will be. I know they will!' ... 'I don't know what to do!' cried Scrooge, laughing and crying in the same breath, and making a perfect Laocoon of himself with his stockings. 'I am as light as a feather, I am as happy as an angel, I am as merry as a schoolboy, I am as giddy as a drunken man. A merry Christmas to everybody! A happy New Year to all the world! Hallo here! Whoop! Hallo!' ... 'It's Christmas Day!' said Scrooge to himself. 'I haven't missed it. The Spirits have done it all in one night. They can do anything they like. Of course they can. Of course they can. Hallo, my fine fellow!'	ffb79ddc998646f1739e457208168ee620113ad674d05d1eeb6980b3d4b782aa797e5bf1dab0c4cd7c849367167ad3618843daa16874b0eb7f8e7c20af455e63
352	c970a9c4-ea5e-4f8d-838c-b466c692d91a	350	claim	GENEROUS ACT	Scrooge decides to send a large prize turkey to Bob Cratchit anonymously, demonstrating a generous act and a change in his previous behavior towards Bob and his family.	SCROOGE	BOB CRATCHIT	TRUE	NONE	NONE	'I'll send it to Bob Cratchit's,' whispered Scrooge, rubbing his hands, and splitting with a laugh. 'He shan't know who sends it. It's twice the size of Tiny Tim. Joe Miller never made such a joke as sending it to Bob's will be!'	ffb79ddc998646f1739e457208168ee620113ad674d05d1eeb6980b3d4b782aa797e5bf1dab0c4cd7c849367167ad3618843daa16874b0eb7f8e7c20af455e63
353	d936d34b-08a7-4984-95dd-9d6328feda07	351	claim	SUPERNATURAL ENCOUNTER	Scrooge acknowledges having been visited by the Ghost of Jacob Marley, which contributed to his transformation.	SCROOGE	JACOB MARLEY	TRUE	NONE	NONE	'O Jacob Marley! Heaven and the Christmas Time be praised for this! I say it on my knees, old Jacob; on my knees!' ... 'There's the door by which the Ghost of Jacob Marley entered!'	ffb79ddc998646f1739e457208168ee620113ad674d05d1eeb6980b3d4b782aa797e5bf1dab0c4cd7c849367167ad3618843daa16874b0eb7f8e7c20af455e63
354	469978a3-59d9-4bcb-969a-1db536f82e8b	352	claim	SUPERNATURAL ENCOUNTER	Scrooge claims to have been visited by the Spirits of Christmas Past, Present, and Future, which influenced his change.	SCROOGE	SPIRITS	TRUE	NONE	NONE	'The Spirits of all Three shall strive within me.' ... 'I don't know how long I have been among the Spirits.' ... 'There's the corner where the Ghost of Christmas Present sat! There's the window where I saw the wandering Spirits! It's all right, it's all true, it all happened. Ha, ha, ha!'	ffb79ddc998646f1739e457208168ee620113ad674d05d1eeb6980b3d4b782aa797e5bf1dab0c4cd7c849367167ad3618843daa16874b0eb7f8e7c20af455e63
355	055325ab-daf8-4e65-aeb9-20ceb9fb979e	353	claim	INSTRUCTION TO PURCHASE	Scrooge instructs a boy to purchase the prize turkey from the poulterer's and bring it to him, offering payment for the service.	SCROOGE	BOY	TRUE	NONE	NONE	'Go and buy it, and tell 'em to bring it here, that I may give them the directions where to take it. Come back with the man, and I'll give you a shilling. Come back with him in less than five minutes, and I'll give you half-a-crown!' ... The boy was off like a shot.	ffb79ddc998646f1739e457208168ee620113ad674d05d1eeb6980b3d4b782aa797e5bf1dab0c4cd7c849367167ad3618843daa16874b0eb7f8e7c20af455e63
356	30cf4f10-62aa-43b1-bce4-6e27a14db3b0	354	claim	EMOTIONAL STATE	Scrooge is described as being extremely happy, giddy, and emotionally moved, indicating a significant change from his previous demeanor.	SCROOGE	NONE	TRUE	NONE	NONE	'I am as light as a feather, I am as happy as an angel, I am as merry as a schoolboy, I am as giddy as a drunken man. A merry Christmas to everybody! A happy New Year to all the world! Hallo here! Whoop! Hallo!' ... He was so fluttered and so glowing with his good intentions, that his broken voice would scarcely answer to his call. He had been sobbing violently in his conflict with the Spirit, and his face was wet with tears.	ffb79ddc998646f1739e457208168ee620113ad674d05d1eeb6980b3d4b782aa797e5bf1dab0c4cd7c849367167ad3618843daa16874b0eb7f8e7c20af455e63
357	20681517-6fa7-4eae-83cd-dc316f1901e4	355	claim	RECIPIENT OF GENEROSITY	Bob Cratchit is the intended recipient of Scrooge's generous act, as Scrooge plans to send him the prize turkey.	BOB CRATCHIT	NONE	TRUE	NONE	NONE	'I'll send it to Bob Cratchit's,' whispered Scrooge, rubbing his hands, and splitting with a laugh. 'He shan't know who sends it. It's twice the size of Tiny Tim. Joe Miller never made such a joke as sending it to Bob's will be!'	ffb79ddc998646f1739e457208168ee620113ad674d05d1eeb6980b3d4b782aa797e5bf1dab0c4cd7c849367167ad3618843daa16874b0eb7f8e7c20af455e63
358	8de6df2e-9149-4f5e-9e0d-88c6412319c7	356	claim	SUPERNATURAL ENTITY	Jacob Marley is referenced as a ghost who visited Scrooge, acting as a supernatural entity in the narrative.	JACOB MARLEY	NONE	TRUE	NONE	NONE	'O Jacob Marley! Heaven and the Christmas Time be praised for this! I say it on my knees, old Jacob; on my knees!' ... 'There's the door by which the Ghost of Jacob Marley entered!'	ffb79ddc998646f1739e457208168ee620113ad674d05d1eeb6980b3d4b782aa797e5bf1dab0c4cd7c849367167ad3618843daa16874b0eb7f8e7c20af455e63
359	83a794ab-0080-411d-9bf8-87b2c7f0e41b	357	claim	SUPERNATURAL ENTITY	The Spirits (of Christmas Past, Present, and Future) are described as supernatural entities that visited Scrooge and influenced his transformation.	SPIRITS	NONE	TRUE	NONE	NONE	'The Spirits of all Three shall strive within me.' ... 'I don't know how long I have been among the Spirits.' ... 'There's the corner where the Ghost of Christmas Present sat! There's the window where I saw the wandering Spirits! It's all right, it's all true, it all happened. Ha, ha, ha!'	ffb79ddc998646f1739e457208168ee620113ad674d05d1eeb6980b3d4b782aa797e5bf1dab0c4cd7c849367167ad3618843daa16874b0eb7f8e7c20af455e63
360	2101e218-09e2-4dc6-97f7-96619cc9d492	358	claim	ASSISTANCE PROVIDED	The boy assists Scrooge by agreeing to purchase the prize turkey and bring it to him.	BOY	NONE	TRUE	NONE	NONE	'Go and buy it, and tell 'em to bring it here, that I may give them the directions where to take it. Come back with the man, and I'll give you a shilling. Come back with him in less than five minutes, and I'll give you half-a-crown!' ... The boy was off like a shot.	ffb79ddc998646f1739e457208168ee620113ad674d05d1eeb6980b3d4b782aa797e5bf1dab0c4cd7c849367167ad3618843daa16874b0eb7f8e7c20af455e63
361	5dfb401c-6e24-44ac-87d7-2c7641dd049a	359	claim	CHARITABLE ACTION	Scrooge is depicted as performing charitable actions, such as paying for a large turkey to be sent to Bob, compensating the boy, and making a generous donation to the portly gentleman for back-payments. These actions are described as sincere and generous, indicating a significant change in his character.	SCROOGE	NONE	TRUE	NONE	NONE	'He shan't know who sends it. It's twice the size of Tiny Tim. Joe Miller never made such a joke as sending it to Bob's will be!' ... The chuckle with which he said this, and the chuckle with which he paid for the turkey, and the chuckle with which he paid for the cab, and the chuckle with which he recompensed the boy, were only to be exceeded by the chuckle with which he sat down breathless in his chair again, and chuckled till he cried. ... 'If you please,' said Scrooge. 'Not a farthing less. A great many back-payments are included in it, I assure you. Will you do me that favour?' ... 'Thankee,' said Scrooge. 'I am much obliged to you. I thank you fifty times. Bless you!'	d945bdd453560f59d1749bf45b92f5ed93906b7b25429864d076b00eb713a147af6b134f54f5cd6631a8e096fa378d0b6cbc94505a4e474251a9b4f83fa70906
362	ffc42a7c-7be9-43f1-8484-b911cc50b6e2	360	claim	RECONCILIATION	Scrooge seeks reconciliation with the portly gentleman whom he previously rebuffed, apologizing and offering a generous donation, including back-payments. The gentleman is surprised and grateful, and agrees to visit Scrooge, indicating a positive resolution.	SCROOGE	PORTLY GENTLEMAN	TRUE	NONE	NONE	'My dear sir,' said Scrooge, quickening his pace, and taking the old gentleman by both his hands, 'how do you do? I hope you succeeded yesterday. It was very kind of you. A merry Christmas to you, sir!' ... 'Mr. Scrooge?' ... 'Yes,' said Scrooge. 'That is my name, and I fear it may not be pleasant to you. Allow me to ask your pardon. And will you have the goodness----' Here Scrooge whispered in his ear. ... 'Lord bless me!' cried the gentleman, as if his breath were taken away. 'My dear Mr. Scrooge, are you serious?' ... 'If you please,' said Scrooge. 'Not a farthing less. A great many back-payments are included in it, I assure you. Will you do me that favour?' ... 'My dear sir,' said the other, shaking hands with him, 'I don't know what to say to such munifi----' ... 'Don't say anything, please,' retorted Scrooge. 'Come and see me. Will you come and see me?' ... 'I will!' cried the old gentleman. And it was clear he meant to do it.	d945bdd453560f59d1749bf45b92f5ed93906b7b25429864d076b00eb713a147af6b134f54f5cd6631a8e096fa378d0b6cbc94505a4e474251a9b4f83fa70906
363	5f05ba08-1129-435a-abb0-ee34b0d10940	361	claim	PERSONAL TRANSFORMATION	Scrooge is described as having undergone a personal transformation, now finding joy in everyday activities, interacting kindly with strangers, and feeling happiness he never dreamed possible. This is evidenced by his pleasant demeanor, his interactions with people on the street, and his newfound courage to visit his nephew.	SCROOGE	NONE	TRUE	NONE	NONE	He dressed himself 'all in his best,' and at last got out into the streets. The people were by this time pouring forth, as he had seen them with the Ghost of Christmas Present; and, walking with his hands behind him, Scrooge regarded every one with a delighted smile. He looked so irresistibly pleasant, in a word, that three or four good-humoured fellows said, 'Good-morning, sir! A merry Christmas to you!' And Scrooge said often afterwards that, of all the blithe sounds he had ever heard, those were the blithest in his ears. ... He went to church, and walked about the streets, and watched the people hurrying to and fro, and patted the children on the head, and questioned beggars, and looked down into the kitchens of houses, and up to the windows; and found that everything could yield him pleasure. He had never dreamed that any walk--that anything--could give him so much happiness. In the afternoon he turned his steps towards his nephew's house.	d945bdd453560f59d1749bf45b92f5ed93906b7b25429864d076b00eb713a147af6b134f54f5cd6631a8e096fa378d0b6cbc94505a4e474251a9b4f83fa70906
364	ef5d8f79-2e6c-4033-85eb-4de673b3c5d7	362	claim	FAMILY RECONCILIATION	Scrooge visits his nephew Fred's house, overcoming his own hesitation and demonstrating a desire to reconnect with family. This act is a sign of reconciliation and personal growth.	SCROOGE	FRED	TRUE	NONE	NONE	He passed the door a dozen times before he had the courage to go up and knock. But he made a dash and did it. ... 'Is your master at home, my dear?' said Scrooge to the girl. ... 'He's in the dining-room, sir, along with mistress. I'll show you upstairs, if you please.' ... 'Thankee. He knows me,' said Scrooge, with his hand already on the dining-room lock. 'I'll go in here, my dear.' ... 'Fred!' said Scrooge.	d945bdd453560f59d1749bf45b92f5ed93906b7b25429864d076b00eb713a147af6b134f54f5cd6631a8e096fa378d0b6cbc94505a4e474251a9b4f83fa70906
365	02c00c4f-ce62-44a7-baa2-7b952bba6c2f	363	claim	CHARITY WORK	The portly gentleman is described as someone who collects donations for charity, as evidenced by his visit to Scrooge's counting-house the day before and his interaction with Scrooge regarding back-payments.	PORTLY GENTLEMAN	NONE	TRUE	NONE	NONE	He had not gone far when, coming on towards him, he beheld the portly gentleman who had walked into his counting-house the day before, and said, 'Scrooge and Marley's, I believe?' ... 'I hope you succeeded yesterday. It was very kind of you. A merry Christmas to you, sir!'	d945bdd453560f59d1749bf45b92f5ed93906b7b25429864d076b00eb713a147af6b134f54f5cd6631a8e096fa378d0b6cbc94505a4e474251a9b4f83fa70906
366	8f69525f-5462-4c45-a146-834fde9ea83a	364	claim	FAMILY MEMBER	Fred is identified as Scrooge's nephew, and Scrooge visits his house, indicating a familial relationship.	FRED	NONE	TRUE	NONE	NONE	In the afternoon he turned his steps towards his nephew's house. ... 'Fred!' said Scrooge.	d945bdd453560f59d1749bf45b92f5ed93906b7b25429864d076b00eb713a147af6b134f54f5cd6631a8e096fa378d0b6cbc94505a4e474251a9b4f83fa70906
367	231c9b16-c8f7-42a0-bf29-024c6bd544d4	365	claim	GEOGRAPHIC LOCATION	Camden Town is mentioned as a geographic location, specifically as the destination for the turkey that Scrooge purchases.	CAMDEN TOWN	NONE	TRUE	NONE	NONE	'Why, it's impossible to carry that to Camden Town,' said Scrooge. 'You must have a cab.'	d945bdd453560f59d1749bf45b92f5ed93906b7b25429864d076b00eb713a147af6b134f54f5cd6631a8e096fa378d0b6cbc94505a4e474251a9b4f83fa70906
368	1297f345-00f2-4195-a345-00bb67e0e237	366	claim	FAMILY RELATIONSHIP	Scrooge is identified as Fred's uncle, indicating a family relationship between the two.	SCROOGE	FRED	TRUE	NONE	NONE	'Fred!' said Scrooge. Dear heart alive, how his niece by marriage started! Scrooge had forgotten, for the moment, about her sitting in the corner with the footstool, or he wouldn't have done it on any account. 'Why, bless my soul!' cried Fred, 'who's that?' [Illustration: _"It's I, your uncle Scrooge. I have come to dinner. Will you let me in, Fred?"_] 'It's I. Your uncle Scrooge. I have come to dinner. Will you let me in, Fred?'	1dccec9bc0dcce0c606f5fdc82072bb552e67b0d9b3957d7c814e6e0408f0e48d39c530f61e76d575d0579ca83c57159cf9642ecf47e31faf815015e48119070
369	2f90c447-6cd9-4499-a659-e93c52eb3404	367	claim	EMPLOYMENT RELATIONSHIP	Scrooge is Bob Cratchit's employer, as evidenced by their interactions in the office and Scrooge's authority to raise Bob's salary.	SCROOGE	BOB CRATCHIT	TRUE	NONE	NONE	But he was early at the office next morning. Oh, he was early there! If he could only be there first, and catch Bob Cratchit coming late! That was the thing he had set his heart upon. ... 'Hallo!' growled Scrooge in his accustomed voice as near as he could feign it. 'What do you mean by coming here at this time of day?' 'I am very sorry, sir,' said Bob. 'I _am_ behind my time.' 'You are!' repeated Scrooge. 'Yes, I think you are. Step this way, sir, if you please.' ... 'Now, I'll tell you what, my friend,' said Scrooge. 'I am not going to stand this sort of thing any longer. And therefore,' he continued, leaping from his stool, and giving Bob such a dig in the waistcoat that he staggered back into the tank again--'and therefore I am about to raise your salary!' ... 'A merry Christmas, Bob!' said Scrooge, with an earnestness that could not be mistaken, as he clapped him on the back. 'A merrier Christmas, Bob, my good fellow, than I have given you for many a year! I'll raise your salary, and endeavour to assist your struggling family, and we will discuss your affairs this very afternoon, over a Christmas bowl of smoking bishop, Bob! Make up the fires and buy another coal-scuttle before you dot another i, Bob Cratchit!'	1dccec9bc0dcce0c606f5fdc82072bb552e67b0d9b3957d7c814e6e0408f0e48d39c530f61e76d575d0579ca83c57159cf9642ecf47e31faf815015e48119070
370	157ac5a4-85cf-4f44-bbda-45ddac4b8616	368	claim	SALARY INCREASE	Scrooge decided to raise Bob Cratchit's salary, as stated directly in the text.	SCROOGE	BOB CRATCHIT	TRUE	NONE	NONE	'Now, I'll tell you what, my friend,' said Scrooge. 'I am not going to stand this sort of thing any longer. And therefore,' he continued, leaping from his stool, and giving Bob such a dig in the waistcoat that he staggered back into the tank again--'and therefore I am about to raise your salary!' ... 'A merry Christmas, Bob!' said Scrooge, with an earnestness that could not be mistaken, as he clapped him on the back. 'A merrier Christmas, Bob, my good fellow, than I have given you for many a year! I'll raise your salary, and endeavour to assist your struggling family, and we will discuss your affairs this very afternoon, over a Christmas bowl of smoking bishop, Bob! Make up the fires and buy another coal-scuttle before you dot another i, Bob Cratchit!'	1dccec9bc0dcce0c606f5fdc82072bb552e67b0d9b3957d7c814e6e0408f0e48d39c530f61e76d575d0579ca83c57159cf9642ecf47e31faf815015e48119070
371	b918e379-44b8-4589-80cd-0df28b62038f	369	claim	FAMILY SUPPORT	Scrooge became a second father to Tiny Tim and supported him, as described in the text.	SCROOGE	TINY TIM	TRUE	NONE	NONE	Scrooge was better than his word. He did it all, and infinitely more; and to Tiny Tim, who did NOT die, he was a second father. He became as good a friend, as good a master, and as good a man as the good old City knew, or any other good old city, town, or borough in the good old world.	1dccec9bc0dcce0c606f5fdc82072bb552e67b0d9b3957d7c814e6e0408f0e48d39c530f61e76d575d0579ca83c57159cf9642ecf47e31faf815015e48119070
372	92d75717-14b6-4fd1-b64e-ce3453946ef8	370	claim	PERSONAL REFORMATION	Scrooge underwent a significant personal transformation, becoming generous, kind, and embracing the spirit of Christmas.	SCROOGE	NONE	TRUE	NONE	NONE	Scrooge was better than his word. He did it all, and infinitely more; and to Tiny Tim, who did NOT die, he was a second father. He became as good a friend, as good a master, and as good a man as the good old City knew, or any other good old city, town, or borough in the good old world. Some people laughed to see the alteration in him, but he let them laugh, and little heeded them; for he was wise enough to know that nothing ever happened on this globe, for good, at which some people did not have their fill of laughter in the outset; and knowing that such as these would be blind anyway, he thought it quite as well that they should wrinkle up their eyes in grins as have the malady in less attractive forms. His own heart laughed, and that was quite enough for him. He had no further intercourse with Spirits, but lived upon the Total-Abstinence Principle ever afterwards; and it was always said of him that he knew how to keep Christmas well, if any man alive possessed the knowledge. May that be truly said of us, and all of us! And so, as Tiny Tim observed, God bless Us, Every One!	1dccec9bc0dcce0c606f5fdc82072bb552e67b0d9b3957d7c814e6e0408f0e48d39c530f61e76d575d0579ca83c57159cf9642ecf47e31faf815015e48119070
373	e969eb13-be79-4614-b340-eab3a08474cd	371	claim	HEALTH OUTCOME	Tiny Tim did not die, contrary to previous fears about his health.	TINY TIM	NONE	TRUE	NONE	NONE	Scrooge was better than his word. He did it all, and infinitely more; and to Tiny Tim, who did NOT die, he was a second father.	1dccec9bc0dcce0c606f5fdc82072bb552e67b0d9b3957d7c814e6e0408f0e48d39c530f61e76d575d0579ca83c57159cf9642ecf47e31faf815015e48119070
374	80141e03-2647-4c61-8b4d-1c876301b898	372	claim	ABSTINENCE	Scrooge adopted the Total-Abstinence Principle and had no further intercourse with Spirits after his transformation.	SCROOGE	NONE	TRUE	NONE	NONE	He had no further intercourse with Spirits, but lived upon the Total-Abstinence Principle ever afterwards; and it was always said of him that he knew how to keep Christmas well, if any man alive possessed the knowledge.	1dccec9bc0dcce0c606f5fdc82072bb552e67b0d9b3957d7c814e6e0408f0e48d39c530f61e76d575d0579ca83c57159cf9642ecf47e31faf815015e48119070
375	e35feca0-9785-4b9c-88e1-e38106516830	373	claim	REPUTATION	The City is described as knowing Scrooge as a good man after his transformation.	CITY	NONE	TRUE	NONE	NONE	He became as good a friend, as good a master, and as good a man as the good old City knew, or any other good old city, town, or borough in the good old world.	1dccec9bc0dcce0c606f5fdc82072bb552e67b0d9b3957d7c814e6e0408f0e48d39c530f61e76d575d0579ca83c57159cf9642ecf47e31faf815015e48119070
376	e887c1d4-bd2d-4084-8ec4-1cc34b6309bf	374	claim	FAMILY RELATIONSHIP	Fred is Scrooge's nephew, as indicated by the text.	FRED	NONE	TRUE	NONE	NONE	'Fred!' said Scrooge. Dear heart alive, how his niece by marriage started! Scrooge had forgotten, for the moment, about her sitting in the corner with the footstool, or he wouldn't have done it on any account. 'Why, bless my soul!' cried Fred, 'who's that?' [Illustration: _"It's I, your uncle Scrooge. I have come to dinner. Will you let me in, Fred?"_] 'It's I. Your uncle Scrooge. I have come to dinner. Will you let me in, Fred?'	1dccec9bc0dcce0c606f5fdc82072bb552e67b0d9b3957d7c814e6e0408f0e48d39c530f61e76d575d0579ca83c57159cf9642ecf47e31faf815015e48119070
377	369dbce9-ecb8-4a7f-b824-ab491d3c3445	375	claim	EMPLOYMENT STATUS	Bob Cratchit is employed by Scrooge and received a salary increase.	BOB CRATCHIT	NONE	TRUE	NONE	NONE	But he was early at the office next morning. Oh, he was early there! If he could only be there first, and catch Bob Cratchit coming late! That was the thing he had set his heart upon. ... 'Hallo!' growled Scrooge in his accustomed voice as near as he could feign it. 'What do you mean by coming here at this time of day?' 'I am very sorry, sir,' said Bob. 'I _am_ behind my time.' 'You are!' repeated Scrooge. 'Yes, I think you are. Step this way, sir, if you please.' ... 'Now, I'll tell you what, my friend,' said Scrooge. 'I am not going to stand this sort of thing any longer. And therefore,' he continued, leaping from his stool, and giving Bob such a dig in the waistcoat that he staggered back into the tank again--'and therefore I am about to raise your salary!' ... 'A merry Christmas, Bob!' said Scrooge, with an earnestness that could not be mistaken, as he clapped him on the back. 'A merrier Christmas, Bob, my good fellow, than I have given you for many a year! I'll raise your salary, and endeavour to assist your struggling family, and we will discuss your affairs this very afternoon, over a Christmas bowl of smoking bishop, Bob! Make up the fires and buy another coal-scuttle before you dot another i, Bob Cratchit!'	1dccec9bc0dcce0c606f5fdc82072bb552e67b0d9b3957d7c814e6e0408f0e48d39c530f61e76d575d0579ca83c57159cf9642ecf47e31faf815015e48119070
378	d6344f90-e14d-4182-90e1-1472839532ef	376	claim	TRADEMARK PROTECTION	Project Gutenberg is a registered trademark, and its use is subject to specific rules, including not charging for an eBook except by following the terms of the trademark license and paying royalties for use of the Project Gutenberg trademark. Redistribution, especially commercial redistribution, is subject to the trademark license.	PROJECT GUTENBERG	NONE	TRUE	NONE	NONE	Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. Redistribution is subject to the trademark license, especially commercial redistribution.	c8fbd26f91823c6bee5e3a9fed807cd9a514a9c03c82cc994dd8cab3c16b6d50fafe2856fbfbdbc737fc1a0b9ddb71b7729d0b7bacad00f049613a6213a5f24c
379	3c185551-e18d-4d36-a702-8065ee5b2b39	377	claim	COPYRIGHT MANAGEMENT	The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF) owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States.	PROJECT GUTENBERG LITERARY ARCHIVE FOUNDATION	NONE	TRUE	NONE	NONE	The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States.	c8fbd26f91823c6bee5e3a9fed807cd9a514a9c03c82cc994dd8cab3c16b6d50fafe2856fbfbdbc737fc1a0b9ddb71b7729d0b7bacad00f049613a6213a5f24c
380	281503f9-ec06-45f6-8471-8972ed7ee5ac	378	claim	COPYRIGHT JURISDICTION	The copyright status of works in the Project Gutenberg collection is determined by U.S. copyright law, and works not protected by U.S. copyright law can be freely copied and distributed in the United States without permission or payment of royalties.	UNITED STATES	NONE	TRUE	NONE	NONE	Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties.	c8fbd26f91823c6bee5e3a9fed807cd9a514a9c03c82cc994dd8cab3c16b6d50fafe2856fbfbdbc737fc1a0b9ddb71b7729d0b7bacad00f049613a6213a5f24c
381	d07a93d4-1751-4836-8037-ed856f8b6a11	379	claim	FREE DISTRIBUTION POLICY	Project Gutenberg eBooks may be modified, printed, and given away, and you may do practically anything in the United States with eBooks not protected by U.S. copyright law, subject to the trademark license.	PROJECT GUTENBERG	NONE	TRUE	NONE	NONE	Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.	c8fbd26f91823c6bee5e3a9fed807cd9a514a9c03c82cc994dd8cab3c16b6d50fafe2856fbfbdbc737fc1a0b9ddb71b7729d0b7bacad00f049613a6213a5f24c
382	8595ad99-caea-4c8e-a583-1e79ff3a5298	380	claim	LICENSE AGREEMENT	By reading or using any part of a Project Gutenberg™ electronic work, you indicate that you have read, understood, and agreed to all the terms of the license and intellectual property agreement. If you do not agree, you must cease using and return or destroy all copies.	PROJECT GUTENBERG	NONE	TRUE	NONE	NONE	By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession.	c8fbd26f91823c6bee5e3a9fed807cd9a514a9c03c82cc994dd8cab3c16b6d50fafe2856fbfbdbc737fc1a0b9ddb71b7729d0b7bacad00f049613a6213a5f24c
383	6e19cb3c-90d0-4083-ae0b-6c45d491f1f3	381	claim	REFUND POLICY	If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and do not agree to be bound by the terms of the agreement, you may obtain a refund from the person or entity to whom you paid the fee.	PROJECT GUTENBERG	NONE	TRUE	NONE	NONE	If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.	c8fbd26f91823c6bee5e3a9fed807cd9a514a9c03c82cc994dd8cab3c16b6d50fafe2856fbfbdbc737fc1a0b9ddb71b7729d0b7bacad00f049613a6213a5f24c
384	1751c070-5693-4590-8cd3-9e439fa34663	382	claim	LICENSE DISPLAY REQUIREMENT	Whenever any copy of a Project Gutenberg™ work is accessed, displayed, performed, viewed, copied, or distributed, the following sentence with active links or immediate access to the full Project Gutenberg™ License must appear prominently.	PROJECT GUTENBERG	NONE	TRUE	NONE	NONE	The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org	c8fbd26f91823c6bee5e3a9fed807cd9a514a9c03c82cc994dd8cab3c16b6d50fafe2856fbfbdbc737fc1a0b9ddb71b7729d0b7bacad00f049613a6213a5f24c
385	22af4985-601a-4033-9fe0-f60b5427f784	383	claim	INTERNATIONAL COPYRIGHT LIMITATION	The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. Users outside the United States should check the laws of their country before downloading, copying, displaying, performing, distributing, or creating derivative works based on Project Gutenberg™ works.	PROJECT GUTENBERG	NONE	TRUE	NONE	NONE	The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.	c8fbd26f91823c6bee5e3a9fed807cd9a514a9c03c82cc994dd8cab3c16b6d50fafe2856fbfbdbc737fc1a0b9ddb71b7729d0b7bacad00f049613a6213a5f24c
386	770420be-416b-485c-8b66-d63f56ba0718	384	claim	COPYRIGHT AND DISTRIBUTION TERMS	Project Gutenberg electronic works are subject to specific copyright and distribution terms, including requirements for copying, distributing, and charging fees, as outlined in the Project Gutenberg License. These terms include not charging fees unless certain conditions are met, providing refunds under specified circumstances, and not removing license terms from distributed works.	PROJECT GUTENBERG	NONE	TRUE	NONE	NONE	This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.; If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges.; If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder.; Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.; Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.; You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.; Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.; You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.; If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.	ce8def65adda7dd8fdb8a31c10f5749d3c97955fdb02462ff408cc9514078e8cc268b3b5fef4f761fe67d20dbf9208f60827741da2575c7f8e1b79bdcf557c3c
387	fb597f6c-deeb-48f6-b7af-065f22f6627e	385	claim	ROYALTY MANAGEMENT	The Project Gutenberg Literary Archive Foundation is designated as the recipient of royalty payments for the use of Project Gutenberg works, as the owner of the Project Gutenberg trademark has agreed to donate royalties to the Foundation. The Foundation also manages permissions for charging fees or distributing works on different terms.	PROJECT GUTENBERG LITERARY ARCHIVE FOUNDATION	NONE	TRUE	NONE	NONE	The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”; If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.	ce8def65adda7dd8fdb8a31c10f5749d3c97955fdb02462ff408cc9514078e8cc268b3b5fef4f761fe67d20dbf9208f60827741da2575c7f8e1b79bdcf557c3c
388	62987cdc-fe0e-4879-9dd8-a36342c46bb1	386	claim	GEO-LEGAL RESTRICTIONS	The use and distribution of Project Gutenberg works is subject to legal restrictions based on geographic location. Users in the United States and most other parts of the world may use the works at no cost and with almost no restrictions, but users outside the United States must check local laws before using the eBook.	UNITED STATES	NONE	TRUE	NONE	NONE	This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.	ce8def65adda7dd8fdb8a31c10f5749d3c97955fdb02462ff408cc9514078e8cc268b3b5fef4f761fe67d20dbf9208f60827741da2575c7f8e1b79bdcf557c3c
389	d0778fe6-fa14-47ee-93e7-4740fb0baec4	387	claim	EFFORTS IN COPYRIGHT RESEARCH	Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law.	PROJECT GUTENBERG VOLUNTEERS AND EMPLOYEES	NONE	TRUE	NONE	NONE	Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law	ce8def65adda7dd8fdb8a31c10f5749d3c97955fdb02462ff408cc9514078e8cc268b3b5fef4f761fe67d20dbf9208f60827741da2575c7f8e1b79bdcf557c3c
390	f17222b3-06bd-4563-8a1f-f74c7e409d7c	388	claim	COPYRIGHT RESEARCH AND PROOFREADING	Project Gutenberg volunteers and employees, under the Project Gutenberg Literary Archive Foundation, expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection.	PROJECT GUTENBERG LITERARY ARCHIVE FOUNDATION	NONE	TRUE	NONE	NONE	Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection.	76013c7710a87a9d6188bf34236cc8c123af17969d6d0eeab3dc6b74ce8f23b7c0aa08dd4cbd9c2cd4b2c0ab2b9006286d96fc701c816d9fdf03d7645d8c792b
391	4e6dd1a0-f85e-49a1-b6ad-e32cd64b4a05	389	claim	DEFECTIVE ELECTRONIC WORKS	Despite efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as incomplete, inaccurate or corrupt data, transcription errors, copyright or other intellectual property infringement, defective or damaged disk or other medium, computer virus, or computer codes that damage or cannot be read by your equipment.	PROJECT GUTENBERG LITERARY ARCHIVE FOUNDATION	NONE	SUSPECTED	NONE	NONE	Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.	76013c7710a87a9d6188bf34236cc8c123af17969d6d0eeab3dc6b74ce8f23b7c0aa08dd4cbd9c2cd4b2c0ab2b9006286d96fc701c816d9fdf03d7645d8c792b
392	04c80efe-ff13-4662-8e26-d47dfe10eb9c	390	claim	LIMITED WARRANTY	The Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees, except for the “Right of Replacement or Refund” described in paragraph 1.F.3.	PROJECT GUTENBERG LITERARY ARCHIVE FOUNDATION	NONE	TRUE	NONE	NONE	LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees.	76013c7710a87a9d6188bf34236cc8c123af17969d6d0eeab3dc6b74ce8f23b7c0aa08dd4cbd9c2cd4b2c0ab2b9006286d96fc701c816d9fdf03d7645d8c792b
393	0af1e702-7c01-4b8e-b34b-0ebc72323a0d	391	claim	RIGHT OF REPLACEMENT OR REFUND	If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund.	PROJECT GUTENBERG LITERARY ARCHIVE FOUNDATION	NONE	TRUE	NONE	NONE	If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.	76013c7710a87a9d6188bf34236cc8c123af17969d6d0eeab3dc6b74ce8f23b7c0aa08dd4cbd9c2cd4b2c0ab2b9006286d96fc701c816d9fdf03d7645d8c792b
394	aaae577c-15b0-4853-a879-1f84ff0fb321	392	claim	NO WARRANTIES	Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.	PROJECT GUTENBERG LITERARY ARCHIVE FOUNDATION	NONE	TRUE	NONE	NONE	Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.	76013c7710a87a9d6188bf34236cc8c123af17969d6d0eeab3dc6b74ce8f23b7c0aa08dd4cbd9c2cd4b2c0ab2b9006286d96fc701c816d9fdf03d7645d8c792b
395	168ecad4-eb68-4b1c-af06-c6f3301c9da9	393	claim	INDEMNITY REQUIREMENT	You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.	PROJECT GUTENBERG LITERARY ARCHIVE FOUNDATION	NONE	TRUE	NONE	NONE	You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.	76013c7710a87a9d6188bf34236cc8c123af17969d6d0eeab3dc6b74ce8f23b7c0aa08dd4cbd9c2cd4b2c0ab2b9006286d96fc701c816d9fdf03d7645d8c792b
396	a5d46c07-3118-486f-9efc-85d126d7a49f	394	claim	NON-PROFIT STATUS	In 2001, the Project Gutenberg Literary Archive Foundation was created as a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service.	PROJECT GUTENBERG LITERARY ARCHIVE FOUNDATION	NONE	TRUE	2001-01-01T00:00:00	2001-12-31T00:00:00	In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service.	76013c7710a87a9d6188bf34236cc8c123af17969d6d0eeab3dc6b74ce8f23b7c0aa08dd4cbd9c2cd4b2c0ab2b9006286d96fc701c816d9fdf03d7645d8c792b
397	a003a099-7f7a-4330-a51f-5d33878472dc	395	claim	TAX DEDUCTIBLE CONTRIBUTIONS	Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.	PROJECT GUTENBERG LITERARY ARCHIVE FOUNDATION	NONE	TRUE	NONE	NONE	Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.	76013c7710a87a9d6188bf34236cc8c123af17969d6d0eeab3dc6b74ce8f23b7c0aa08dd4cbd9c2cd4b2c0ab2b9006286d96fc701c816d9fdf03d7645d8c792b
398	d695f109-b2c2-438b-b2f1-7064746ca3da	396	claim	BUSINESS OFFICE LOCATION	The Foundation’s business office is located at 809 North 1500 West, Salt Lake City.	PROJECT GUTENBERG LITERARY ARCHIVE FOUNDATION	NONE	TRUE	NONE	NONE	The Foundation’s business office is located at 809 North 1500 West, Salt Lake City,	76013c7710a87a9d6188bf34236cc8c123af17969d6d0eeab3dc6b74ce8f23b7c0aa08dd4cbd9c2cd4b2c0ab2b9006286d96fc701c816d9fdf03d7645d8c792b
399	075a7788-055b-41e5-8c4b-fde37e6576d2	397	claim	TAX EXEMPT STATUS	The Project Gutenberg Literary Archive Foundation is a 501(c)(3) educational corporation organized under the laws of Mississippi and has been granted tax exempt status by the Internal Revenue Service. Contributions to the Foundation are tax deductible to the full extent permitted by U.S. federal laws and state laws.	PROJECT GUTENBERG LITERARY ARCHIVE FOUNDATION	INTERNAL REVENUE SERVICE	TRUE	NONE	NONE	501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.	28afb21c8b720bb8ac87cd8439a681b2c9fc82412e658095bfa5a743c9a93ba133c9d2cda75c0d089f2f56e4c8aa2f8ea93ff3a3e7b98a21c618d2733fc21c6e
400	81a772d9-fab0-4769-bc42-56035f6c0e59	398	claim	DONATION ACCEPTANCE POLICY	The Foundation accepts donations from the public to support its mission of increasing the number of public domain and licensed works. It does not solicit donations in locations where it has not received written confirmation of compliance, but will accept unsolicited donations from donors in such states. International donations are accepted, but no statements are made about tax treatment outside the U.S.	PROJECT GUTENBERG LITERARY ARCHIVE FOUNDATION	NONE	TRUE	NONE	NONE	Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. ... We do not solicit donations in locations where we have not received written confirmation of compliance. ... While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States.	28afb21c8b720bb8ac87cd8439a681b2c9fc82412e658095bfa5a743c9a93ba133c9d2cda75c0d089f2f56e4c8aa2f8ea93ff3a3e7b98a21c618d2733fc21c6e
401	1e68bc3f-f34d-4437-ad67-92f6c3fcc32c	399	claim	COMPLIANCE WITH CHARITY LAWS	The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and require considerable effort, paperwork, and fees to maintain.	PROJECT GUTENBERG LITERARY ARCHIVE FOUNDATION	NONE	TRUE	NONE	NONE	The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements.	28afb21c8b720bb8ac87cd8439a681b2c9fc82412e658095bfa5a743c9a93ba133c9d2cda75c0d089f2f56e4c8aa2f8ea93ff3a3e7b98a21c618d2733fc21c6e
402	ee3b34b7-08d3-4f2b-97a3-605609443a1e	400	claim	BUSINESS LOCATION	The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116.	PROJECT GUTENBERG LITERARY ARCHIVE FOUNDATION	NONE	TRUE	NONE	NONE	The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887.	28afb21c8b720bb8ac87cd8439a681b2c9fc82412e658095bfa5a743c9a93ba133c9d2cda75c0d089f2f56e4c8aa2f8ea93ff3a3e7b98a21c618d2733fc21c6e
403	49e908af-4f30-4673-8d03-a60a1979789c	401	claim	MISSION STATEMENT	Project Gutenberg’s mission is to increase the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment.	PROJECT GUTENBERG	NONE	TRUE	NONE	NONE	Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment.	28afb21c8b720bb8ac87cd8439a681b2c9fc82412e658095bfa5a743c9a93ba133c9d2cda75c0d089f2f56e4c8aa2f8ea93ff3a3e7b98a21c618d2733fc21c6e
404	9a00eb74-f99b-4a67-89ff-6d48d65d7128	402	claim	EBOOK CREATION POLICY	Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. The organization does not necessarily keep eBooks in compliance with any particular paper edition.	PROJECT GUTENBERG	NONE	TRUE	NONE	NONE	Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.	28afb21c8b720bb8ac87cd8439a681b2c9fc82412e658095bfa5a743c9a93ba133c9d2cda75c0d089f2f56e4c8aa2f8ea93ff3a3e7b98a21c618d2733fc21c6e
405	b9a0a2db-9eb6-4713-a0c4-0207bbcb2fa2	403	claim	ORIGINATOR OF PROJECT GUTENBERG	Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.	PROFESSOR MICHAEL S. HART	NONE	TRUE	NONE	NONE	Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.	28afb21c8b720bb8ac87cd8439a681b2c9fc82412e658095bfa5a743c9a93ba133c9d2cda75c0d089f2f56e4c8aa2f8ea93ff3a3e7b98a21c618d2733fc21c6e
406	fe6664a8-0b8c-454e-911b-df61421fdb37	404	claim	BUSINESS LOCATION	The Foundation’s business office is located in Salt Lake City, Utah.	SALT LAKE CITY	NONE	TRUE	NONE	NONE	The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887.	28afb21c8b720bb8ac87cd8439a681b2c9fc82412e658095bfa5a743c9a93ba133c9d2cda75c0d089f2f56e4c8aa2f8ea93ff3a3e7b98a21c618d2733fc21c6e
407	c7ab6299-cb57-46cc-8fe9-869fbc22d896	405	claim	INCORPORATION LOCATION	The Project Gutenberg Literary Archive Foundation is organized under the laws of the state of Mississippi.	MISSISSIPPI	NONE	TRUE	NONE	NONE	501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service.	28afb21c8b720bb8ac87cd8439a681b2c9fc82412e658095bfa5a743c9a93ba133c9d2cda75c0d089f2f56e4c8aa2f8ea93ff3a3e7b98a21c618d2733fc21c6e